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IMDbPro

...a pátý jezdec je Strach

  • 1965
  • TV-MA
  • 1h 40min
NOTE IMDb
7,2/10
690
MA NOTE
...a pátý jezdec je Strach (1965)
DrameGuerre

Un médecin juif en République tchèque occupée par les nazis (alors Bohême et Moravie) risque sa vie et tente de retrouver son identité en aidant un fugitif politique blessé.Un médecin juif en République tchèque occupée par les nazis (alors Bohême et Moravie) risque sa vie et tente de retrouver son identité en aidant un fugitif politique blessé.Un médecin juif en République tchèque occupée par les nazis (alors Bohême et Moravie) risque sa vie et tente de retrouver son identité en aidant un fugitif politique blessé.

  • Réalisation
    • Zbynek Brynych
  • Scénario
    • Milan Nejedlý
    • Hana Belohradska
    • Zbynek Brynych
  • Casting principal
    • Miroslav Machácek
    • Olga Scheinpflugová
    • Zdenka Procházková
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,2/10
    690
    MA NOTE
    • Réalisation
      • Zbynek Brynych
    • Scénario
      • Milan Nejedlý
      • Hana Belohradska
      • Zbynek Brynych
    • Casting principal
      • Miroslav Machácek
      • Olga Scheinpflugová
      • Zdenka Procházková
    • 12avis d'utilisateurs
    • 21avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 victoires et 1 nomination au total

    Photos63

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    Rôles principaux39

    Modifier
    Miroslav Machácek
    Miroslav Machácek
    • docent Armin Braun
    Olga Scheinpflugová
    • Ucitelka hudby
    Zdenka Procházková
    Zdenka Procházková
    • Marta - manzelka Veselého
    Jirí Adamíra
    Jirí Adamíra
    • majitel domu JUDr. Karel Veselý l
    Josef Vinklár
    Josef Vinklár
    • velitel civilní obrany Vlastimil Fanta
    Ilja Prachar
    Ilja Prachar
    • rezník Sidlák
    Jana Pracharová
    Jana Pracharová
    • Vera - Sidlákova manzelka
    Jirí Vrstála
    Jirí Vrstála
    • Komisar
    Tomás Hádl
    • Honzik
    Eva Svobodová
    Eva Svobodová
    • domovnice Kratochvílová
    Jirí Pleskot
    Jirí Pleskot
    • Policista v civilu
    Milan Mach
    Milan Mach
    • Policista v civilu
    Mirko Musil
    Mirko Musil
    • Policista v civilu
    Roman Hemala
    Roman Hemala
    • Policista v civilu
    Slávka Budínová
    Slávka Budínová
    • Helena - Wienerova zena
    Cestmír Randa
    Cestmír Randa
    • MUDr. Emil Wiener
    Karel Novacek
    • postrelený odbojár Pánek
    Alexandra Myskova
    • Excentricka
    • Réalisation
      • Zbynek Brynych
    • Scénario
      • Milan Nejedlý
      • Hana Belohradska
      • Zbynek Brynych
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs12

    7,2690
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Avis à la une

    10hofnarr

    " . . . and the 5th horseman is fear."

    A prophecy in Zechariah 6: 1-3 mentions red horses, black horses, white horses, and grey horses riding out into the world with no real mention of their riders. But in Revelation 6:2-7 in a description of the Apocalypse the riders are given some characteristics: the white horse has a rider with a bow who "went out conquering and to conquer"; the rider of the red horse takes peace from the earth and is given a great sword; the rider on the black horse has a balance and illustrates the calamitous rise in prices of scarce and necessary food; and the rider of the pale horse's name is Death.

    Any type of war engenders cruelties. But when hope is displaced by fear, survival is surely threatened. As a fellow doctor tells Dr. Braun, in search of morphine to abate the pain of a wounded man on whom he has operated "We have up to 20 Jewish suicides a day - we manage to save most of them." Certainly a society that has placards proliferating everywhere admonishing "Inform promptly and accurately and insure your own safety," along with the 44811 informer number to call would not give much cause for hope. But Dr. Braun does not seem to give up hope completely - even when all is dark he says "A man is as he thinks - you can't change that." And yet Dr. Braun is assailed by fear also. More than once we hear martial music without seeing a band and Dr. Braun also sees a man with some sort of van who is there one moment and gone the next. Do we see what we fear most? It's hard to tell.

    I found the musical score very intriguing - starting off before the opening credits was a brass fanfare, merging into flutes and then saxophones (and/or other reed instruments) and then back to brass and flutes throughout the opening credit sequences against a backdrop of massed notices on walls. The succession of one type of instrument being replaced by another was continued throughout the film.

    I was limited to what the different wall placards were saying by occasional subtitles. It would have been interesting to know if the placards dealt with more than just informing. There was one word seen repeatedly - it seemed to start out "PYSA" or "PYHLA" or perhaps "PYKASRA" - the font type made it difficult to decipher . . . and my Czech is rather minimal, ah no . ..

    The film music ends much as it began with brass playing to images of trains, then flute and then brass with images of cars then more flutes followed by piano with views of crowds and then ending with the brass section again.

    "Death's a trifle if it's not my own."

    But Dr. Braun carries on as best he can - "A man is as he thinks - you can't change that."
    7JuguAbraham

    Visually stunning and an unusual indirect presentation of the Nazi Holocaust

    Superlative camera angles for a Sixties film! Zbynek Brynych is one of the most important Czech directors after Milos Forman, Jiri Menzel and animator Jiri Trnka. The film is about the Nazi Holocaust while it is never openly stated in the film. The confiscated property of the Jews sent to concentration camps and a chimney emitting black smoke are the only close indirect indicators of the main subject. I couldn't spot the word Jews in the English subtitles. The visuals did show the Swastika in a casual manner on printed matter. The use of a young boy and the ominously empty streets are the highlights of the director's creativity. There are two different sequences of two different men on a bicycle--the differences speak volumes, even though the location is the same one. Varied reactions of the building's inhabitants, who knew each other, in the final sequence are amazingly well-captured by the director and his incredibly talented cinematographer Jan Kalis.
    6LONNISAN

    Probably one of, if not the best Holocaust films ever made!

    I saw this movie when I was a teenager and it's stayed with me ever since. Why it has never been digitalized for VHS and/or DVD is a mystery to me. This movie captures the true essence of horrible Nazi atrocities without today's special effects or computer graphics and is able to communicate it's primal message to the viewer with the best acting, directing and film noir that I've ever seen. Strangely, the film (titled "The Fith Horseman is Fear" for American audiences) leaves you with a sense of hope and is somewhat uplifting - I strongly recommend it and hope that this message helps attract enough attention for someone to format it for home viewing.
    10searchanddestroy-1

    Pure gem of a film

    It even more painful to realize that there are maybe thousands of those unknown gems from the other side of the former Iron Curtain; of course not large audiences movies, maybe too intellectual but that's precisely why they are so interesting. This kind of topic could have been told in France, or any other western country. I could think about French MR KLEIN, the closest scheme to this one. Those Polish or Czech films, shot in black and white, were all gloomy, depressing, obscure, but so well filmed, with such camera work skills. I highly recommend it to any WW2 related gem diggers.
    6LONNISAN

    A superb Holocaust film that definitely should be revisited now!

    I remember seeing this film when I was much younger and was so taken / moved by it that I've been trying to find it to own. The depiction of the main character's descent into near madness by the evil Nazi occupiers is probably one of the finest performances ever! This movie should DEFINITELY be taped and released as soon as possible.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Jana Pracharová's debut.
    • Citations

      docent Armin Braun: I was never interested in politics.

    • Connexions
      Referenced in The Projectionist (1970)
    • Bandes originales
      Toccata and Fugue in D minor
      (uncredited)

      Music by Johann Sebastian Bach

      Played during the shower scene

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    Détails

    Modifier
    • Date de sortie
      • 12 février 1965 (Tchécoslovaquie)
    • Pays d’origine
      • Tchécoslovaquie
    • Langue
      • Tchèque
    • Aussi connu sous le nom de
      • Le cinquième cavalier, c'est la peur
    • Sociétés de production
      • Filmové studio Barrandov
      • Ceskoslovenský Filmexport
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 40min(100 min)
    • Couleur
      • Black and White
    • Mixage
      • Mono
    • Rapport de forme
      • 2.35 : 1

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