Foreign Correspondents

If you want to be able to say in the future that you spotted Mark Kines' talent early -- see his first film, "Foreign Correspondents." My guess is he will go on to make many great movies. Like most first attempts, "F.C." has some flaws, but they are minor. What counts is that it's, in the end, fresh, creative and a pleasure to spend 102 minutes with. Be sure and get the DVD format, because the director's comments version of the film will add a great deal to your enjoyment and understanding. If you like movies at all and enjoy watching an outstanding talent develop, don't miss Mark Kines', "Foreign Correspondents." Oh yes, I do have a quibble with the title, I think it should be "Foreign Correspondence" -- that would be a better play on the double meaning. See it, you'll like it.

My sentiments about this film remain much as my earlier comments indicate. However, the director, Mark Kines, was kind enough respect my right to the opinions I offered, while pointing out -- via the IMDb -- that, factually, Melanie Lynskey did NOT have to pay her way to the US from New Zealand. She was treated rather well here, glad to have an opportunity to be near Hollywood to explore possible future roles, make contacts with major studios, etc. She also knew the script in advance of coming. Kines had the smarts to seek her out and ask for her -- and PAY her! He deserves credit for that and more. I am sorry to have misled people. Was it fair to characterize her role as Melody as being "a wallflower"? A few other viewers' comments have been even less kind; still, "wallflower" probably was the wrong word. Melody knows what she's about; she's no push-over. She may be unhappy, yet never desperate or desolate. My problem remains: it's just not very dynamic. I'm not asking for gunfire, or weeping and running about. So-called quiet films often appeal to me for their very quietness. And, as I said before, there's much to enjoy about "Foreign Correspondents." I'm happy to say it again. What Kines attempted with her plot-line was extremely difficult -- and maybe film schools should post signs in big letters: Don't try this! Having Michael J. Fox play a coke-head in "Bright Lights, Big City" comes to mind. Not for a minute was he convincing in that role. (Loved him in "Doc Hollywood.") Kines' error was of a much lesser magnitude. And... my expectations for Lynskey and her part were sky-high, up in the clouds. I would accept no less than another "Heavenly Creatures" turn. And why not add in some startling b&w images from old Orson Welles' films, too -- and those terrific dancing mud-creatures -- what happened to them? All of which made it difficult to see and appreciate "Foreign Correspondents" in its own right; so I apologize.

"Foreign Correspondents" tells two short stories back to back with a clumsy attempt at the end of the second to dovetail it into the first. Both have annoyingly indecisive protagonists so don't look for any heroics. Both remain unresolved at the end which some will find unsatisfying. Both are sufficiently lacking in complexity as to require plenty of filler; inconsequential stuff which doesn't add impetus to the plot. Nonetheless, for a low budget indie, the first story is surprisingly compelling and the second is surprisingly engaging. "FC" should be a moderately enjoyable watch for indie lovers into drama. (C)

On the surface, this is a story of young people who are battling loneliness. But it's also the story of getting past pretense, of finding out who a person really is. It deals with fooling oneself, and fooling others. There's a rather humorous undertone of how foreigners view Americans, and vice versa. During the story, some of the characters develop, and some don't. Those who don't develop seem to prefer deluding themselves, in order to protect their hearts from a world of hurt. I recommend that you go see the movie, if you can!

Quiet, poignant duo of thematically intertwined stories of love and yearning. Acting is excellent, the characters themselves are very believable (okay, not all of them are entirely likable, but they are believable.) The storylines never take the easy cliche.