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Un jeune homme reçoit une lettre étrange détaillant une invasion extraterrestre après la mort soudaine de son frère. Il fait équipe avec une journaliste et le couple tente de convaincre le m... Tout lireUn jeune homme reçoit une lettre étrange détaillant une invasion extraterrestre après la mort soudaine de son frère. Il fait équipe avec une journaliste et le couple tente de convaincre le monde qu'une catastrophe pourrait être imminente.Un jeune homme reçoit une lettre étrange détaillant une invasion extraterrestre après la mort soudaine de son frère. Il fait équipe avec une journaliste et le couple tente de convaincre le monde qu'une catastrophe pourrait être imminente.
- Réalisation
- Scénario
- Casting principal
Michael Scherer
- Wotan
- (as Mike Scherer)
Avis à la une
It could be that bad weather outside on a Sunday night influences my mood, makes me depressed, but I had anticipated so much of this movie, mainly because I liked the first one with Charlie Sheen. But it lacked pace, and the actors seem so much out of routine. Director Kevin Tenney wanted to keep the same atmosphere in this movie as you experience in the first, but it doesn't happen. It only slightly happens, and it gives you a feeling that you can expect some shocks, but they just never arrive . It never evolves or rises interesting scientific questions, like in The Arrival. Had you only seen more aliens and spaceships, it would have been worth seeing it just for that. It keeps you on a level to expect another movie, it's just one of those movies that attracts audiences on the basis of a brilliant predecessor. Just like Friday the 13th or the Robocop trilogy. Not even comparable to the first movie at all. A complete waste of time. If they want to make a third Arrival, please ask Charlie Sheen to return (even though his character is supposed to be dead in this one).
Kevin Tenney's sequel to David Twoey's highly under-seen 1996 original that involved a secret alien invasion and starred Charlie Sheen is a low-budget, straight-to-video exercise that marginally manages to capture some of that mystery, paranoia and intrigue that engulfed the first feature. It does begin strongly (with most of the striking elements appearing then), but soon becomes routine and a little plain. Tenney's directorial methods keep things down-pat with only sudden ripples of fast paced thrills and brazen stunts in an on-the-run format. Nothing out of the ordinary and the suspense can be uneven, but the scenes are executed very well. However it's Bruno Philip's roaming cinematography that gives it a verve-like boost and Ned Bouhalassa's emphatic music score adds to the high octane bursts. The lack of anything really expansive shows its minimal barriers, but this doesn't stop the aspiring imagination and clever concepts that can be found in its drawn up story. It's probably not as thought-provoking, focused and eerie in the material like its predecessor, and the location-choices here don't have that same lasting effect. Still Tenney's old-fashion tailoring keeps it moving along without any real worries. The computer special effects (which do feature largely) look chintzy and formulate some flat images, but for the budget its stands-up. Well that's if you're willing to overlook it, which could be hard. Set-designs in many sequences can look dodgy and plastic, especially towards the climax. There are average performances with Patrick Muldoon and Jane Sibbett leading the way. Michael Sarrazin engages for a short while. A smoking hot Catharine Blythe and the imposable Mike Scherer get all the fun. Decent, but not a patch on the original.
This movie pales in comparison to the first Arrival, which pleasantly surprised me the first time I saw it. This garbage, Second Arrival, was not even barely believable and should never have been made. What makes actors and actresses read such bad movie scripts and say to themselves, "Yeah! That's the kind of movie I wanna make--a real crappy one! That'll boost my resume!" Don't waste your time watching this tripe.
This time around Zane's Canadian step-brother--who's a wizard of a computer geek underneath that '80s looking hairdo--must pick up the pieces from where his distant, paranoid relative left off in a similar DIY investigative fashion for, that's right, humanity's sake. Except he's laid back, shows late for work and would rather run from a situation than get his hands dirty, especially about theories concerning covert extraterrestials. Yeah, those guys...and now gals.
The pacing is along the lines of a made-for-TV mystery with a few thrills to grease the wheels. Production expenses are tighter, so in turn, there are a number of scenes that are overdrawn. The acting isn't expected to be award winning but with the flow being at slower speeds than its predecessor, it makes what comes out of their mouths forced and far from giving the believable sense of actually being there in this state of looming danger. Not to mention the one-dimensional villains that are just shy of being animated over and turned into cartoon characters.
The first film, while not mind-blowing, was fresher with ideas. "The Arrival 2" retreads similar mechanics and the story meddles on with superficial attempts to personalize the experience with little quips, along with token love interests and by-now dated gizmos. Overall, this feels straightforward, anticlimactic and, aside from a few redeeming qualities to keep it afloat, a waste of a sequel.
The pacing is along the lines of a made-for-TV mystery with a few thrills to grease the wheels. Production expenses are tighter, so in turn, there are a number of scenes that are overdrawn. The acting isn't expected to be award winning but with the flow being at slower speeds than its predecessor, it makes what comes out of their mouths forced and far from giving the believable sense of actually being there in this state of looming danger. Not to mention the one-dimensional villains that are just shy of being animated over and turned into cartoon characters.
The first film, while not mind-blowing, was fresher with ideas. "The Arrival 2" retreads similar mechanics and the story meddles on with superficial attempts to personalize the experience with little quips, along with token love interests and by-now dated gizmos. Overall, this feels straightforward, anticlimactic and, aside from a few redeeming qualities to keep it afloat, a waste of a sequel.
The Arrival was, in my humble opinion, a great movie. I really really liked it - the acting, the story, the effects, the message ... a wonderful movie. So of course when I heard about the Second Arrival, I immediately got it on video. Big mistake. I never should've watched the movie. It disappointed me very much. It had *nothing* from the original movie. The acting was, to say the least, pathetic. The story was even worse. They took elements from the first movie and totally ruined them. The message was gone, too. The aliens, which were fascinating in the first movie, were nothing but boring bad guys. And claiming that Zane Zaminski had died was totally ridiculous. Everything was so unfitting that it makes you wonder if the creators of the second movie had actually watched The Arrival or just been told about it by an old friend. Everything about this movie was horrible. I don't understand why this movie was made; it has no point. I suggest you stay away from it if you liked The Arrival.
Le saviez-vous
- AnecdotesPatrick Muldoon plays the brother of Charlie Sheen's character in this movie. One year earlier, he played the love interest of Denise Richards in Starship Troopers (1997). Sheen and Richards would later get married, and divorced four years later.
- GaffesWhen a stool is thrown through a glass door, you can see the glass shatter before the stool gets anywhere near the door.
- ConnexionsFollows The Arrival (1996)
- Bandes originalesArrival II Score
Performed by Ned Bouhalassa
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- How long is Arrival II?Alimenté par Alexa
Détails
Box-office
- Budget
- 6 000 000 $CA (estimé)
- Durée1 heure 45 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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What is the Spanish language plot outline for The Arrival II : L'Invasion finale (1998)?
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