Ajouter une intrigue dans votre languePolice investigators investigate the link between a serial killer's machinations and a young man who committed suicide under murky circumstances.Police investigators investigate the link between a serial killer's machinations and a young man who committed suicide under murky circumstances.Police investigators investigate the link between a serial killer's machinations and a young man who committed suicide under murky circumstances.
- Réalisation
- Scénario
- Casting principal
Ranfan Ou
- Takako Yasuda
- (as Oh Ran Fan)
Junkô Tôda
- Misao
- (as Toshiko Sawa)
Avis à la une
Tai Kato's "I, the Executioner" (1968) is a harrowing and unflinching exploration of violence and its psychological impact. From the shocking opening sequence, the film pulls no punches in its depiction of brutal acts, presenting them with an unsettling matter-of-factness that heightens the sense of discomfort.
While the subject matter is undoubtedly disturbing, Kato grounds the film in a gritty realism that lends it a sense of authenticity. The use of location shooting and naturalistic performances anchors the narrative in the quotidian realities of Tokyo, making the horrors depicted all the more visceral and impactful.
Beneath its surface of graphic violence, "I, the Executioner" offers an intelligent examination of societal issues surrounding sexual politics and the cycle of abuse. Kato's unconventional approach to these themes challenges the viewer to confront uncomfortable truths, making for a thought-provoking and emotionally resonant experience.
While not for the faint of heart, "I, the Executioner" is a challenging but ultimately rewarding cinematic experience. Kato's unflinching direction and the film's gritty realism make for a haunting and impactful exploration of violence and its consequences. For its daring and uncompromising approach.
While the subject matter is undoubtedly disturbing, Kato grounds the film in a gritty realism that lends it a sense of authenticity. The use of location shooting and naturalistic performances anchors the narrative in the quotidian realities of Tokyo, making the horrors depicted all the more visceral and impactful.
Beneath its surface of graphic violence, "I, the Executioner" offers an intelligent examination of societal issues surrounding sexual politics and the cycle of abuse. Kato's unconventional approach to these themes challenges the viewer to confront uncomfortable truths, making for a thought-provoking and emotionally resonant experience.
While not for the faint of heart, "I, the Executioner" is a challenging but ultimately rewarding cinematic experience. Kato's unflinching direction and the film's gritty realism make for a haunting and impactful exploration of violence and its consequences. For its daring and uncompromising approach.
Masaki Kobayashi's "Minagoroshi no reika" (1968) is a gripping psychological thriller that delves deep into the psyche of its characters. The film follows a series of brutal murders committed by a seemingly ordinary man, exploring the dark depths of human nature and the thin line between sanity and madness. Kobayashi's direction is masterful, creating a tense and unsettling atmosphere that keeps viewers on the edge of their seats.
The film's strength lies in its powerful performances, particularly from lead actor Rentaro Mikuni, who delivers a haunting portrayal of the troubled protagonist. Kobayashi's visual style is also noteworthy, with striking cinematography and creative use of lighting and camera angles that heighten the film's sense of unease and dread.
Beyond its thrilling narrative, "Minagoroshi no reika" also offers thought-provoking commentary on societal issues and the human condition. The film explores themes of alienation, moral ambiguity, and the consequences of repressed desires, making it a rich and layered work that lingers in the mind long after viewing.
Overall, "Minagoroshi no reika" is a masterful psychological thriller that combines gripping suspense with profound thematic depth. While its subject matter may be disturbing for some viewers, the film's artistic merits and powerful storytelling make it a must-see for fans of the genre and those interested in exploring the darker corners of the human psyche.
The film's strength lies in its powerful performances, particularly from lead actor Rentaro Mikuni, who delivers a haunting portrayal of the troubled protagonist. Kobayashi's visual style is also noteworthy, with striking cinematography and creative use of lighting and camera angles that heighten the film's sense of unease and dread.
Beyond its thrilling narrative, "Minagoroshi no reika" also offers thought-provoking commentary on societal issues and the human condition. The film explores themes of alienation, moral ambiguity, and the consequences of repressed desires, making it a rich and layered work that lingers in the mind long after viewing.
Overall, "Minagoroshi no reika" is a masterful psychological thriller that combines gripping suspense with profound thematic depth. While its subject matter may be disturbing for some viewers, the film's artistic merits and powerful storytelling make it a must-see for fans of the genre and those interested in exploring the darker corners of the human psyche.
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Requiem for a Massacre
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 31 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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By what name was Requiem pour un massacre (1968) officially released in Canada in English?
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