The Lakes

More than 10 years on since it was first made i still love to watch this. I own it on DVD and have also seen the re runs on BBC3. I could watch it over and over again. I love the atmosphere of the series, the beautiful setting and the acting has to be the best I have seen on TV in a mini series ever. Because of how series 2 is set and some of the bad events in it, it almost makes Cumbria seem a scary setting and it gives it a lovely dark atmosphere. Agreed series 2 can seem more soap than story in places but not overly. I love the hotel scene where its set, I have even visited the hotel and had a ride on the Ullswater, but not actually had chance to see room 34! Chef has to be one of the best characters ever in a series and played wonderfully! Yes it is far fetched in places, but its wonderfully entertaining and addictive, you watch one episode and you have to see them all!!

I've just watched this again and the misgivings I had when I first saw it have dispelled somewhat. Following on the heels of, and attempting to continue, the first self-contained (if open-ended) saga of Danny and the residents of the small Lake District town he finds himself in might seem foolhardy and unnecessary, but the finished result proves these assumptions wrong.

True, "The Lakes 2" (as it is called on video) does stray into soap opera territory at times; some changes in certain characters behaviour does require a seismic suspension of disbelief; and some plotlines almost fall into self-parody. But, as with the first series, what pulls you into this drama and keeps your attention throughout is the incredible combination of superior acting, writing and directing.

Danny, the hero of Part One, takes more of a back seat here as the action focusses on the Hitchcockian story of the teacher who murders his philandering wife; the devout Catholic mother who sleeps with her priest; the bitch of a rich girl who gets more than she bargains for at the hands of three local rapists; and, best of all, there's Chef who, despite being run over repeatedly at the end of the last instalment, proves that he is still as nasty as ever, polluting the lives of all around him, especially his long-suffering but sluttish wife.

The Chef storyline actually provides a brilliant backdrop to the foreground drama of rape and infidelity, simply because the character is such a great creation: an immoral bull of a man who uses sex as a weapon, hates everyone around him, and who is motivated by an unrelenting vengeful streak against the (obvious) culprit who ran him down. Charles Dale plays Chef perfectly, making him one of television's most memorable and despicable characters who gets his delicious comeuppance courtesy of two very strong women and a rusty straight razor! Compare Dale's performance here with his Mr Nice Guy character in "Coronation Street" and you'll see just how good this actor is.

That's not to take anything away from the rest of the cast: they are all fine, and Bob Mason's world-weary police sergeant deserves a special mention. The team of writers and directors (including original scribe Jimmy McGovern) manage to create a seamless whole, and this is well worth watching and rewatching.

Is it as good as the original? Not quite, but if you take this as written before you sit down to watch, there are just as many enjoyable and striking things on offer here.

Jimmy McGovern's terrific mini-series contains arguably one of the single most haunting images in modern TV, as Danny Kavanagh (played strikingly by John Simm) staggers out of the icy lake bearing the first of the drowned girls. Although nothing else (perhaps inevitably) sticks in the mind to QUITE the same degree, McGovern's writing & Simm's performance help create one of the sharpest British serials of recent years.

Firstly the only reason I gave it an 8 was because i felt the sequel really let the first series down, it was good, just not amazingly good. There's so much great acting in this show and the writing for the first series is equally as good, which is all you need for a brilliant show. From the first episode there is so much emotion and it really hits you hard in the chest, I really began to feel the whole sense of loss of the whole community.

The second series is a lot more like a soap, various plots, constantly changing from household to household without as much hard hitting emotion from the first series. For a soap it is very good but soaps aren't really my cup of tea I'd prefer it to focus on fewer plots and expand on them.

I genuinely recommend this show to anyone.(well maybe not young kids/teens because of all the violence and sex etc.)

Nobody can accuse Jimmy McGovern of settling for a quiet life. His dramas, right from "Needle", through to "Cracker" and "Priest", to this masterpiece confirm him as one of the most exciting writers in any medium to emerge in the last decade.

And a masterpiece is what "The Lakes" is, even considering its flaws. Occasionally, McGovern seems more concerned with hitting home his messages (about Catholicism, country-versus-city, sexual politics, etc) at the expense of his characters, but he still creates dramatic situations which are credible, raw, and overwhelmingly moving without succumbing to sickly sentiment.

Focussing on the story of Danny, a Liverpudlian drifter and compulsive gambler, who marries Emma, the daughter in a devoutly Catholic family living in a small Lake District town, and who is implicated in the drowning accident which claims the lives of four local children, McGovern wrings every piece of emotion from his storyline, and supplies a script which his excellent cast are obviously having a field day with.

John Simms is remarkable as Danny, perfectly realising the inner conflict facing his outsider character who craves to do the right thing while aspiring to escape the emotional prison he finds himself in. Robert Pugh and Mary Jo Randle as the parish priest and would-be middle-aged lover handle their roles with compassion and truth, and Paul Copley as Randle's unknowing and decent husband also deserves some kudos.

In fact, the entire cast is outstanding, all perfectly getting under the skins of their characters, and the action is all brilliantly orchestrated by director David Blair, who brings all the initially disparate plotlines into one immensely satisfying whole.

In an age of endless costume drama, "The Lakes" comes like a blast of welcome fresh air, and very few other dramas produced in the 1990s (with the exception, maybe, of Alan Bleasdale's "GBH") come anywhere near matching its heartfelt intensity.