Fantasia 2000
- 1999
- Tous publics
- 1h 15min
Mise à jour du film original avec de nouvelles interprétations de grandes ceuvres de musique classique.Mise à jour du film original avec de nouvelles interprétations de grandes ceuvres de musique classique.Mise à jour du film original avec de nouvelles interprétations de grandes ceuvres de musique classique.
- Récompenses
- 4 victoires et 7 nominations au total
- Themselves
- (as The Chicago Symphony Orchestra)
- Self - Featured Soprano (segment "Pomp and Circumstance")
- (voix (chant))
- (non crédité)
- Self - Animator
- (non crédité)
- Self - Animator
- (non crédité)
Avis à la une
But my favorite segment is the one with Donald Duck, in fact they were all cool, especially the one with the volcano. The music matches the story perfectly and it has some truly beautiful animation. Far superior to those ugly CGI crap we get these days. And the TV show style introductions were more watchable than the dubbed Deems Taylor segments in the original.
This was the first animated movie to be made for IMAX screens and the digital picture is amazing. See this preferably on an IMAX screen or on DVD. Watching it on VHS would only insult the brilliant animation. It's sad that Disney has abandoned traditional hand-drawn animation for theatrical projects. It's what the studio was built on after all. But Disney is shadow of its former self, we all know that.
Just as good as the original Fantasia, but loses points for not being longer and more ambitious.
"Pines of Rome", a marvelous piece set to the "story" of whales leaving the water and eventually the planet, is worth viewing several times for it's symbolism and exquisite look. "Rhapsody in Blue", by Gershwin, is given perfect treatment by a day in the life of New York City. The pace is quick and manages to give each character studied enough depth to make a very satisfying and touching ending. "Pomp and Circumstance", the graduation standard, is humorous and sweet. Creating a love story involving Donald and Daisy Duck into the story of Noah's Ark worked surprisingly well. "Firebird Suite"- WOW. This is the most incredible segment of the film. It's a PERFECT marriage of music and animation and MUST be played loud. Very emotional and powerful indeed.
I had to post another comment because I can't stress enough that it's a worthy successor to the original Fantasia, and Walt would be proud.
The only criticism I have of the film is the bridging sequences, featuring Steve Martin, Penn & Teller, Bette Midler and others. I would have preferred that they stuck to one presenter, preferably James Earl Jones or Angela Landsbury. They seemed to take the material and the project far more seriously than Martin and Penn & Teller who's humor detracted from the dignity of the movie as a whole.
I was surprise by the musical choice in this one. Great classical pieces. And the animation is very well done. Some segments better than others.
I got to see this one on a regular tv-set, but I guess you should try to see it on an IMAX screen, or at least a cinema screen.
Out of 100, I gave it 81. That's good for *** out of ****.
Seen at home, in Toronto, on June 15th, 2002.
He certainly wanted the idea of "Fantasia" to continue, but as time went on, it seemed that it would never happen. Our tastes in animation became more and more sophisticated along with the greater advancements we have seen in animation in the last decade. When Disney released the original "Fantasia" on video in 1991, many who had seen it criticized the film as being too arty, with long segments that would not appeal to children.
Perhaps many people thought that the word "Disney" always should be associated with kids. That is unfair, for Walt would have wanted all ages of people to enjoy his films.
When Roy Disney announced a few years ago that Disney was making a new "Fantasia", I was surprised and excited. In the time that movies like "The Lion King", "Aladdin", "Toy Story", and "A Bug's Life" were taking in huge sums of cash, it seemed that Disney was willing to take the risk again and make the film anyway.
What a treat it is! Most of the segments of the film stayed in my memory for days, as did the music. There is true genius in "Fantasia 2000" in the connections of imagery to music. For example, the combination of Gershwin's "Rhapsody In Blue" the Al Hirschfeld-style caricatures was so perfect that the music seemed written for that type of visual presentation.
"Fantasia 2000" left me breathless and practically speechless. I even enjoyed the celebrity introductions throughout the picture.
Using my preferred four-star rating system, I would give "Fantasia 2000" this:
****-
The minus is there for the only criticism I have of it: Too short! The original "Fantasia" was a two-hour event, while "Fantasia 2000" was only 74 minutes. That is the same length as most other Disney animated features. Was 74 minutes determined by: a. Expense of the budget, or b. The expected length of children's attention spans?
From the depth of my heart, I recommend "Fantasia 2000". It left me wanting more. George
Le saviez-vous
- AnecdotesThe Broadway ending sequence of "Rhapsody in Blue" contained so many different colors (over 200) that the CAPS system had trouble rendering it, causing delays in the production of Tarzan (1999).
- GaffesIn "Rhapsody in Blue", a sign inside Monica's cafe reads "2 EGGS ANY STYLE 25c". A sign outside the cafe reads "2 EGGS 10c".
- Citations
James Earl Jones: [introducing the Carnival of the Animals] These drawing boards have been the birthplace of some of the most beloved animal characters of all time. So it's no surprise that they choose for our next segment, "The Carnival of the Animals" by Camille Saint-Saëns. Here the sensitive strains of impressionistic music combine with the subtle artistry of the animator to finally answer that age old question: "What is man's relationship to nature?"
[is handed a piece of paper]
James Earl Jones: Oh, sorry... That age old question: "What would happen if you gave a yo-yo to a flock of flamingos?"
[turns to look off-camera]
James Earl Jones: Who wrote this?
- Crédits fousRight after the final credits, you hear Steve Martin's voice, wondering out loud if he's still on camera, then realizes it's the end of the movie. He then asks the audience, 'Can I have a ride home?'
- Versions alternativesThe Rat Scene from Piano Concerto No.2
- ConnexionsEdited from Fantasia (1940)
- Bandes originalesSymphony No. 5
Written by Ludwig van Beethoven
Performed by James Levine and the Chicago Symphony Orchestra
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Fantasia/2000
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 80 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 60 655 420 $US
- Week-end de sortie aux États-Unis et au Canada
- 2 290 525 $US
- 2 janv. 2000
- Montant brut mondial
- 90 874 570 $US
- Durée1 heure 15 minutes
- Couleur
- Mixage