NOTE IMDb
6,0/10
1,7 k
MA NOTE
Ajouter une intrigue dans votre langueBruno is a unique young boy genius, whose expression of his own individuality leads his family and community along an emotional journey.Bruno is a unique young boy genius, whose expression of his own individuality leads his family and community along an emotional journey.Bruno is a unique young boy genius, whose expression of his own individuality leads his family and community along an emotional journey.
- Réalisation
- Scénario
- Casting principal
Avis à la une
Bruno had two ineffectual parents - an intelligent boy who is out of place except in his own world of spelling. The movie allows the viewer to feel the hurt of the various characters without damning any of them. It shows how adults can be so wrapped up in their own turmoil and battling their inner demons and disappointments that they fail to see just how their children are being affected.
Bruno manages to touch your heart on one hand and make you want to shout at the screen characters at the same time.
The mother is so over the top that at times you are waiting for the punch line to come, but it doesn't - and you are left wanting to shake her and say get over yourself - look at your son! The father mopes around and turns to a shallow witch who on one hand you can see that he cringes with her behavior but his own pitifully low self-esteem makes him gravitate right back to her - maybe her being so low makes him feel so much better? Anyway, the film will grab you and at times frustrate you but there is an underlying redeeming message - tolerance, recognition of uniqueness.
Bruno manages to touch your heart on one hand and make you want to shout at the screen characters at the same time.
The mother is so over the top that at times you are waiting for the punch line to come, but it doesn't - and you are left wanting to shake her and say get over yourself - look at your son! The father mopes around and turns to a shallow witch who on one hand you can see that he cringes with her behavior but his own pitifully low self-esteem makes him gravitate right back to her - maybe her being so low makes him feel so much better? Anyway, the film will grab you and at times frustrate you but there is an underlying redeeming message - tolerance, recognition of uniqueness.
Maclaine does as superb job with her first directorial debut: Bruno (The Dress Code DVD title).
This movie pulls at the heart strings at points, and tickles the funny bone at others. All performances were excellent. Alex Linz has come a long way with his acting. He wasn't too great in Home Alone 3, but shines in Bruno.
The story is original and clever. A young boy named Bruno (linz), has a dream/vision that he is being chased by an angel, which is a nightly thing for him. During a hospital visit ( after a car accident), he is at the gates of heaven. Though it is not his time, he is dressed in the robes of an angel.
When he comes out of his slight coma, he besides that wearing dresses is as close to his spiritual gown. Calling them "holy vestments", He goes through his days in "drag".
Also a genius speller, Bruno challenges the Catholic faith and church, focusing his attention on opening peoples eyes to the beauty of Heaven...Through wearing dresses.
Maclaine plays the Bruno's grandmother, who, with her own son, bruno's father, was very dominant and aggressive. Boys didn't listen to Oprea, that was for sissies. Well, I don't like getting into too much detail...
Take heed, the movie is exception...the acting is great...and newcomer, angie, Bruno's obese mother was excellent.
8 out of 10
This movie pulls at the heart strings at points, and tickles the funny bone at others. All performances were excellent. Alex Linz has come a long way with his acting. He wasn't too great in Home Alone 3, but shines in Bruno.
The story is original and clever. A young boy named Bruno (linz), has a dream/vision that he is being chased by an angel, which is a nightly thing for him. During a hospital visit ( after a car accident), he is at the gates of heaven. Though it is not his time, he is dressed in the robes of an angel.
When he comes out of his slight coma, he besides that wearing dresses is as close to his spiritual gown. Calling them "holy vestments", He goes through his days in "drag".
Also a genius speller, Bruno challenges the Catholic faith and church, focusing his attention on opening peoples eyes to the beauty of Heaven...Through wearing dresses.
Maclaine plays the Bruno's grandmother, who, with her own son, bruno's father, was very dominant and aggressive. Boys didn't listen to Oprea, that was for sissies. Well, I don't like getting into too much detail...
Take heed, the movie is exception...the acting is great...and newcomer, angie, Bruno's obese mother was excellent.
8 out of 10
I thought for this to be Shirley's first directing job, she was amazing behind the camera. I hope that she will do more movies with Shirley herself in there. But then again, as I remember, she said she hated directing herself. Alex was great, Gary was wonderful, Stacie and Kiami took over the screen, and everybody else really took control of the movie. Although this is December, for the rest of this month, if you live on the West Coast, you can see it on Starz Movie Channel. Then you can check her website to read more about this movie. I don't know about anybody else, but I give this movie about 9 1/2 to 10 stars.
What were all of these fine stars thinking when they agreed to be involved with this chaos? I truly mean no offense to those of you here who love this film, but good grief! As has been mentioned, it was too ambiguous about what it was trying to say (if anything). The writers really needed to decide on the story they wanted to tell. Was this supposed to be about a kid responding to a religious epiphany, or a kid experiencing a gender identity crisis? The script insists that it's the former, so let's assume for the sake of argument that's the case. (See "Ma Vie en Rose" for a definitive film on the latter.)
If we're to believe that Bruno's choices come from a vision he had rather than confusion regarding gender or other issues, the film should have depicted him trying to imitate angels and religious figures by dressing in robes, not Cher's castoffs. (That could've been just as interesting, maybe more so -- I'm sure the Catholic school would've found Bruno's imitations of the Pope or Jesus just as shocking.) I find it impossible to believe that a boy that age would calmly discuss his La Cage aux Folles wardrobe as his way to open people's eyes to the beauty of Heaven, that he's not afraid of dying at the hands of people who would want to kill him for appearing in public this way, ad nauseam. (The conversation about all this between Bruno and grandmother MacLaine was absurd.)
If Bruno's motivations had been based on confusion, I would be the first to defend his right to wear dresses and appear feminine. This makes all the difference, and this is what I find offensive about this story passing itself off as a testament to tolerance. Unless there's a darn good reason for it, who in their right mind would let their nine-year-old boy run around looking like that? We're not talking about boys imitating Roman warriors, the Pope, Dalai Lama, and other historic figures Bruno cites in his argument to nun Kathy Bates (delivered with far too much confidence for a little boy coming from a screwed-up broken home, genius be damned). We're talking about a boy (who keeps insisting he doesn't want to be a girl, yeahrightsure) wearing decidedly feminine dresses, sequins and tiaras, MAKEUP and WIGS. AAHHGGHH!! These ensembles, fetching though they may be, have nothing to do with visions of angels or holy vestments. The kid is a mini drag queen, and the adults are wrong to encourage him in such outrageous public display, especially at school. Age nine is far too young to understand the implications of such things. The film gives the impression that anyone who has trouble with Bruno's actions is intolerant, homophobic, etc. What nonsense. Another reviewer said there are plenty of straight men who dress up in women's clothing. The key word is MEN.
I will say that the film looks very nice and some of the performances are fine. Alex Linz does a great job, but his dialogue is badly written; it simply doesn't ring true of a child. I'm simply not convinced that, having been through all Bruno supposedly has been through in his short life, he would be so self-assured.
If we're to believe that Bruno's choices come from a vision he had rather than confusion regarding gender or other issues, the film should have depicted him trying to imitate angels and religious figures by dressing in robes, not Cher's castoffs. (That could've been just as interesting, maybe more so -- I'm sure the Catholic school would've found Bruno's imitations of the Pope or Jesus just as shocking.) I find it impossible to believe that a boy that age would calmly discuss his La Cage aux Folles wardrobe as his way to open people's eyes to the beauty of Heaven, that he's not afraid of dying at the hands of people who would want to kill him for appearing in public this way, ad nauseam. (The conversation about all this between Bruno and grandmother MacLaine was absurd.)
If Bruno's motivations had been based on confusion, I would be the first to defend his right to wear dresses and appear feminine. This makes all the difference, and this is what I find offensive about this story passing itself off as a testament to tolerance. Unless there's a darn good reason for it, who in their right mind would let their nine-year-old boy run around looking like that? We're not talking about boys imitating Roman warriors, the Pope, Dalai Lama, and other historic figures Bruno cites in his argument to nun Kathy Bates (delivered with far too much confidence for a little boy coming from a screwed-up broken home, genius be damned). We're talking about a boy (who keeps insisting he doesn't want to be a girl, yeahrightsure) wearing decidedly feminine dresses, sequins and tiaras, MAKEUP and WIGS. AAHHGGHH!! These ensembles, fetching though they may be, have nothing to do with visions of angels or holy vestments. The kid is a mini drag queen, and the adults are wrong to encourage him in such outrageous public display, especially at school. Age nine is far too young to understand the implications of such things. The film gives the impression that anyone who has trouble with Bruno's actions is intolerant, homophobic, etc. What nonsense. Another reviewer said there are plenty of straight men who dress up in women's clothing. The key word is MEN.
I will say that the film looks very nice and some of the performances are fine. Alex Linz does a great job, but his dialogue is badly written; it simply doesn't ring true of a child. I'm simply not convinced that, having been through all Bruno supposedly has been through in his short life, he would be so self-assured.
I stayed up late last night to watch this movie on the cable. It is a little gem.
The script by David Ciminello was alive. I couldn't stop watching until the conclusion. I'm waiting to see his next one.
As a good Catholic boy I thrilled seeing the reactions of the nuns to the boy and his dress. Kathy Bates as "Mother Superior" was wonderful - in fact the casting was superb.
Some people have thrown negative comments about this film but really it is a fun film with a deep meaning.
The script by David Ciminello was alive. I couldn't stop watching until the conclusion. I'm waiting to see his next one.
As a good Catholic boy I thrilled seeing the reactions of the nuns to the boy and his dress. Kathy Bates as "Mother Superior" was wonderful - in fact the casting was superb.
Some people have thrown negative comments about this film but really it is a fun film with a deep meaning.
Le saviez-vous
- AnecdotesLast film project for Gwen Verdon.
- GaffesAt the end of the film when Bruno is about to board the plane, he hugs multiple people over the shoulder. When the camera cuts to a different angle, he is seen hugging under the shoulder during what is supposed to be the same hug.
- Crédits fousDuring the both the opening and the closing credits, Bruno can be heard reciting key words that pertain to the story, along with their definitions.
- ConnexionsReferences Apocalypse Now (1979)
- Bandes originalesCeleste Aida
Performed by Rome Opera Orchestra & Jussi Björling
Written by Giuseppe Verdi
Conductor: Jonel Perlea
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is Bruno?Alimenté par Alexa
Détails
Box-office
- Budget
- 10 000 000 $US (estimé)
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant