Une comédie sur un psychiatre dont le patient numéro un est un chef de la mafia peu sûr de lui.Une comédie sur un psychiatre dont le patient numéro un est un chef de la mafia peu sûr de lui.Une comédie sur un psychiatre dont le patient numéro un est un chef de la mafia peu sûr de lui.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 4 victoires et 7 nominations au total
Kresh Novakovic
- '50s Gangster
- (as Kresimir Novakovic)
Joseph Rigano
- Dominic Manetta
- (as Joe Rigano)
Richard C. Castellano
- Jimmy Boots
- (as Richard Castellano)
Avis à la une
The charm of this movie is in the concept and perfect casting. Robert De Niro satirizes his past performances as a Mafia boss. And Billy Crystal as the unwitting psychiatrist who gets involved in the mess. It's truly funny and entertaining. The movie mostly benefits from very good direction by Harold Ramis and excellent performance by the actors and not just De Niro and Crystal.
The verdict: 4 of 5 stars.
The verdict: 4 of 5 stars.
Overall, I found "Analyze This" a very amusing comedy, well worth seeing. There are a number of laugh-out-loud lines, a screamingly funny parody of "The Godfather", and a well-chosen cast that's very funny. Movie is also very well photographed, and is never boring for an instant.
Some minor objections, though:
(1) Robert DeNiro was funny and believable - except for his crying scenes. These scenes came across as somewhat forced.
(2) Forgotten subplots. There are a couple of subplots - one with Crystal's relationship with his father, encounters with some FBI agents - that are started up, and then dropped and forgotten about. I strongly suspect this version we saw was cut from on originally longer print.
Some minor objections, though:
(1) Robert DeNiro was funny and believable - except for his crying scenes. These scenes came across as somewhat forced.
(2) Forgotten subplots. There are a couple of subplots - one with Crystal's relationship with his father, encounters with some FBI agents - that are started up, and then dropped and forgotten about. I strongly suspect this version we saw was cut from on originally longer print.
A complete comedy farce. Robert De Niro and Billy Crystal are both great fun and so is Joe Viterelli as De Niro's hilarious security guard Jelly. It is amusing. Nothing is wrong with the film accept its language. No one should complain about its content. Its content is meant to be funny. When mobster Paul Vitti(De Niro) is suffering anxiety attacks for some odd reason, he sees a shrink named Ben Sobel(Crystal) to solve his tragedys and ways to move through the mob. The idea is small and it stretches out too far but its still great fun. To me this is De Niro's best comic performance of all. The most hilarious part in the film has to be where Crystal is in the church getting hugged by a stranger. An 8.3/10.
STAR RATING:*****Unmissable****Very Good***Okay**You Could Go Out For A Meal Instead*Avoid At All Costs
Analyze This is not one of the best comedies ever,but it's certainly one of the best,inventive and most original in a long while.The script and comic timing are an ingenius success,and it's also intelligently compact,giving it little room to become ponderous and repetitive.Veteran gangster stars Chazz Palmenteri and Robert DeNiro gleefully lampoon their nasty gangster roles,to both chilling and uproarously funny effect.In the scenes where his charecter cries,DeNiro manages to stir up the emotions,but because he and his henchmen have such repulsive attitudes towards everyone,it's hard to like them,a detrimental thing in a comedy.The Italian-American's chemistry with co star Billy Crystal probably was'nt the most inspired or clever ever ,and Lisa Kudrow,not an overly talented performer anyway,is unintentionally wasted here in a mostly pointless role,and,like DeNiro,her relationship with Crystal is'nt the easiest to digest.Despite these minor hiccups however,AT is a hugely superior comic success ,with moments of absolute laugh out loud hilarity,and moments to touch the heart.Very impressive.****
Analyze This is not one of the best comedies ever,but it's certainly one of the best,inventive and most original in a long while.The script and comic timing are an ingenius success,and it's also intelligently compact,giving it little room to become ponderous and repetitive.Veteran gangster stars Chazz Palmenteri and Robert DeNiro gleefully lampoon their nasty gangster roles,to both chilling and uproarously funny effect.In the scenes where his charecter cries,DeNiro manages to stir up the emotions,but because he and his henchmen have such repulsive attitudes towards everyone,it's hard to like them,a detrimental thing in a comedy.The Italian-American's chemistry with co star Billy Crystal probably was'nt the most inspired or clever ever ,and Lisa Kudrow,not an overly talented performer anyway,is unintentionally wasted here in a mostly pointless role,and,like DeNiro,her relationship with Crystal is'nt the easiest to digest.Despite these minor hiccups however,AT is a hugely superior comic success ,with moments of absolute laugh out loud hilarity,and moments to touch the heart.Very impressive.****
ANALYZE THIS / (1999) ***
It has been a long time since I have seen a comic duo form a better shtick than Robert DeNiro and Billy Crystal in the mob comedy "Analyze This," a smart, amusing satire from director Harold Ramis ("Multiplicity," "Groundhog Day"). For a movie like this to succeed past a commercial level, chemistry between the main characters must be amiable and spirited. Crystal and DeNiro indeed mold amiable incentive between themselves, therefore quite a few hilarious moments emerge from their perception of the well-written script by Kenneth Lonergan, Peter Tolan, and Ramis himself.
"Analyze This" details the lives of two very different individuals. The first person is played by Billy Crystal, a calm, cool, and collected psychiatrist named Ben Sobol, who is divorced with a young teenage son and is engaged to soon wed a resigning TV reporter named Laura MacNamara (Lisa Kudrow). Ben is currently dealing with a emotional patient (Molly Shannon) distressed because her spouse left and filed a restraining order on her. This woman's problems will seem like nothing when Ben obtains his new client.
Robert DeNiro plays the second person this movie examines, the most powerful mobster in the city of New York, Paul Vitti. He and his accomplices, including a chubby and clumsy bodyguard named Jelly (Joe Viterelli), are in the process of significant business when Vitti experiences an anxiety attack. On the road to a nervous breakdown, this emotionally vulnerable man comes to Ben after Jelly briefly encounters the therapist during a minor car accident. Ben is very nervous with his new patient, who forces compliments and demands upon him.
The first confrontation sequence between Ben and Paul is quite engaging. There is an instant odd couple chemistry among the two characters. The witty sessions Sobol and Vitti consummate are also very imaginative and smart. The scenes also have the intelligence to take Vitti's emotional problems seriously.
The setup accurately introduces both the gangsters and the psychiatrist's family. We understand the mob boss's feelings of stress and depression; this picture is not all shallow slapstick comedy, there is a dimensional human touch. The film takes its conflicts seriously, but executes them in a cute humorous style. The audience can also relate to Billy Crystal's character, who is an average Joe with a typical American family in a complicated situation in which he is not entirely sure how to handle.
Both external and internal conflicts are interestingly accomplished, well structured, presented, and written. The film does a good job of convincingly bringing the world of mobsters to life with well-cast actors and their rich, stylish accents.
Paul Vitti's sexual life needed more exploration; although his adulterous intentions do induce a few laughs, the story could have gone somewhere with his infidelity. Vitti's family is also irresolute. The film almost never portrays them on screen and seldom does Paul himself discuss his children and wife. The Lisa Kudrow character is furthermore underwritten, never thoroughly examined and very shallow. The lack of chemistry amid Kudrow and Crystal leads to the unconvincing relationship Ben occupies.
Robert DeNiro is the perfect option for the comic role of Paul Vitti, who is a more difficult character than it may appear. DeNiro triggers a sharp comic edge and gives the right amount of exaggerated sentimentality to Vitti. Lisa Kudrow is fun to watch, producing a dim-minded character whimsically similar to the one in her hit TV sitcom "Friends." Chazz Palminteri and Joe Viterelli contribute different but energetic supporting roles.
"Analyze This" is unmistakably the right kind of movie for Billy Crystal. I am unaware of another Hollywood comedian who could have conquered his role with more proficiency and mirth; he is one of the main components that makes "Analyze This" work well. Harold Ramis's comedy obviously borrows ideas from past comparable films like "Grosse Point Blank" and "Mafia," but as this production proves, just because it was done before doesn't mean it cannot be successfully accomplished again with the right casting.
It has been a long time since I have seen a comic duo form a better shtick than Robert DeNiro and Billy Crystal in the mob comedy "Analyze This," a smart, amusing satire from director Harold Ramis ("Multiplicity," "Groundhog Day"). For a movie like this to succeed past a commercial level, chemistry between the main characters must be amiable and spirited. Crystal and DeNiro indeed mold amiable incentive between themselves, therefore quite a few hilarious moments emerge from their perception of the well-written script by Kenneth Lonergan, Peter Tolan, and Ramis himself.
"Analyze This" details the lives of two very different individuals. The first person is played by Billy Crystal, a calm, cool, and collected psychiatrist named Ben Sobol, who is divorced with a young teenage son and is engaged to soon wed a resigning TV reporter named Laura MacNamara (Lisa Kudrow). Ben is currently dealing with a emotional patient (Molly Shannon) distressed because her spouse left and filed a restraining order on her. This woman's problems will seem like nothing when Ben obtains his new client.
Robert DeNiro plays the second person this movie examines, the most powerful mobster in the city of New York, Paul Vitti. He and his accomplices, including a chubby and clumsy bodyguard named Jelly (Joe Viterelli), are in the process of significant business when Vitti experiences an anxiety attack. On the road to a nervous breakdown, this emotionally vulnerable man comes to Ben after Jelly briefly encounters the therapist during a minor car accident. Ben is very nervous with his new patient, who forces compliments and demands upon him.
The first confrontation sequence between Ben and Paul is quite engaging. There is an instant odd couple chemistry among the two characters. The witty sessions Sobol and Vitti consummate are also very imaginative and smart. The scenes also have the intelligence to take Vitti's emotional problems seriously.
The setup accurately introduces both the gangsters and the psychiatrist's family. We understand the mob boss's feelings of stress and depression; this picture is not all shallow slapstick comedy, there is a dimensional human touch. The film takes its conflicts seriously, but executes them in a cute humorous style. The audience can also relate to Billy Crystal's character, who is an average Joe with a typical American family in a complicated situation in which he is not entirely sure how to handle.
Both external and internal conflicts are interestingly accomplished, well structured, presented, and written. The film does a good job of convincingly bringing the world of mobsters to life with well-cast actors and their rich, stylish accents.
Paul Vitti's sexual life needed more exploration; although his adulterous intentions do induce a few laughs, the story could have gone somewhere with his infidelity. Vitti's family is also irresolute. The film almost never portrays them on screen and seldom does Paul himself discuss his children and wife. The Lisa Kudrow character is furthermore underwritten, never thoroughly examined and very shallow. The lack of chemistry amid Kudrow and Crystal leads to the unconvincing relationship Ben occupies.
Robert DeNiro is the perfect option for the comic role of Paul Vitti, who is a more difficult character than it may appear. DeNiro triggers a sharp comic edge and gives the right amount of exaggerated sentimentality to Vitti. Lisa Kudrow is fun to watch, producing a dim-minded character whimsically similar to the one in her hit TV sitcom "Friends." Chazz Palminteri and Joe Viterelli contribute different but energetic supporting roles.
"Analyze This" is unmistakably the right kind of movie for Billy Crystal. I am unaware of another Hollywood comedian who could have conquered his role with more proficiency and mirth; he is one of the main components that makes "Analyze This" work well. Harold Ramis's comedy obviously borrows ideas from past comparable films like "Grosse Point Blank" and "Mafia," but as this production proves, just because it was done before doesn't mean it cannot be successfully accomplished again with the right casting.
Le saviez-vous
- AnecdotesAccording to Robert De Niro, he and Billy Crystal briefly toyed with the idea of co-directing the movie before deciding to offer it to Harold Ramis, who accepted.
- GaffesFBI agents are shown participating in the 1957 Appalachian raid. In that year, J. Edgar Hoover's FBI's official policy was that the Mafia did not exist, so no federal agents were involved in the raid which was conducted by New York state troopers only.
- Citations
Dr. Ben Sobel: You don't hear the word "no" a lot, do you?
Boss Paul Vitti: Well, I hear it all the time, only it's more like "no, please, no!"
- Bandes originalesWhen You're Smiling (The Whole World Smiles With You)
Written by Mark Fisher, Joe Goodwin, Larry Shay, Harry B. Smith,
Ted Snyder and Francis Wheeler
Performed by Louis Prima
Courtesy of Capitol Records
Under license from EMI Music Special Markets
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Détails
Box-office
- Budget
- 80 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 106 885 658 $US
- Week-end de sortie aux États-Unis et au Canada
- 18 383 507 $US
- 7 mars 1999
- Montant brut mondial
- 176 885 658 $US
- Durée1 heure 43 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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