NOTE IMDb
5,4/10
434
MA NOTE
Ajouter une intrigue dans votre langueWell meaning friends try to persuade Suzanne, a beautiful widow, to remarry and the choice seems to be between Frank, a philandering dentist, and Tony, a sensitive, failing sports trainer wh... Tout lireWell meaning friends try to persuade Suzanne, a beautiful widow, to remarry and the choice seems to be between Frank, a philandering dentist, and Tony, a sensitive, failing sports trainer who helps her son.Well meaning friends try to persuade Suzanne, a beautiful widow, to remarry and the choice seems to be between Frank, a philandering dentist, and Tony, a sensitive, failing sports trainer who helps her son.
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- Scénario
- Casting principal
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What a dire film this is. Just terrible. Its a typicaly modern British film with terrible photography, lame use of music and zero charm.
What was Anthony Edwards and Linford Cjristie thinking. Please don't ever, ever, ever do anything like this again. 2 out of ten tops.
What was Anthony Edwards and Linford Cjristie thinking. Please don't ever, ever, ever do anything like this again. 2 out of ten tops.
This is an appallingly dull film which I guess is why they spent so much effort choosing different titles that might help to market it better on either side of the Atlantic.
I wish they'd never bothered.
Nobody likes seeing middle aged lecherous men getting randy and this is exactly what it divulges in. The direction is stilted and mundane and the script is truly awful. Pure cheese. This is the worst British romantic comedy I have ever seen. If this is all that we (I am British) can offer then we'd better stick to drama or otherwise put money into buying good scripts. A load of rubbish.
I wish they'd never bothered.
Nobody likes seeing middle aged lecherous men getting randy and this is exactly what it divulges in. The direction is stilted and mundane and the script is truly awful. Pure cheese. This is the worst British romantic comedy I have ever seen. If this is all that we (I am British) can offer then we'd better stick to drama or otherwise put money into buying good scripts. A load of rubbish.
This is a very funny romantic comedy which works because Jenny Seagrove musters her whimsicality and shows that she is an excellent comedienne with perfect comic timing. She plays a widow whose husband has died 18 months earlier unexpectedly of a heart attack, leaving her and her children bereft and bewildered. She is a very attractive woman, and her lecherous dentist, played by Charles Dance, has designs upon her. Instead of injections, he uses hypnosis on his dental patients. In Seagrove's case, he goes beyond dentistry and while she is 'under' he makes increasingly naughty suggestions to her to assist him in his dastardly plans to seduce her and marry her. Anyone who does not believe that things like this can happen has only to read the book OPEN TO SUGGESTION, where many cases of such abuses are described. But back to the film. This hypnotic manipulation has some comic moments. At one point, while Seagrove is in the dental chair in a state of trance and Dance is called out suddenly, leaving the radio on, she accepts hypnotic instructions from a radio announcer, with comic consequences. Seagrove has mastered a wonderfully 'dipsy' expression which makes her hypnotically motivated adventures come across as hilarious. The man who is in love with her is played by an American actor named Anthony Edwards, who had just appeared in a successful American comedy called PLAYING BY HEART (1998). This light and enjoyable confection was directed by Willi Patterson, a TV drama director who had directed Charles Dance 11 years earlier in a TV movie spy drama, OUT OF THE SHADOWS (1988). For some reason, Patterson ceased being a director after this film and since 1999 has done nothing else in the film or TV business which is recorded on IMDb. He had a light touch which was very suited to gentle comedy, and this film works very well.
I saw this at preview (comes out 12/2/99 in UK as Don't Go Breaking My Heart) and was surprised how good it is. Come out feeling better than when you go in!
Anthony Edwards is good, Jane Leeves (Frasier) is very good. Tom Conti is a scene-stealer and Jenny Seagrove is great - not wooden as previously!
Direction OK, script surprisingly intelligent.
Anthony Edwards is good, Jane Leeves (Frasier) is very good. Tom Conti is a scene-stealer and Jenny Seagrove is great - not wooden as previously!
Direction OK, script surprisingly intelligent.
There is nothing here which challenged the brain, and it is not an earthshattering 'must-see' flick, but it was very enjoyable, with a very watchable story with actors who are well chosen for their roles (it was great to see Suggs). I must add that the story is also very predictable - but it is the type of film where that doesn't matter.
I just enjoyed it - it was as simple as that.
I just enjoyed it - it was as simple as that.
Le saviez-vous
- AnecdotesProducer Bill Kenwright "forgot" to raise funds to produce the film and mortgaged his own £1million London home to pay for its production.
- GaffesIt's obviously been raining as the roads and pavements are very wet yet Frank and Suzanne arrive at her house in an open top car.
- ConnexionsSpoofs Quoi de neuf Pussycat ? (1965)
- Bandes originalesDon't Go Breaking My Heart
Written by Elton John and Bernie Taupin (as Anne Orson and Blanche Carte)
Performed by Elton John and Kiki Dee
Courtesy of Mercury Records
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- How long is Don't Go Breaking My Heart?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Don't Go Breaking My Heart
- Lieux de tournage
- Barnes, Londres, Angleterre, Royaume-Uni(walking dog by river)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 7 000 000 $US (estimé)
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By what name was Amour sous influence (1999) officially released in India in English?
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