Un médecin juif en République tchèque occupée par les nazis (alors Bohême et Moravie) risque sa vie et tente de retrouver son identité en aidant un fugitif politique blessé.Un médecin juif en République tchèque occupée par les nazis (alors Bohême et Moravie) risque sa vie et tente de retrouver son identité en aidant un fugitif politique blessé.Un médecin juif en République tchèque occupée par les nazis (alors Bohême et Moravie) risque sa vie et tente de retrouver son identité en aidant un fugitif politique blessé.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 1 nomination au total
Avis à la une
It even more painful to realize that there are maybe thousands of those unknown gems from the other side of the former Iron Curtain; of course not large audiences movies, maybe too intellectual but that's precisely why they are so interesting. This kind of topic could have been told in France, or any other western country. I could think about French MR KLEIN, the closest scheme to this one. Those Polish or Czech films, shot in black and white, were all gloomy, depressing, obscure, but so well filmed, with such camera work skills. I highly recommend it to any WW2 related gem diggers.
Really great Czech film of the 60´s. I think the best picture by the director Zbynek Brynych. Armin Braun (performed by Miroslav Machacek) is a doctor of Jewish origin. In spite of the fact he could be killed by the Nazis and the whole block-of-flat with him, he is performing an operation of an injured revolter. While the operation is finished he has to find morphine to give it to the revolter because of big pains he has after the medical help.
We can see the excellent performance of Miroslav Machacek in the monologue part (by the way which lasts 3 minutes!!) in which he is deciding to help or not to help. I can recommend this movie to everyone who likes great acting in a good story.
We can see the excellent performance of Miroslav Machacek in the monologue part (by the way which lasts 3 minutes!!) in which he is deciding to help or not to help. I can recommend this movie to everyone who likes great acting in a good story.
I spent one winter systematically going through each & every film in the London Czech Centre's Video library, & of all the films, I returned to this one time & again. It's a fantastic & bizarre film, where the state of despair that existed under communism is encoded in a strange blending of the past , the present & film
noir.
There is the feeling that an ad-hoc attempt to get past the censors unwittingly produces an utterly Czechoslovakian perspective.To those familiar with Eastern Europe pre 1989, the sense of time having become stuck & disorientated & playing games with your perception is part of
the magic of this film.
My fondness for this film is rooted in a nostalgia or need to remember
communist Europe. I first visited Prague in the mid 1980's & i was so struck that the Prague of this film replicated almost identically the Prague i found & came to know 20 years later, in the last years of Communism. My nights at the Cafe
Slavia were exactly as the Jazz club scenes depicted in the film, with the same dramas & the same characters. Also the sense of mistrust , betrayal & of being watched & listened to & the perverse relation to Psychiatry. I thought this connection was very profound, & it made me think this film was, in some way, important . Both the film & my experiences in Prague sat either side of the Brief thaw of the late sixties. They bypassed that optimistic period & looked directly at each other; the one reflecting a National trauma of the war & Communist conversion & the other reflecting the trauma of 2 decades of
stagnation. Often when people think of Czech New Wave, they think in terms of 60's youth & Prague spring. But this film brought home to me how brief that
period really was & it's focus is the context from which that period rose &
returned to; a shockingly, relentless, hyper-unreal, oppressive isolation which was the former state of Czechoslovakia. Go see, fantastic -
noir.
There is the feeling that an ad-hoc attempt to get past the censors unwittingly produces an utterly Czechoslovakian perspective.To those familiar with Eastern Europe pre 1989, the sense of time having become stuck & disorientated & playing games with your perception is part of
the magic of this film.
My fondness for this film is rooted in a nostalgia or need to remember
communist Europe. I first visited Prague in the mid 1980's & i was so struck that the Prague of this film replicated almost identically the Prague i found & came to know 20 years later, in the last years of Communism. My nights at the Cafe
Slavia were exactly as the Jazz club scenes depicted in the film, with the same dramas & the same characters. Also the sense of mistrust , betrayal & of being watched & listened to & the perverse relation to Psychiatry. I thought this connection was very profound, & it made me think this film was, in some way, important . Both the film & my experiences in Prague sat either side of the Brief thaw of the late sixties. They bypassed that optimistic period & looked directly at each other; the one reflecting a National trauma of the war & Communist conversion & the other reflecting the trauma of 2 decades of
stagnation. Often when people think of Czech New Wave, they think in terms of 60's youth & Prague spring. But this film brought home to me how brief that
period really was & it's focus is the context from which that period rose &
returned to; a shockingly, relentless, hyper-unreal, oppressive isolation which was the former state of Czechoslovakia. Go see, fantastic -
The Fifth Horseman is Fear is one of those remarkable classics of the Czech so-called New Wave film making, until it was suppressed by the Communist government (and this film, incidentally was banned there). This is one of my most favorite films and I have been waiting and waiting for it to become available (it used to be distributed by Orion Films). Finally, the DVD was issued, and I discovered that one of the key scenes is omitted. This scene, the protagonist's visit to a Nazi brothel (in the course of his search for morphine for the wounded resistance fighter) was one of the original highlights of an already wonderful film. So what happened? Was it censored in the copy that the DVD people used? If anyone has any information about this or as to how I can find the "real" thing, I'd be grateful.
1968) ...And The Fifth Horseman Is Fear/ ...a pátý jezdec je Strach
(In Czechoslovakia with English subtitles)
WAR/ DRAMA
Almost plot less where the film states the situation without telling a story, but it is still effective once the viewer hangs onto it about actual oppression and dictatorship felt by an once renowned ex-Jewish doctor, Dr. Braun(Miroslav Machácek) while living in the Nazi invaded town of Czechoslovakia. He eventually regains his identity once he was asked to perform surgery to save a stranger injured by a gun shot wound! Possesses the same emotions as "The Pawnbroker" starring Rod Steiger! If watched obliviously without reading the synopsis would make the first half hour hard to get into since it's rather plot less, and was able to tolerate it once I listened to the introduction told by Robert Osbourne of "Turner Classic Movies". Interesting note that the film had to be approved by gov't censors who at the time it was made would not approve the film at all, had they known it was about the Czech authorities working alongside with the Nazis!
Almost plot less where the film states the situation without telling a story, but it is still effective once the viewer hangs onto it about actual oppression and dictatorship felt by an once renowned ex-Jewish doctor, Dr. Braun(Miroslav Machácek) while living in the Nazi invaded town of Czechoslovakia. He eventually regains his identity once he was asked to perform surgery to save a stranger injured by a gun shot wound! Possesses the same emotions as "The Pawnbroker" starring Rod Steiger! If watched obliviously without reading the synopsis would make the first half hour hard to get into since it's rather plot less, and was able to tolerate it once I listened to the introduction told by Robert Osbourne of "Turner Classic Movies". Interesting note that the film had to be approved by gov't censors who at the time it was made would not approve the film at all, had they known it was about the Czech authorities working alongside with the Nazis!
Le saviez-vous
- AnecdotesJana Pracharová's debut.
- Citations
docent Armin Braun: I was never interested in politics.
- ConnexionsReferenced in The Projectionist (1970)
- Bandes originalesToccata and Fugue in D minor
(uncredited)
Music by Johann Sebastian Bach
Played during the shower scene
Meilleurs choix
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Le cinquième cavalier, c'est la peur
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 40min(100 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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