Les ensorceleuses

I hate using labels like "chick flick", but one look at the IMDb voting demographics shows that this is literally a chick flick. As of the time I'm writing this, females rate it nearly 2 points higher than males, and in the under 18 group it's even more exaggerated.

Well I'm a guy, and I dug it. If you're flexible enough to appreciate the macho man cheesiness of "Commando" (like Arnold Schwarzenegger riding on the landing gear of a Boeing 747) as well as the chick flick cheesiness of "Pretty Woman" (like Richard Gere riding on the sunroof of a white limo) ...both of which are equal in amounts of cheese but from different perspectives... then I think you can have a fun time watching "Practical Magic". Why? Because it seems to hit us with both extremes.

On the surface, the story seems to be brewing a sinister dark comedy: the Owens women just can't seem to keep men long before they kick the bucket. Tons of potential for a slightly demented "Beetlejuice" kinda story, or even "Heathers". But instead of going in that direction (i.e. treating death as crazy joke), "Practical Magic" takes it quite seriously and is not afraid to get pretty sentimental on the subject. In other words, it takes a very morbid "guy flick" story but treats it with "chick flick" sensitivity.

And that's just the beginning. We haven't gotten to the other dark themes of wife beating, alcohol abuse, sexual promiscuity, murder and re-murder. So, you ask, if it has all these disturbing themes and refuses to make light of them, how the heck can this be a comedy? The answer is that the leading ladies, not just Sandra Bullock and Nicole Kidman but also their crazy aunts played by Stockard Channing and Diane Wiest, act their roles with playful humor and endearing wit. It reminded me a little of "Sex and the City", the way the stories can be downright upsetting, but the humor comes in the way the characters behave despite it all. "Practical Magic" doesn't rely on a silly story for its laughs but instead lets the acting pave the way for levity.

Roger Ebert gave this movie a mostly negative review, saying "the movie doesn't seem sure what tone to adopt, veering uncertainly from horror to laughs to romance." But I think Ebert failed to see that the film's charm is the fact that the characters can indulge in laughs and romance *despite* the horror.

Ebert also criticized: "'Practical Magic' is too scary for children and too childish for adults. Who was it made for?" The answer is it's made for adults who can indulge in childishness. Basically if you get the gist of my review, it's the idea that this film is an unexpected blend of opposites. I have to admit it caught me off guard for a while, but I eventually figured out the rhythm and had a fun ride.

Do NOT expect a sinister, dark comedy. Do NOT expect a totally light-hearted silly romp either. The best way I can describe it would be to compare it to some of the 80s horror-comedies like "Fright Night", "Vamp" or even "Gremlins" but with a dash of "Thelma & Louise". Throw em all together in a giant cauldron and have some fun.

I noticed that most of the angriest user reviews on this movie come from people who were unable to identify the genre of this flick. So they went on and on about how this movie doesn't know what it wants to be ecc.

Is it horror? Is it comedy? Is it a Hocus Pocus wannabe? The answer is no to all but who cares anyway. We're in 2022 and what genre would you say "The power of the dog" is? Next time why not try to appreciate a film for what it is, instead of spending all your time looking for a specific genre that's most likely linked to a bunch of preconceived ideas?

Now that's out of the way, we can discuss this movie which tells the story of these two modern witchy sisters and their romantic adventures -that are nothing but unfortunate-. Still, no matter how bad the situation is, these stick together through thick and thin. One embraces her natural talents, the other desperately seeks a normal life, shunning all the stigma that comes with being born a witch. Orphaned at an early age, the two move in with their aunts in a large Victorian house in New Salem, Massachusetts.

It's quite genuine in that they present us a more tender and vulnerable side to witches. In movies, we were used to seeing a cartoon version of witches, the Wizard of Oz comes to my mind, but these sisters couldn't be more humane if they tried to. It's equipped with good performances, including the excellent interpretations of Stockard Channing and Dianne Wiest, and beautiful picturesque scenery all around. The befitting soundtrack includes music by Joni Mitchell and Stevie Nicks. Don't expect some kind of intellectual masterpiece. I hardly think that's what they were going for! My advise, just enjoy it for what it is, it's a wonderful film.

Normally I don't care for chick flicks, but I can't seem to stop watching this one over and over again. I was surprised that so many others didn't care for it. I just loved the sets, the costumes, the women and their relationships, the real magic in the film, the special effects, the child actresses. This was stuff that women could relate to better than men. Aidan Quinn was the only boring part of the movie. I wished they'd chosen an actor who was more into the role. He seemed bored and made his part in the film more boring. (Also, he mumbles. Someone should give him elocution lessons.)

This movie wasn't meant to be heavy. It was meant to be light, fun fluff, and that it is. The characters weren't meant to be deep, but I felt the relationship between the two sisters was deeper and well performed by two skilled actresses. In spite of the fluffiness of it, I enjoyed the two scenes in which we got to sit and relax to the sound of Stevie Nicks' "Crystal." So what if cars weren't crashing and guns weren't shooting. They weren't supposed to be. I felt the camaraderie of the moment as the two sisters and their aunts got drunk on "midnight margaritas" while dancing to Harry Nilsson's "Lime in the Coconut." It was just plain light fun. Also, women can enjoy the vicarious satisfaction of watching these women destroy the evil, bullying man who tries to destroy them.

The end of the film was rather Disney-kiddie-flick-like. Another ending might have worked better, but it was tolerable because it reminded the audience that the film was all in fun, and not to be taken seriously.

I usually prefer deeper films, but I thoroughly enjoyed this piece of fluff. Sure it was silly and campy, but it was fun. A film doesn't have to take itself seriously to be fun. Bullock, Kidman, Channing, and Wiest are beautiful, charming and wonderful to watch in this flick, and I love watching the four of them over and over again.

It appears that director Griffith Dunne tried to keep this film from being as powerful as it could have been. The movie fails to fully develop the town's overt fear of witches (missing only slightly), the full foreboding of "something wicked this way comes" with Jimmy (although the script lets them get away with it), and the magical love bond between Sally and Gary. A few small changes, such as more supportive background music, would have made these points support and counterpoint the lighter parts of the flick.

Bullock and Kidman are very good as the central characters, very believable as different-but-bonded sisters. Kidman is a little too flaky at times to be a fully credible witch, but this characterization runs well enough in context. Channing (whom I rarely enjoy) and Wiest are excellent in major supporting roles, outdone only by Webb and Wood (Sally's daughters) who show their abilities by *not* overacting their potentially cutesy roles. Instead, they do a great job in stating variations on their mother and Aunt Gilly.

Overall, I think most aspects of direction and production could have used one more iteration of quality improvement. Still, the movie is quite enjoyable, and worth watching again some time.

I have read through more than half of the reviews that have been posted for this film and have been amazed that no one seems to have caught on as to what it's really *about*.

It's NOT about the Magic. It's NOT about the witchcraft. It's NOT about the romance. It's about the power of numbers. In particular, it's about how women grouped together have power to fight the physical abuse of womankind, when a lone victim, with or without one or two relatives or friends, does not. On a lesser level, it's about how women who are not prone to being victimized can help rescue those who are. Everything else is just for flavor. Is a pumpkin pie about the spice? Is a dish served flambe about the alcohol?

This movie contains much food for thought. Comments about whether it does or does not accurately portray the practice of Wicca are so far off the point as to be meaningless.

Superficially, yes, it's fluff, and meant to be fun, and not meant to be taken seriously or as a work of art. But dig a little bit deeper, for goodness sake, and see what's underneath that puffy exterior. There's a lot there!