Elvis Meets Nixon

I found this movie late at night on the Bravo station in Canada. As an Elvis fan a thought why not stay up late and watch this movie. I thought it was going to be a crappy movie, but it turned out to be a good movie. I am not sure how real this movie is to the actual events, but it did give a good idea of how Elvis must have been feeling about himself. This movie is worth watching and I would sit through it again. It might just end up in my DVD collection if I can find it on DVD. Do not miss this movie if you are an Elvis or Nixon fan or just interested in a wacky event that took place at a difficult time in American history.

I admit I'm a sucker for movies with the real people being portrayed, especially when Elvis is one of the main characters. This is a very funny movie that purports to be factual, and yet the liberties are many, but since it a comedy really, I can excuse that. It's in all the reviews I've read so far, the one inconsistency that no one caught (and I really being picky here but I feel I have to mention it) and that is that Elvis drinks a Coke when he preferred Pepsi. This would probably simply product placement and nothing more. I mentioned it because I am a dedicated Coke drinker. But anyway, the way the two principals act is meant to be exaggerated. Certainly, Elvis wasn't quite so cloddish, but knowing what I know about Nixon, I don't think they were too far off the mark there. The lead, Rick Peters, does a very good impersonation of the KING, and I'm also a sucker for good impersonations, doing a few of them myself. I just wish I were half as good at doing Elvis, but this guy looks more like him that I ever could even if he isn't a dead ringer for the King. Perhaps the coolest thing about this movie are the real people whose comments appear in different parts of the film. People like Dick Cavett, Wayne Newton and Tony Curtis. My only problem with the movie is Elvis swearing.so much. I don't believe he did this so.frequently. It's worth checking out.

This film is absolutely terrific!..so good, in fact, that I bought several copies when it came out on VHS. I watch it all the time and recommend it to other Elvis fans. A lot of them haven't even heard of it. Thanks to the Director..who is always the 'Captain of the Ship"..for a wonderful presentation of an amazing story. There are a few moments in the film that I was uneasy with..particularly, when Elvis is alone in his hotel room and becomes morose..we cannot try and imagine what his private moments were and it is unfair to him. Other than that, I was riveted. Rick Peters did an outstanding job..the best of anyone who has tried to portray our hero. I wish Rick had been offered the job in the recent mini-series, "Elvis", because the only flaw in that film was the actor portraying him..(and he won a Golden Globe award?). This film had lots of humor and it truly gives new generations of Elvis fans a glimpse into the man himself..his love of laughter and his generosity and tenderheartedness. Elvis 'took off' a couple of times in his youth. He was only 6 years old when he tried to hitchhike from East Tupelo to Tupelo Proper..he was looking for his hero, Mississippi Slim. Another time, he reached the Fairgrounds..at the tender age of 11 and sang in a contest there..he was quoted as saying that he."came in 5th place, not 2nd as has been said". I believe there was another time, when he entered a contest in Mississippi..country music singing..and actually won!. I think he loved the adventure of doing something totally impulsive and secretive. His adventures in Washington D.C. are just a part of that. Yes, he would have made a great policeman or detective but, I'm glad he chose to entertain us instead. There will never be another like him. Too bad, because we need another Elvis.

This satiric and somewhat surreal Showtime comedy details Elvis Presley's historic meeting with Richard Nixon not long before Watergate and while the Vietnam War was still raging, and does so in an oddly affectionate manner. Rick Peters portrays the drug-taking, purple cape-wearing, Vegas-playing Elvis who had long ago been eclipsed by the Beatles. Elvis sadly finds out how far over the hill he is when he finds his albums in the oldies section of an L.A. record shop. Nixon of course was the paranoid, vindictive, petty tyrant we knew and hated, particularly bitter about the protests taking place over a war he tells everyone he didn't start. Bob Gunton, a wonderful character actor best known as the chief villain in THE GLIMMER MAN, nails Nixon cold. In fact, the entire cast, right down to the White House security guards, are spot-on. For instance, Richard Beymer playing H.R. Haldemann will give those who remember the real deal absolute chills. And keep a close eye on the very talented Canadian actor Gabriel Hogan as Bobby, Elvis' right-hand man. Some real-life folks, including Wayne Newton and Tony Curtis, whimsically portray themselves as they help narrate the story. In the end, this is a movie about two extraordinary and ill-fated men, each fighting his own particular demons, thrown together under highly unusual circumstances. Director Arkush does an exceptional job.

It was perhaps THE most surreal and weird time of Elvis' life, a life marked by more than a few such times. How can an entire film revolve around the December 21, 1970 meeting of Elvis Presley with President Nixon? As it turns out, quite effectively. We're talking the moment in time when the path of history's most phenomenal entertainer intersected with that of the most notorious US President yet. Before Nixon's Vietnamization policy wound down a war that irrevocably fractured a nation. After a decade of civil-rights unrest influenced in no small way by the race-barrier bridge that was Elvis Presley. Before the revelations of Watergate and the end of Nixon's Imperial Presidency in August, 1974. Before Elvis' untimely death at 42, almost exactly three years later. The film raises an interesting point at its outset, in the parallels between the two men's lives and their professional fortunes. By late 1970, each was secure at the top after a stunning comeback, but neither was fulfilled or truly happy. Elvis, tired of being Elvis Presley and feeling as if he'd done it all, grew increasingly bored and restless. The triumphs and excitement of his first seasons in Vegas and his first touring schedules since 1957 gave way to interminable nights spent watching movies and breaking speed limits with his hangers-on, the Memphis Mafia. Nixon, despite working political wonders and demonstrating considerable prowess in foreign affairs, was the target of millions who protested the conflict in Vietnam and his growing personal paranoia did nothing to alleviate that weight.

This is the backdrop against which this Showtime movie was set. It's an entertaining film - one I can watch repeatedly - though it has some factual flaws. Elvis did not hate the Beatles. He may have objected to their comments regarding drug use, but the bottom line is that Elvis went to DC primarily to secure a narcotics-agent badge and title. The key ingredient missing in this film is explicit portrayal of Elvis' almost obsessive interest in law enforcement - he'd always wanted to be a policeman but he ended up at Sun records in 1954 and the rest is history. One ingredient in that interest was collecting law-enforcement badges, preferably those with real (not honorary) credentials and powers attached. Yes, although apolitical, he considered himself a patriotic American. But what he really wanted was that badge. Elvis was like a little kid in some respects. And Elvis knew how to get what he wanted out of anybody. He got that badge, but he first had to get to the President.

Yes, it was an argument over money with his father that precipitated his uncharacteristic flight from Graceland and, yes, he'd never traveled solo before. He really did have no idea how to buy things and no cash with which to do so. And, yes, he really did wear a caped purple velvet suit. Nobody knew where he'd gone to, and Graceland was in an uproar. For the only time in his adult life (such as it was), he'd broken free. He jetted to DC, then to LA, and then back to DC. Most of the script appears true to accounts from Jerry Schilling and Sonny West, the two real Memphis Mafians who were there, and from others to whom Elvis recounted the story. As unbelievable as it may seem, that includes the classic scene in the DC-ghetto doughnut shop as well as his trouble with carrying guns on to an airliner and his giving all his money to a soldier.

Other inaccuracies add to the storyline. For one, I don't think he wandered along Sunset Boulevard while he was in LA. Also, though he did shoot out a TV screen at least once when the hated Robert Goulet was on it (and, yes, he uttered the same quip used in the film: "that'll be enough of that s***"), he didn't do it during this time period. The fact is that the King was fairly restrained in killing TVs and didn't make a particular habit of it.

The film's very well done, with a lighthearted and ironic feel appropriate to the actual events. There're even two references that foreshadow Elvis' daughter's doomed marriage to Michael Jackson. The actors are all perfect in their roles. In particular, Rick Peters makes an excellent Elvis. He doesn't look entirely like him (well, in some shots he looks eerily like him) but he's closer than most and he's pulled off the best characterization since Kurt Russell's 1979 turn as Elvis. The voice, the mannerisms...it's all there. A little over-the-top and far more ‘oafish' and less cool than the real thing but, hey, there was only one Elvis. And this Elvis is basically likeable, too, even if he's not the self-aware revolutionary or rockin' rebel that some in the film (and some viewers) might wish him to be. There's innocence there, too. Bob Gunton also pulls off his role of Nixon with gusto, and he does a letter-perfect job. He has the mannerisms down, the voice, the look, and the paranoia. I was surprised to find that neither seems to have played their respective characters in any other properties - they're so good at it that it's hard to believe. Richard Beymer's also good as Haldeman, the foil to Nixon and the voice of relative sanity in the Oval Office. There's even a Forrest-Gumpish moment in which Nixon appears to get the idea of taping meetings from Elvis. Cutting back to contemporary interviews with people both real and imagined (though Wayne Newton was not, as he claimed, an exceptionally close friend to Elvis) is a nice touch and helps bridge scenes and put things in perspective.

The random insanity of it all (at least, apparently so...remember, Elvis had a Plan) is compelling and the story flows like a rollercoaster. You never saw Elvis like this. And he never went out by himself again.

And, no, I don't think Elvis ever really understood the extent of his impact on the world.