The Weirdo

Scanning through the threadbare plot: Mildly retarded man falls in love with troubled girl, is pushed around by town bullies and then, eventually snaps, murdering those who caused him pain. THE WEIRDO, made by one of the most reviled directors in cinema history - Andy Milligan - should be taken with a grain of salt. He has a passion for the odd and makes due with what he's given, but we all know he doesn't have a talented bone in his body. Here, in THE WEIRDO, Milligan's budget seems to have been "upped" significantly since bad movie epics like THE BLOODTHIRSTY BUTCHERS and GURU THE MAD MONK. Fortunately, those schlocky aforementioned films had a certain flare in 'em, while THE WEIRDO is nothing but talk, talk, talk without pay-off. I had hoped in the final massacre it'd be in brutal and spectacular fashion. Unfortunately, Milligan seemed more in interested in making a drama about Donny's torment, pain and involvement with his romantic interest, so little focus was on the actual revenge theme. I'm pretty sure I dozed off at some point, but in a movie like this, can ya blame me? Really, this is bottom-of-the-barrel material. Apart from the interesting [yet highly derivative] concept, THE WEIRDO has absolutely NOTHING of worth.

THE WEIRDO (2+ outta 5 stars) You know, sometimes there are movies that have terrible acting, bad scripts, a silly story AND lousy direction... and I *still* kinda like 'em. "The Weirdo" is one of those movies... sort of like a cross between "Psycho" and "Marty". As poor as almost every element of this film is... I think it still comes through that the people involved *cared* about what they were doing. So what if the actors have trouble getting their lines out? So what if you can guess everything that's going to happen about 20 minutes before it does happen? So what if the scenes of violence look ridiculously fake? Okay, so I wouldn't exactly recommend this movie to anyone... but I heartily defend its right to exist! The story involves Donnie, the "weirdo" who is constantly harassed by punk teens, busybody townsfolk and an abusive mother. No one ever talks to him... or treats him like a human being... so he is filled with all this repressed rage. Suddenly he meets a pretty young crippled girl who takes an instant liking to him (being somewhat of an outcast herself). They fall in love.. but, too late. All the years of abuse have made Donnie resentful and, ultimately, psychotically violent to those who have wronged him. He goes on a bloody rampage of revenge until he is suddenly beaten to death by the angry townsfolk... or... IS he dead???

The Weirdo (actually entitled Weirdo, the Beginning on the video print) was a massive step up for director Andy Milligan after the train wreck that was Carnage (1986). Another in his series of 'dinner theater' productions, it was shot in Southern California with an amateur cast. And while I would never, EVER claim that it's a classic film of any variety, it weaves a strange spell thanks to Milligan's preference for deadpan dialogue, angular set-ups, and odd settings. Indeed, with the exception of only a few 'big city' shots, The Weirdo resides in a rural fairytale version of the Southland located not a million miles from the Spahn Movie Ranch. If Ingmar Bergman ever made a no-budget horror film, it might look like this, especially during its expository first hour, where characters argue, snipe, and moan endlessly at each other. With oddly affecting performances by cute little Jessica Straus and dear old Naomi Sherwood, as well as a generous assortment of gruesome deaths in the final third of the film, this is a unique example of truly independent filmmaking.

The Weirdo tells the story of Donny, a simple young man mistreated by almost everyone but his aunt. He finds love and happiness with a slightly crippled lass named Jenny, but you just know things aren't going to turn out all sunshine and good times. Though broadly a horror film, and certainly drawing on classic genre themes and situations, much of The Weirdo is occupied by brooding drama, heavy on dialogue as Milligan piles up his dysfunctional concerns. Lots of typical Milligan stuff seems to be there, a loathsome priest, an even more loathsome mother, retarded people and constant mean spirited behaviour from most of the characters, the film is an essay in casual grinding cruelty, innocent simplicity slowly broken down till mad and murderous climax, an avalanche of deliriously inept slaying packing quite the punch. The climatic shenanigans I pretty much expected, what took me rather by surprise in the film though was how moving it is. The writing seems really to care about Donny and Jenny, they are in a terribly sad situation and the film never seems to be exploiting them. The small, committed cast and unfussy direction help out here, although the film has an everytown setting and the action moves around a number of different places it always feels claustrophobic, this gives it a sense of inevitability, that Donny will be wronged for no good reason wherever he turns. There's a sincerity and compassion here that really works despite the oddity and comically broad touches like the abundance of slapping, happily this feeling is backed up by some decent acting. Steve Burington does good, sympathetic work as Donny, slow and seemingly simple, pitiable rather than pathetic and with an edge of menace. In fact throughout the film I kept being reminded of some or other similar if not near identical turn in a different movie, just out of reach of my recollection. Jessica Strauss is sweet, childlike but lovable as Jenny and her relationship with Donny comes off as unforced and natural as such a set up was ever likely to be. Sure it's a bit of a fairy tale, but they work well together and are rather touching. Naomi Sherwood is Donny's aunt and comes across a nice enough old gal, doing her best in a situation she never asked for and probably didn't ever want. The rest of the cast is basically just a set of hateful meanies, caricatures but delivered with gusto, with a shout out due to Lyn Caryl, doing great malign work as Donny's near unfeasibly spiteful mother. The ending of this one probably would have been better with a less schlocky approach and the film is ultimately a bit formulaic, but I had a rather fine time with it on the whole. Not by any means a great film and probably not even a "good" film in the conventional sense, this is still worth a look for Milligan fans and 80's oddity addicts I think.

Okay, I'll admit that this film is as bad as the title would suggest, but really, it does manage to have a few good moments. But while I wouldn't go so far as to say that it's "so bad, it's good", I will have to confess that there were times when I laughed because of the overwhelming stupidity. Really, this film has it all: Bad acting, horrible editing, pathetic special effects...but what do you really expect from any film with a LOW budget, right? It's not good by any stretch of the imagination, but it does create enjoyment if you can laugh AT a movie. If you are a person who can enjoy BAD movies, then I think that you'll get a kick out of this...others beware.