This Is My Father

Oh my God, I'm on a roll with these obscure movies I never heard of. Somebody please tell me how these movies had little if any press yet are so good.

This gem takes place in both the modern day and back in Ireland in the late 1930's. It is a story of where one man came from. Who his father was and how he was connected to his mother.

Gorgeous cinematography and solid acting make this a must see! Once again, it caters to my love of movies about people with flavor, zest, zeal and the bittersweet truths of life.

Give it a watch, you'll be glad you did.

Very well acted and well written. Beautifully filmed, with great music. But a sad tale. I am of Irish lineage, and I can see why my ancestors left Ireland. I wonder how many lives the Roman Catholic Church ruined with their meddling. Aidan Quinn and Moya Farrelly are terrific.

This story about a doomed romance begins when the professor Kieran(a serious James Caan) discovers photos from his mother's youth .He decides investigate his Irish roots but he wishes to know the authentic identity about his father . He travels along with his niece(a sympathetic Jacob Tierney)toward Irland where he believes his father resides. Meanwhile, the events are told in flashback with the romantic story of Kieran(a sensible acting by Aidan Quinn), a poor waif adopted by a good couple farmer and beautiful teenaged Fiona(Farrelly with similar countenance to Patricia Arquette).

This dramatic film displays love and passion, but also hatred and tragedy. It portrays Irish customs, despotic priests, the class differences in rural Ireland in the 30s and the tragedies it originates . Casting is frankly excellent. Aidan Quinn is magnificent as affecting farmer tenant, Farrelly as wealthy young girl is gorgeous and James Caan as middle age teacher is nice . The secondary cast, Stephen Rea as authoritative priest, John Cusack as a ¨Life¨ review photographer-pilot and Bernard Gleeson as agreeable guard-man are very fine. This is a familiar film where all Quinn family have intervened . Evocative cinematography by Declan Quinn and Irish music score with folk sounds . Writing based on a story Theresa Quinn told her children. The motion picture is well directed by Paul Quinn. Rating : Good and better than average. The film will like to romantic drama buffs.

Paul Quinn, the director of "This is my father", shows a tremendous talent for bringing this fine layered story to the screen. Working on his own screen play, he was obviously the right person to be at the helm of this fine film. It appears that he got a lot of help, not only of his own brothers, but from a lot of well meaning people in this production.

If you haven't watched the film, maybe you should stop reading.

The film focuses on Kieran Johnson, the Chicago schoolteacher, ones encounters at the beginning of the movie with his students. His sick mother, Fiona, is being taken care at home by a daughter, and Kieran helps in his own, limited way. Watching his mother in her sick bed motivates him to go to Ireland in a voyage to discover a part of his life which he never knew.

Upon arrival, accompanied by his nephew, they go to the rural area where his mother rears from. They get to stay at a modest bed and breakfast run by a greedy man. Seamus' old mother holds the key to the mystery surrounding how he came to be born and to know the truth about what happened to his mother. In the process we are taken in flashbacks to another era.

Kieran O'Day, is a young man working in a small farm with the Meaneys. Beautiful Fiona is a local girl living with a widowed mother. It's obvious from the start these two like one another in more ways than meet the eye. The local town is dominated by the ruthless priests that see smut and lewdness in every one in the small town. In fact, most of what derails the lives of all of the people in the story seems to have been caused by the narrow mindedness of the clergy that held such a grip in the Irish society of the time.

Kieran and Fiona eventually realize the love they feel for one another, but fate will come between them in unexpected ways. The film ends in tragedy, as Kieran Johnson gets to know that O'Day was his father and what became of him.

In a lovely sequence, we watch as young Kieran and Fiona make a detour to a nearby beach because the car they've been traveling breaks down. While walking in the beach, they witness as a single engine plane come for a landing near them. They meet the American pilot, Eddie Sharp, a National Geographic photographer, who is taking pictures of Ireland. It's a lovely moment where the would-be-lovers interplay with the stranger and all seem to be at peace. Eddie is responsible for taking the only picture where Kieran and Fiona are seen together. That is the only clue left for their son to go on his search for their past.

The amazing, largely Irish, cast do an outstanding job in recreating the people in the story. Moya Farrelly, the lovely young Fiona, is one of the best things in the film. Aidan Quinn, as Kieran, delivers a good performance in his portrayal of this lonely man of the country who finds love that proves to be fatal. James Caan, as Kieran Johnson, has some good moments, but of course, he is only seen in a few key scenes. John Cusack's contribution as the friendly aviator is one of the highlights of the movie.

The supporting cast makes the film what it is. Colm Meany, Donald Donnelly, Gina Moxley, Brendan Gleeson, Stephen Rea, Moira Deady, among others, are the main reason for watching the movie. Most of them have had better opportunities in other movies, but as an ensemble they respond to Mr. Quinn's direction.

Congratulations to Paul Quinn. We wish him well in whatever project he decides to direct!

Although this tragic valentine is mostly the labour of love of the Brothers Quinn (Aidan, Declan, and Paul), James Caan excels even more with what should have been a thankless role. As the teacher and uncle spurred on a search for his roots after discovering an old picture of his mother with an unknown man, Caan lends subtle dimensionality and nuances that ring true on every chord. The Irish countryside is lovingly filmed. But Paul Quinn never really decided whether this was a slice-of-life or an epic. He had many stories he wanted to tell, and ran out of time to conclude most of them while wasting far too much screen time reinforcing what we already knew about Fiona's stereotypical propertied widow mother and the kindly farmer with the somewhat shrewish wife who adopted Aidan Quinn's character, Kieron. The actor playing Father Morton also failed to supply new insights after his initial appearance. Stephen Rea is brilliant in a cameo as a fire-and-brimstone visiting priest. John Cusack adds a brief touch of magic, but adds nothing to the narrative. Moya Farrelly scores big in her cinematic debut as Quinn's love interest. Their chemistry is electric. All the townspeople are believably played and the music is marvelous. But it is annoying that the curses are colorfully bestowed and given interesting beginnings, but we never are let in on the final fate of the widow. More annoying still is being introduced to the nephew's turbulent yet loving familial relationships, watch a parallel develop, and then dropped. What effect does all this have on Kieren's sister, the boy's mother, who is equally entrenched emotionally in the search, but disappears without payoff?

Overall, this is well worth seeing. It might have been better with more experienced editing and directing, and perhaps, a crisper script. Yet, flaws and all, it remains enjoyable on its own terms.