Un détective de police découvre une conspiration derrière une affaire impliquant un conseiller d'orientation d'une école secondaire lorsque des accusations de viol sont portées contre lui pa... Tout lireUn détective de police découvre une conspiration derrière une affaire impliquant un conseiller d'orientation d'une école secondaire lorsque des accusations de viol sont portées contre lui par deux étudiantes.Un détective de police découvre une conspiration derrière une affaire impliquant un conseiller d'orientation d'une école secondaire lorsque des accusations de viol sont portées contre lui par deux étudiantes.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 4 nominations au total
Toi Svane Stepp
- Nicole
- (as Toi Svane)
Eduardo Yáñez
- Frankie Condo
- (as Eduardo Yañez)
Jennifer Taylor
- Barbara Baxter
- (as Jennifer Bini)
Avis à la une
Wild Things is a fantastic example of what can be achieved by not worrying about substance and having a film play for straight entertainment value. Here we have a film that takes elements such as beautiful stars, beautiful locations and a bucket load of plot twists and blends it all into a highly enjoyable film experience. Of course, Wild Things doesn't always come across very realistically and, at times even, it's downright ridiculous; but it's done in such a way that it doesn't matter, and because of that we have a film that can do what it wants. The film is helmed by John McNaughton, who had his first success with the cult horror flick Henry: Portrait of a Serial Killer. It has to be said that the scene setting and way that the plot moves is somewhat ham-fisted, as sometimes it's painfully obvious that certain sections of the film exist only to give it another selling point; the argument that starts out between Denise Richards and Neve Campbell beside a swimming pool being a case in point. However, McNaughton makes good of these selling points, and for every three way sex scene and absurd plot twist, the film gains an extra point for trashy entertainment value.
It's not immediately obvious what Wild Things is going to be about, as the first twenty minutes serve only in setting the scene and from that base, the film could easily turn into any teenage school flick. However, it turns out that this time is well used; as by nulling the audience into a false sense of security, the film is able to make sure that every twist comes as a surprise. The film benefits from a great big name cast, which is anchored by Matt Dillon; who gives one of his best performances. Dillon clearly enjoys himself, and his persona is able to suit both the sleazy and upstanding nature of his character. Kevin Bacon sleepwalks and isn't really able to show his true talent, and similarly Neve Campbell looks out of place (sexy with it) in her role as a teenage junkie. However, Denise Richards rounds the piece of nicely with a charged performance and the ensemble is nicely topped off by the likes of Bill Murray, Theresa Russell and Robert Wagner. The settings that the movie takes place in look great, and ensure that there's more eye candy than just the female leads. Director McNaughton presents a fabulously mysterious atmosphere which obviously bodes well with the plot and, on the whole, if you want a couple of hours of entertainment; you can do a lot, lot worse than this twisty little flick.
It's not immediately obvious what Wild Things is going to be about, as the first twenty minutes serve only in setting the scene and from that base, the film could easily turn into any teenage school flick. However, it turns out that this time is well used; as by nulling the audience into a false sense of security, the film is able to make sure that every twist comes as a surprise. The film benefits from a great big name cast, which is anchored by Matt Dillon; who gives one of his best performances. Dillon clearly enjoys himself, and his persona is able to suit both the sleazy and upstanding nature of his character. Kevin Bacon sleepwalks and isn't really able to show his true talent, and similarly Neve Campbell looks out of place (sexy with it) in her role as a teenage junkie. However, Denise Richards rounds the piece of nicely with a charged performance and the ensemble is nicely topped off by the likes of Bill Murray, Theresa Russell and Robert Wagner. The settings that the movie takes place in look great, and ensure that there's more eye candy than just the female leads. Director McNaughton presents a fabulously mysterious atmosphere which obviously bodes well with the plot and, on the whole, if you want a couple of hours of entertainment; you can do a lot, lot worse than this twisty little flick.
If you ever thought a crime thriller could be filmed in Aaron Spelling manner, you've got your movie. Everybody is so good looking and the plot twists more than Chubby Checker. However, in the end almost everything falls into place. You get your suspense, excitement, intrigue and lots of close-ups on some gorgeous hunks. Not so bad at all.
As my general comment, Wild Things is a slick and fun thriller, but that's comes from my second appreciation for it. My first experience with it is so dizzy and makes a headache to me. The plot, ala Hitchcock flicks, is so complicated. I have no enough satisfaction on it, so I decide to give it one more chance. Well, this time, after understanding the plot structure, make me more relax and fun to enjoy it. Therefore, my recommendation is, better watch it two times.
7/10
7/10
Good picture and sound quality, well cast, colours are strong and clear and the outdoor scenes are bathed in sunlight, skin tones look natural and not too bright. A playfully piano score and some pop music makes up the soundtrack.
Denise Richards & Neve Cambell did a good job in their roles. Richards plays a shallow split beauty, a good character for her, she's not convicting anyone as a nuclear scientist. Bill Murray adds a touch of comic relief. The film is a bit of a deconstruction of a fictional rich shallow community in the USA. A web of greed, corruption, conspiracy and lies quickly unravels. Neve Cambell was great playing a totally different character to Scream a year before. However comparing her figure to Denise Richards, Cambell does look a bit short and squat when they're both next to each other but I suppose the cinematographer couldn't do much about that. The ending is a bit dumb too, and the overuse of twists starts to make it feel very one note.
Denise Richards & Neve Cambell did a good job in their roles. Richards plays a shallow split beauty, a good character for her, she's not convicting anyone as a nuclear scientist. Bill Murray adds a touch of comic relief. The film is a bit of a deconstruction of a fictional rich shallow community in the USA. A web of greed, corruption, conspiracy and lies quickly unravels. Neve Cambell was great playing a totally different character to Scream a year before. However comparing her figure to Denise Richards, Cambell does look a bit short and squat when they're both next to each other but I suppose the cinematographer couldn't do much about that. The ending is a bit dumb too, and the overuse of twists starts to make it feel very one note.
Much has been said about the sexual content of this movie for which I can only say it was nice to get such mice views, clothed and unclothed of Denise Richards. But overall the sexuality of this film is moderate at best.
Why i really liked it is because all of the twists in the plots actually come together. At the end of the film, integrated with the end credits, are previously unseen events that kept the full tale slightly hidden from the viewer. By inserting them at the end, the full story was told without inhibiting the ride. If you missed the hints and clues along the way, u can see what you failed to figure out.
Certainly this is not a tale that fails to stretch credibility, but its is a film for amusement. But unlike so many, the mystery is solvable and does not rely on contrivances created at the end to make you feel stupid. If you miss them you are not stupid, but if foresee any of the conclusion, and the can be foreseen, hats off to you.
Why i really liked it is because all of the twists in the plots actually come together. At the end of the film, integrated with the end credits, are previously unseen events that kept the full tale slightly hidden from the viewer. By inserting them at the end, the full story was told without inhibiting the ride. If you missed the hints and clues along the way, u can see what you failed to figure out.
Certainly this is not a tale that fails to stretch credibility, but its is a film for amusement. But unlike so many, the mystery is solvable and does not rely on contrivances created at the end to make you feel stupid. If you miss them you are not stupid, but if foresee any of the conclusion, and the can be foreseen, hats off to you.
Le saviez-vous
- AnecdotesBefore the filming of an outdoor scene by the river, a gaffer was fixing the lights and noticed something floating by in the river. It was a dead body. The police were called and when they arrived, they anchored it to the dock, out of sight of the camera. They removed it after the scene was shot.
- GaffesSam writes the words "Sex Crimes" on the chalkboard, but the next shot has it written in smaller letters. The number of underlines also changes. Actually there are four different layouts of this text between cuts.
- Citations
Detective Ray Duquette: People aren't always what they appear to be. Don't forget that.
- Crédits fousInterspersed with the credits are additional scenes that explain some of the plot twists.
- Versions alternativesThe Indian theatrical version was cut by the CBFC to achieve an 'A' (restricted to adults) rating in Mumbai. They made cuts to the visual of bare breasts during a love making scene, the visuals of Lombardo touching the girls' breast kneeling before her and lifting her skirt, removing her panting, sucking her breast, pouting her panties, her breasts, the love making of the three persons in bed, and the visuals of Kelly getting out of the swimming pool with the camera focusing on her body. Cuts were made to some lines in dialogues. "Fucking me in the ass", "motherfucker", "nail his balls", "fucking little ass", "stupid c*nt" and "cocksucker". The uncut version of the film was later re-classified 'U/A' (parental guidance) by the CBFC in Bangalore in 2013.
- ConnexionsEdited into Wild Things: Scenes from the Cutting Room Floor (1998)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Criaturas salvajes
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 20 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 30 147 739 $US
- Week-end de sortie aux États-Unis et au Canada
- 9 622 444 $US
- 22 mars 1998
- Montant brut mondial
- 30 166 293 $US
- Durée1 heure 48 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.40 : 1
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