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Pleasantville

  • 1998
  • Tous publics
  • 2h 4min
NOTE IMDb
7,5/10
141 k
MA NOTE
POPULARITÉ
3 154
270
Pleasantville (1998)
Trailer
Lire trailer0:31
2 Videos
99+ photos
ComédieDrameFantaisieComédie pour adolescentsComédie très conceptuelleConte de féesDrame pour adolescentsDrames historiquesFantastique pour adolescentsSatire

Deux frères et sœurs adolescents des années 1990 se retrouvent dans une sitcom des années 1950, où leur influence commence à changer profondément ce monde complaisant.Deux frères et sœurs adolescents des années 1990 se retrouvent dans une sitcom des années 1950, où leur influence commence à changer profondément ce monde complaisant.Deux frères et sœurs adolescents des années 1990 se retrouvent dans une sitcom des années 1950, où leur influence commence à changer profondément ce monde complaisant.

  • Réalisation
    • Gary Ross
  • Scénario
    • Gary Ross
  • Casting principal
    • Tobey Maguire
    • Jeff Daniels
    • Joan Allen
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,5/10
    141 k
    MA NOTE
    POPULARITÉ
    3 154
    270
    • Réalisation
      • Gary Ross
    • Scénario
      • Gary Ross
    • Casting principal
      • Tobey Maguire
      • Jeff Daniels
      • Joan Allen
    • 786avis d'utilisateurs
    • 144avis des critiques
    • 71Métascore
  • Voir les informations de production sur IMDbPro
    • Nommé pour 3 Oscars
      • 18 victoires et 45 nominations au total

    Vidéos2

    Pleasantville
    Trailer 0:31
    Pleasantville
    What to Watch If You Love "WandaVision"
    Clip 2:14
    What to Watch If You Love "WandaVision"
    What to Watch If You Love "WandaVision"
    Clip 2:14
    What to Watch If You Love "WandaVision"

    Photos180

    Voir l'affiche
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    + 173
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    Rôles principaux60

    Modifier
    Tobey Maguire
    Tobey Maguire
    • David
    Jeff Daniels
    Jeff Daniels
    • Mr. Johnson
    Joan Allen
    Joan Allen
    • Betty
    William H. Macy
    William H. Macy
    • George
    Natalie Ramsey
    Natalie Ramsey
    • Mary Sue
    Kevin Connors
    Kevin Connors
    • Bud
    Heather McGill
    • Girl in School Yard
    Paul Morgan Stetler
    Paul Morgan Stetler
    • College Counselor
    Denise Dowse
    Denise Dowse
    • Health Teacher
    McNally Sagal
    McNally Sagal
    • Science Teacher
    Jane Kaczmarek
    Jane Kaczmarek
    • David's Mom
    Giuseppe Andrews
    Giuseppe Andrews
    • Howard
    Reese Witherspoon
    Reese Witherspoon
    • Jennifer
    Marissa Ribisi
    Marissa Ribisi
    • Kimmy
    Jenny Lewis
    Jenny Lewis
    • Christin
    Justin Nimmo
    Justin Nimmo
    • Mark
    Kai Lennox
    Kai Lennox
    • Mark's Lackey #1
    Jason Behr
    Jason Behr
    • Mark's Lackey #2
    • Réalisation
      • Gary Ross
    • Scénario
      • Gary Ross
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs786

    7,5140.7K
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    Avis à la une

    gagliano

    First of all...I really liked it.

    First of all....I really liked it. Ignore any review (and reviewer) that says different. We live in a day and age that we seems like every movie has a touch of this old film and bit of that one...or is a remake or possibly a re-release. But Pleasantville is none of that...it is unique, fresh, reflective, pleasant (you knew I was going to use that word someplace), sad, but yet still had a touch of fun. The film begins by looking at the interaction between and the lives of a brother (Tobey Maguire) and sister (Reese Witherspoon). The brother is very content with his life and enjoys watching television, in particular, the show, Pleasantville. His sister, a bit more outgoing, enjoys meeting new people and seeing where this interaction will lead. A fight over which show to watch results in the intervention by Don Knotts (of Andy Griffith and Three's Company fame). Maguire and Witherspoon are wisked into the television set and take center stage as two of the Pleasantville cast. The only difference is while the world may be watching a tv show, to them, this is their reality. The film appears to be in black and white, but as each character opens their mind or changes from the perception of the Pleasantville tv show, then they begin to gain color. As those in color become more prevalent, the old black & whites become resistant to change. To ebb the flow of change, the black and whites react violently against the "new colors" and begin placing restrictions on them. Yes the similarities of the 60s civil rights movement are here as are the violent acts of the Nazis in pre-World War II. But while you see these, you are also brought to the realization that there still exists a great deal of prejudice, discrimination, and close-mindedness in this world. One of the most pleasing aspects of this film is the cinematography, the mixing of the colors with the black & white shots were great. The story keeps your interest and the characters impact upon each member of the audience in their own special way. This is one film to see for I think you will hear more about it around Oscar time. Bottom line...if we open our minds more towards others, letting them be who they are, rather than who we want them to be, then not only will we be richer in color, but also richer in character.
    10adamw_13

    floored

    Some critics here are saying the movie takes itself too seriously - but I believe some people are taking it too literally. ... Saying that the topics that are addressed have no impact on society anymore, clearly misses the point. ... The 50s -- or more specifically, 50s TV -- is used as a metaphor, because of the way 50s TV portrayed life in America. ... Thematically, this movie is about "Living Life" to the fullest, whatever that means. More specifically, to live life to the fullest -- to truly feel "alive" -- you need to take the good with the bad. Sweeping things under the rug and just acting "pleasant" all the time, is no way to live. That's what Tobey McGuire's speech at the end to his "real" mother is all about. Bad things happen, it's part of life. Having passion brings with it positives and negatives -- but suppressing true feelings for the sake of "pleasantness" is an empty life. THAT is the key ... and that "issue" is everlasting to the human condition.

    Another point: People fear change. This is universal from the start of time until the end of time. The film suggests that changing and growing as a society and as people -- even if scary -- is good. Just because the 50s were used as a metaphor for that, don't believe for a minute this isn't a universal issue that exists today and forever.

    Another issue common for people critical of this film is the sexual issue. They say that Gary Ross is promoting sexual promiscuity, sex out of wedlock, etc... Again, I believe it misses the point. Is Ross suggesting that premarital sex is OK? Yes, and I'd agree - and I'm sure there's plenty of people who don't agree with that, and that's OK too. But, again, the sex is just part of the theme - used as a high-profile example to making the overall point about "openness" - and not suppressing one's feelings. Note that the Reese Witherspoon character was already promiscuous, and her transformation was actually something completely different.

    I can't make everyone like this film - I'll just say that, on a personal note, I was so floored by this film, I had to see it again the next day. That had never happened to me before, or since. Ross' commentary goes on to speak of everything I felt about the film when I first saw it. It was great to hear that his reasons for what he did, meshed exactly with how I took it. I had to write him a letter to tell him so - another thing I'd never done before or since.

    This is not a perfect film. I liked its subtlety, but then the racism correlation, and the censorship stuff, got a bit more overt. The courtroom scene at the end is a bit cliche ... and I also agree with one poster who said that, to make the point about taking the good with the bad, we should've seen a bit more about the consequences of their actions.

    Those are merely nitpicks in the grand scheme of things. This is a 10 out of 10.
    8SnoopyStyle

    cute gimmick turns funny turns profound

    David (Tobey Maguire) is a geek in high school. Real life is diminishing expectations, family divorce and no female companionship. He's obsessed with an old TV show Pleasantville. While watching a Pleasantville marathon, he has a fight with his twin sister Jennifer (Reese Witherspoon) and they break the TV remote. TV repairman (Don Knotts) shows up and give them a special remote which sends them into the show. They become George (William H. Macy) and Betty Parker (Joan Allen)'s kids Bud and Mary Sue. She's not happy until she sees her new boyfriend Skip Martin (Paul Walker). Bud is working at Bill Johnson (Jeff Daniels)'s soda shop. He falls for Margaret Henderson (Marley Shelton). The kids' interactions start changing the strange purity of Pleasantville and colors seeps into the world.

    At first, this is a gimmick that has some cute aspects. Don Knotts adds to that sense of a cheap laugh. It has some good fun with Maguire and Witherspoon budding head. Then the deeper profound message seeps into the movie. It is gentle and yet undeniable. A couple of times, I feared the movie would push too hard like calling the people "color". It manages to maintain some distance and follow through on the message without overpowering it. This is quite a film.
    9nchng

    A brilliant fairytale..

    I thoroughly enjoyed "Pleasantville" from the 'Once upon a time' through the film fading to black.

    The acting was top notch all around, as was the use of special effects; in very few films has colour been used so effectively that it can convey a story seemingly without help from dialogue or music.

    I can see how some people would perceive it as merely another mouthpiece of liberalism, but I watched it twice, and I only noticed it attacking bigotry and censorship. What was wrong wasn't that these people were living according conservative values, but that they didn't really choose those values in the first place!

    I like the fact that the film was bold, and that it made its point as directly as it contrasted the black and white with the splotches of Technicolour. While "Pleasantville" had little subtlety in its allegory, it was, like any good fairytale, beautiful in its simplicity.

    Nine out of ten =)
    dark one

    a wonderful many layered experience that put a smile on my face again

    i wish i had the ability to put into a 1000 words what this movie impressed upon me. sadly enough, i am a verbose person, inclined to write and write and write, following a train of thought that never ends. however, i shall certainly give it a try, without botching it up. after having viewed this movie, i sat a while in my chair, watching the end credits play and listening to the music as it played along. not until the tape rewinded did i fully realise that i had watched a really good movie again, one that spoke on more levels than the simple obvious ones.

    if i were to speak of one of the main things in this movie that are so incredibly important, it's the fact that it speaks about people and society, and the patterns inherent in them. in the beginning, you see reese witherspoon in a normal 90's class situation, following what is a 'normal' situation in that environment. then she is dropped into pleasantville, and what happens? she loses all reference points towards a life that seems right to her; she misses her pattern in life. the first thing that happens is she tries to enforce it again, resulting in the start of the major happenings of the movie, and somewhere along the line, softly swerves away from it and finds another pattern. once she reads a book, and stays put reading in it while she could have gone out to 'do it', you know things have changed.

    william c. macy shows the same thing when he gets home, and his wife isn't there to greet him, and i could go on for ages to point to this, but i'd be overstepping my boundaries of these 1000 words, and definitely spoil someone elses movie experience. fact is, almost every single storyline in this movie is about change, change brought about because someone is stuck in a pattern and feels something is wrong, or through the self discovery that is inherent in every single one of us. not only that, it also shows how fear of breaking established patterns can bring out the worst, or get the upheaval that the major starts with his 'concerned citizens'. but even beyond all this, all the explanations and thought provoking issues that it brings up, if alone for the beauty of it and for the precious score that is attached, one should at least consider seeing it. i am personally a very jaded person concerning movies, having seen more than probably even a professional movie reviewer has seen taking my age as his career.

    even with that in mind, i thank my lucky stars for picking this up on a whim and getting a look at something that has taken me in more than most of the movies this year. several of the scenes are priceless, and as someone before commented, the drive through a black and white scenery with coloured blossom weaving through the soft winds will leave you breathless.

    in short, if you feel like watching a wonderful movie, catch this one and be impressed; try to follow the patterns every character exhibits and think about what the colour means in that sense, how it brings life back, how change is life.

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      At one point, when Jennifer tries to use a bathroom there aren't any toilets. This is a clever reference to an FCC ruling during the 1950's, which stated that toilets (or any reference to their use, such as the sound of flushing) could not be presented on television. While this continued on broadcast television well in to the late seventies, the barrier in movies fell in 1960 (two years after the Pleasantville scenario) when Alfred Hitchcock persuaded the film censors to allow the flushing of a toilet in Psychose (1960) because it was integral to the iconic shower scene.
    • Gaffes
      Various inconsistencies and plot holes (stopped clocks, phantom opposing basketball teams) with the real world are consistent with Pleasantville being a TV world, and hence consistent with the movie.
    • Citations

      David: David:

      [panicked]

      David: Fire! Fire! Fire!

      [gets to the fire station]

      David: Fire! Fire! Fire!

      [finds the firemen]

      David: Fire!

      [nobody moves]

      David: Fire!

      [they look weirdly at him]

      David: FIRE!

      [still no movement]

      David: Cat...?

      [everybody gets on their feet]

    • Crédits fous
      The New Line logo plays in complete silence.
    • Connexions
      Featured in Fiona Apple: Across the Universe (1998)
    • Bandes originales
      Across the Universe
      Written by John Lennon and Paul McCartney

      Performed by Fiona Apple

      Produced by Jon Brion

      Courtesy of Clean Slate/The WORK Group

    Meilleurs choix

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    FAQ21

    • How long is Pleasantville?Alimenté par Alexa
    • Won't Jennifer's real mother wonder where her daughter is when she is gone for a long time?

    Détails

    Modifier
    • Date de sortie
      • 17 février 1999 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Amor a colores
    • Lieux de tournage
      • Petaluma, Californie, États-Unis(Scenes filmed at Petaluma Blvd and Western Ave.)
    • Sociétés de production
      • New Line Cinema
      • Larger Than Life Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 60 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 40 584 421 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 8 855 063 $US
      • 25 oct. 1998
    • Montant brut mondial
      • 49 805 462 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 2h 4min(124 min)
    • Couleur
      • Black and White
      • Color
    • Mixage
      • DTS
      • Dolby Digital
      • SDDS
    • Rapport de forme
      • 1.85 : 1

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