Wild Wild West

So much potential and ALL of it wasted!

We have:

1) A good director, Barry Sonnenfeld, with two great comedies to his name ("The Addams Family" and "Addams Family Values");

2) An Oscar-winning actor, Kevin Kline, well-known for his comedic work ("A Fish Called Wanda", "Soapdish") as well as dramatic ("Sophie's Choice", "The Ice Storm");

3) Another Oscar nominee, Kenneth Branagh ("Hamlet", "Henry V"), famous for directing, as well as writing and acting

AND THIS IS THE BEST THEY COULD DO !?!?!?! What gives?

First and foremost, it should be noted that just because Will Smith is popular, that doesn't mean he's good. There's something about him when he acts that makes him appear as more of a "ham" than an actor, a scene-stealer who's insecure with being the star of a film so he overacts to conceal (albeit unsuccessfully) the limitations of his acting abilities.

And for Kevin Kline and Kenneth Branagh to play second fiddle to HIM? Absolutely criminal. What's next? Jack Nicholson playing a supporting role to Pauly Shore?

Then there's the storyline - are we really supposed to believe that James West (as played by Smith, a black man) is a hero of the Civil War? Of course, the casting of Smith serves primarily as a set-up for all the racial humor (which gets old fast). Logically, though, it's an asinine premise, a fact which audiences obviously picked up on given the tepid reaction to Smith's so-called "star power" in this weak take-off on a really good television series.

Who's responsible for this mess? Maybe it's the fault of all the writers (a total of 6) for writing it, or Sonnenfeld's mess for directing it, or Jon Peters' (and Sonnenfeld's) mess for producing it, or Warner Bros.' mess for distributing it? Whose ever it is, it should just be shelved and forgotten as an embarrassing mistake.

I think this movie is, beyond anything, pure entertainment. I don't think for a moment that this is intended to be a historically-accurate archive of what happened during the life of President Truman. I think it was an idea based on something that could have happened, and then explored upon. It's meant to be entertaining with a smidge of accuracy. If I were grading this purely on accuracy or historic factor, I'd grade it lower but I'm grading it as entertainment. Sure there are some cheesy parts, but it's funny, it's silly, it's somewhat kind of historical, and that's good enough for me. It's entertaining.

`Wild Wild West' joins an increasingly long list of big bloated blockbusters, movies made for no possible reason beyond grabbing a quick summer buck yet which, ironically, by their very cynical and slapdash nature, utterly fail to connect with even the least demanding of audiences. The result is a multi-multi-million dollar debacle that leaves studios searching for answers and audiences shell-shocked into seeking out their entertainment along the more audacious pathway of off-Hollywood, independent filmmaking – the single positive outcome of these dull, empty enterprises.

`Wild Wild West,' like so many films before it, looks to the relics of television's bygone era for inspiration – as sad a comment as any on the dismal state of current movie creativity. As one not familiar with the original series, I cannot say what justice, or lack of justice, this homage does to its source. What is evident, judging from the results on screen, is that `Wild Wild West' is, as with most current blockbusters, top-heavy with special effects and as weak in the nether limbs as its legless villain. Straight Westerns being hopelessly out of fashion, especially for a special effects-driven summertime extravaganza, the filmmakers obviously felt that what was needed was a tongue-in-cheek approach to the material, resulting in a bizarre, but completely unfunny amalgam of fantasy and science-fiction gilded onto a Western format. The disparate styles simply fight against each other, leaving no one in the audience - neither Western nor science-fiction fans - satisfied.

The alleged plot involves the attempts by James West (Will Smith) and Artemis Gordon (Kevin Kline) to foil an evil Confederate inventor's plan to kidnap all the world's most brilliant scientists and, ultimately, terrorize the Union and President Grant into submission. This he attempts to do by creating a giant mechanized spider which is, obviously, a last ditch, desperate attempt on the part of the filmmakers to fulfill the seemingly insatiable demands of the modern audience to be dazzled by impressive special effects, no matter how inappropriate they appear in context. Here, though, the miscalculation is fatal because even the audience is wise enough to know when it is being had. Kline and Smith never achieve a palpable rapport despite the usual abundance of lame wise cracks and sarcastic asides designed to make them `hip' and `trendy' – two qualities incongruous to the setting, which again shows the lack of real commitment to the spirit of the project. There is exactly one clever moment in the film – an astonishingly creative homage to the old RCA logo – that hints at what might have been had the moviemakers been willing to really let loose their anarchic imaginations and aimed for something truly sophisticated rather than simply pasting together a series of confused, poorly written blackout sketches.

Incidentally, even some of the expensive special effects come across as surprisingly crude, especially many of the shots utilizing rear-screen projection. Hence, this film strikes out even in the one ballpark in which it might have stood a chance of emerging victorious.

If you don't take it too seriously, Its a fun and entertaining film. I don't understand why people hate it so much!

The fun old TV series becomes a tired series of special-effects scenes. Will Smith tries, but is miscast and utterly unbelievable. (And I'm sorry, but having an African-American as a "top government agent" four years after the end of the Civil War simply cannot be made believable, despite valiant attempts to try.) Kevin Kline, a fine actor, does what he can as Artemus Gordon, but seems to be recapitulating his "In and Out" persona (Ross Martin was never that prissy.) Kenneth Branagh, as the villain, plays it so far over the top you can't even see the top from where he his. Salma Hayek is undeniably lovely, but is wasted (she's basically an afterthought). Special effects are good, plot is stupid, script is awful. As a fan of the old series, I was very disappointed.