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Excalibur, l'épée magique

Titre original : Quest for Camelot
  • 1998
  • Tous publics
  • 1h 26min
NOTE IMDb
6,3/10
19 k
MA NOTE
Excalibur, l'épée magique (1998)
Trailer
Lire trailer0:31
1 Video
99+ photos
AventureComédieDrameFamilleFantaisieMusicalAnimationAnimation dessinée à la mainBurlesqueChevalerie et sorcellerie

Une fille intrépide, un jeune ermite aveugle et un dragon à deux têtes loufoque se lancent dans une course pour retrouver l'épée perdue d'Excalibur et sauver le Roi Arthur et Camelot d'un dé... Tout lireUne fille intrépide, un jeune ermite aveugle et un dragon à deux têtes loufoque se lancent dans une course pour retrouver l'épée perdue d'Excalibur et sauver le Roi Arthur et Camelot d'un désastre.Une fille intrépide, un jeune ermite aveugle et un dragon à deux têtes loufoque se lancent dans une course pour retrouver l'épée perdue d'Excalibur et sauver le Roi Arthur et Camelot d'un désastre.

  • Réalisation
    • Frederik Du Chau
  • Scénario
    • Vera Chapman
    • Kirk DeMicco
    • William Schifrin
  • Casting principal
    • Jessalyn Gilsig
    • Cary Elwes
    • Andrea Corr
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,3/10
    19 k
    MA NOTE
    • Réalisation
      • Frederik Du Chau
    • Scénario
      • Vera Chapman
      • Kirk DeMicco
      • William Schifrin
    • Casting principal
      • Jessalyn Gilsig
      • Cary Elwes
      • Andrea Corr
    • 92avis d'utilisateurs
    • 29avis des critiques
    • 50Métascore
  • Voir les informations de production sur IMDbPro
    • Nommé pour 1 Oscar
      • 1 victoire et 6 nominations au total

    Vidéos1

    Quest for Camelot
    Trailer 0:31
    Quest for Camelot

    Photos137

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
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    + 131
    Voir l'affiche

    Rôles principaux36

    Modifier
    Jessalyn Gilsig
    Jessalyn Gilsig
    • Kayley
    • (voix)
    Cary Elwes
    Cary Elwes
    • Garrett
    • (voix)
    Andrea Corr
    Andrea Corr
    • Kayley
    • (voix (chant))
    Bryan White
    • Garrett
    • (voix (chant))
    Gary Oldman
    Gary Oldman
    • Ruber
    • (voix)
    Eric Idle
    Eric Idle
    • Devon
    • (voix)
    Don Rickles
    Don Rickles
    • Cornwall
    • (voix)
    Jane Seymour
    Jane Seymour
    • Juliana
    • (voix)
    Céline Dion
    Céline Dion
    • Juliana
    • (voix (chant))
    • (as Celine Dion)
    Pierce Brosnan
    Pierce Brosnan
    • King Arthur
    • (voix)
    Steve Perry
    Steve Perry
    • King Arthur
    • (voix (chant))
    Bronson Pinchot
    Bronson Pinchot
    • Griffin
    • (voix)
    Jaleel White
    Jaleel White
    • Bladebeak
    • (voix)
    Gabriel Byrne
    Gabriel Byrne
    • Lionel
    • (voix)
    John Gielgud
    John Gielgud
    • Merlin
    • (voix)
    • (as Sir John Gielgud)
    Frank Welker
    Frank Welker
    • Ayden
    • (voix)
    Sarah Rayne
    • Young Kayley
    • (voix)
    Al Roker
    Al Roker
    • Additional Voices
    • (voix)
    • Réalisation
      • Frederik Du Chau
    • Scénario
      • Vera Chapman
      • Kirk DeMicco
      • William Schifrin
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs92

    6,319K
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    10

    Avis à la une

    Shawn Fumo

    Heart is in the right place, but flawed...

    I am going to agree with the majority of the other posters here. There is a lot of good elements in this movie, but it is all put together as much more of a cliche then it had to be.

    It seemed like there were too many singing scenes and they were too abrupt and not integrated into everything. Every time one started, I couldn't wait for it to be over so we could get back to the story. And as others mentioned, the singing voices were too different from that of the characters themselves. Imagine if they had used the time during the songs to actually give more plot and character development.

    Everyone seemed too two-dimensional. As someone else pointed out, how did the bad guy even get to the round table in the first place? He was charming in his own way, but too cookie-cutter.

    As others mentioned, the animation is very hit-or-miss. The backgrounds and overall mood are very well done, but a lot of the characters were just not animated well, the hawk was frequently deformed, etc. It stood out badly due to the quality of everything around it. Take a look at something like Princess Mononoke to see characters animated on a limited budget that meshes much better with everything else, with a lot more visual style.

    It seems like it would have a feminist bent, but then she is still rescued most of the time, and the dress scene at the end seems especially absurd in the context of everything else.

    Some of the comedy elements were cute, but I did dislike all of the movie references and everything. Since everything else seems centered in the world, it seems out of place.

    Like the Black Cauldron, this was an OK movie that could have been a lot better. But at least BC didn't have all that singing. Sword in the Stone also worked a lot better while being in a similar vein.

    If you want an American animated movie that is really consistent with its own world, animated well, has good characters, etc. check out the Secret of Nimh. You can get it really cheap on DVD now. Seeing Quest for Camelot the day after Nimh, there really is no comparison...
    9Cylex

    Nice Variation on Old Legend

    I caught this film on video because the trailer wasn't too good. But it did have Eric Idle voicing Devon so I gave it a chance. I loved it. The dragon stole most of the scenes, but the other characters weren't bad either. Kayley & Garrett made a good couple and it was refreshing to see a romance that wasn't based on looks or riches. I wanted them to be together. Bladebeak was amusing and Aydon (voiced by the excellent Frank Welker) was good to watch. Rubere was deliciously villainous. The weakest characters were Arthur & Merlin but the film wasn't really about them so it didn't matter.

    The best scenes were set in the Forbidden Forest where we witness all kinds of weird and wonderful flora and fauna. There are good songs (I Stand Alone, Through Your Eyes & On My Father's Wings especially.) I also cried at several points. Ignore the bad press. Watch it. 9/10
    7TheLittleSongbird

    A lot more watchable than Richard Rich's King and I

    I too enjoyed this movie. It isn't flawless, but few movies are. The animation is good, if a little bland in the musical numbers, with exception of the splendid witchcraft scene. As for the songs, they aren't actually that bad. My favourites were "The Prayer", "Looking Through Your Eyes", and "If I didn't have you." The other songs were not as good, but not mind numbingly awful. The biggest problem was the singing voices, they didn't match the voice acting. Celine Dion is a very good singer, but her voice is too powerful for Julianna, but it's good they didn't ask someone like Barbara Streisand, another excellent singer with a too-big voice for the character. Same with Andrea Corr. Another problem was the script, which had its ups and downs. The reasons why some children didn't laugh at the two-headed dragon, which was the best character, is because they wouldn't in a million years have understood the pop culture references, though they were funny. As for the voice talents they were a mixed bag. Jessalyn Gilsig and Cary Elwes started off a little bland, and Gary Oldman relishes his role as the villain, if a little over the top at times. On a positive note, Eric idle and Don Rickles were hilarious, and Jane Seymour made a sincere Julianna. Pierce Brosnan was also an interesting choice, but if I were a director, I wouldn't have picked John Gielgud to voice Merlin, although he would have been good if it was live-action. In conclusion, an above average movie, with a story that started off well, but ran out of steam too early. If I wanted to see it again, I would. 7/10 Bethany Cox
    TygerBug

    Arthurian Waste of Time and Talent

    The wonderful, classic legend of King Arthur and his Knights of the Round Table has never been properly handled as a feature film. Even "Excalibur" seemed forced, and perhaps the only truly enjoyable features have been gentle comedies like Disney's "The Sword in the Stone" and of course "Monty Python and the Holy Grail" which throw the technical mythology out the window and try to make what's left fun. Eric Idle starred in that latter entry, and he stars here, as one-half of a fairly well-animated, somewhat badly-designed, talking dragon. With Don Rickles' help he becomes a comic sidekick, but the script doesn't let either of them be all that funny, and the animation mixes the beautiful and awful with a disturbing shot-to-shot tickertape rhythm. About 1/4th of the animators here don't seem to know how to animate convincingly, and those who do have to struggle not to let the movie fall down around them. But the animation is still the best part of this woefully misconceived hybrid of randomly-scattered Camelot legend and F-grade science fiction. The science-fiction takes over, sadly. Consider the red-armored, action figure of a villain (played by Gary Oldman, in yet another bad career move). I can't decide if he's Riffraff from Rocky Horror, or Ade Edmonson from the Young Ones. It matters little. Caring not for the great legend sitting right under their feet, the umpteen writers turn out sub-Disney drivel about robots, walking trees, a laughable CGI version of the rock monster from the "Never-Ending Story," and a talking chicken with a hatchet for a beak. Lovely. I'm sure Sir Thomas Malory wanted to put these elements in his "Morte D'Arthur," he simply wasn't clever enough to think of them, right? Who needs Lancelot and Galahad when you've got Lionel and Bladebeak? And does anyone really want Celine Dion Eurovision Song Contest-esque material sprinkled in every few minutes? Supposedly sung by the "characters" of what story there is, but they rarely move their lips to it, so the work is not particularly convincing. An all-star cast is wasted (Sir John Gielgud, for chrissake!), as is the time of anyone watching this confused "Black Cauldron"-esque collage of scenes from other movies. The design looks like Don Bluth traced by Wang, and the entire enterprise made me slightly ill. What a waste of talent. I want to hurt this movie.
    6CihanVercan

    The style and the quality is low and out-of-date even in the norms of 1998, but still worth watching for fun

    Back in the days when there is no such Oscar category as "The Best Animated Feature of the Year" , animations were for family use only. It's obvious that by 2001, adult themed animations began running off readily. Looking at the year 1998, alongside of Antz, Mulan, and Toy Story 2 ; Quest for Camelot was another successful blockbuster hit in the animation genre.

    It's an adaptation to Vera Chapman's novel "The King's Damosel", the writer of which is the founder of the J.R.R. Tolkien Society of Great Britain. Though, most fun and joyful parts of the novel are missing in this film. The basic formula of creating a Swashbuckler Adventure out of a heroic journey story has been applied again just like The Mummy, Robin Hood, Indiana Jones, Conan the Barbarian and so on.

    What's so good and staying within living memory? 1/First of all, it's very entertaining for everyone who like Swashbucklers. Must be rated "E". 2/A sense of Tim Burton style singing dialogues. 3/All the cruel and bloodthirsty fantasy world creatures are pleasant looking: Dragons, Drakels, Ogres, and the very special Two-Headed Dragon. 4/The Dark Jungle with Necromancer Trees. 5/The lost sword of Excalibur. 6/The legend of the Three Circles. 7/The story is centring on a girl who wants to be a knight! Praise for Hayao Miyazaki 8/The first time when Garrett and Kayley meet the two-headed dragon: -Garrett:What are you? -Dragon:We're the reason cousins shouldn't marry. 9/The back story of a blind farmer, and his success story becoming a knight 10/The blind farmer's silver winged falcon, and all the scenes that it's fighting with either dragons or ogres.

    What's not to like and to forget? 1/The overall animation quality is only as good as a computer game except the music. 2/Some scenes and sequences are giving homage to Star Wars, Indiana Jones and even the Taxi Driver; and those homages are stomach aching. 3/King Arthur is very weak, he is half the size of Merlin and shorter than Kayley 4/Merlin is not the Merlin as we know him, he's afraid to cast spells, and not able to protect Arthur's castle 5/The moment when King Arthur grabs the Excalibur from the stone, he seems like a 4-year-old kid pretending that he's He-Man and the people around him are the Masters of Universe 6/The fact that King Arthur is Pierce Brosnan's worst voice acting ever 7/Character development and back stories of the characters are very weak except Garrett's character 8/Visual Effects are awful 9/Over 350 animators have worked to create this animation, but it's still not "animating" what needs to be animated, 'cause the action sequences and the human movements/reflexes are dreadful 10/Sound Effects are not synchronized properly

    Give it a shot, this is at least worth watching, catch it on Youtube.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Bill Kroyer, the original director of this movie, intended to make a darker movie, more faithful in tone to the original book. Following the phenomenal successes of the movies of the Disney Renaissance, Warner Bros. among many other studios, moved into Warner Bros. Feature Animation hoping to replicate similar successes with their own animated movies. At Warner Brothers' behest, Kroyer's vision for this movie was rejected, in favor of a more Disney animated musical movie-style, and the movie was put into production before the story was even finalized. The complex plot and dark nature of the novel, The King's Damousel, were replaced with several animation trademarks of the 1990s-era: musical numbers, a strong female heroine, a power hungry antagonist who wants to usurp the kingdom, a romantic subplot where the couple lives happily ever after, talking animal sidekicks, and family-friendly comedy gags.
    • Gaffes
      When Devon and Cornwall make shadow puppets on the wall, Garrett (who is supposedly blind), looks at the shadow puppets on the wall.
    • Citations

      Ruber: [after the giant ogre sits on him] The ogre's butt.

    • Crédits fous
      On the On Demand print, during the closing credits, the offer for the movie's soundtrack on CD & Cassette, that is seen before the movie begins, plays again.
    • Versions alternatives
      In the version released on Netflix and YouTube, the Warner Bros. Family Entertainment logo is plastered by the Warner Bros. Television logo.
    • Connexions
      Featured in Troldspejlet: Épisode #19.6 (1998)
    • Bandes originales
      United We Stand
      Written by Carole Bayer Sager and David Foster

      Produced by David Foster and Carole Bayer Sager

      Performed by Steve Perry

      Courtesy of Columbia Records

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    FAQ

    • How long is Quest for Camelot?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 14 octobre 1998 (France)
    • Pays d’origine
      • États-Unis
      • France
      • Luxembourg
      • Allemagne
      • Canada
      • Royaume-Uni
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • La espada mágica: En busca de Camelot
    • Lieux de tournage
      • Austin, Texas, États-Unis
    • Sociétés de production
      • Warner Bros.
      • Warner Bros. Animation
      • Warner Bros. Feature Animation
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 40 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 22 510 798 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 6 041 602 $US
      • 17 mai 1998
    • Montant brut mondial
      • 22 510 798 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 26 minutes
    • Mixage
      • DTS
      • Dolby Digital
      • SDDS
    • Rapport de forme
      • 1.66 : 1(original & negative ratio)

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