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6,0/10
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Ajouter une intrigue dans votre langueJohn Riley, an Irish immigrant soldier recruited in the American army during the Mexican-American War faces anti-immigrant and anti-Catholic bigotry from his fellow servicemen and defects to... Tout lireJohn Riley, an Irish immigrant soldier recruited in the American army during the Mexican-American War faces anti-immigrant and anti-Catholic bigotry from his fellow servicemen and defects to the Mexican army.John Riley, an Irish immigrant soldier recruited in the American army during the Mexican-American War faces anti-immigrant and anti-Catholic bigotry from his fellow servicemen and defects to the Mexican army.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 nominations au total
Avis à la une
One Man's Hero details a little known chapter of the very unpopular Mexican American War. The acting is superb, Tom Berenger aches with conflicted loyalty to his church, to his "boys" and to his adopted country. In many ways this is a diffucult film to view. Often, Americans feel my country right or wrong. This film fairly reveals both sides with warts and all. There is never a winner in any military confrontation. Everyone loses - their own lives, the life of a loved one, a cherised home land. The US army of the 1800's often employed less than honorable tactics to lure uneducated immigrants into its rank & file. What they found was a prejudice not just reserved for the those of a different color skin or on the "other" side of the confrontation. The prejudices of the army were cruelly devisive & a socially acceptable behavior among the rank and file of the US troops. Often an ethnic groups loyalties were not grounded in the flag and mission of their adopted homeland, but among their own, where they shared traditions, culture and church. This is the story of One Man's Hero. The cast is excellent. The story will make you think. Today we talk about human rights, human dignity .... In the 1800's our country was far from the equality, freedom and dignity we are still striving to achieve today. One Man's Hero will make you think. It will make you think twice before you utter an unkindness or that "funny" joke from the water cooler. When we hurt others, we are only hurting ourselves. This is the lesson of One Man's Hero. Can we ask any more of a film.
It is a movie...so I expect there to be embellishments--in plot, especially, amongst other things. The acting? Well, I am not a movie critic...it was passable, not great, not horrible--most of the acting did seem flat and non-dimentional, however, you are getting just a glimpse of a few (a very few) of the major characters. What I do like overall, is, the fact that someone attempted to make a movie about this era of American History, especially, due to its pivotal role that the Mexican-American War would play in the years following the conclusion.
On the historical facts of the movie, well, it has errors: for example, the Americans seem to "out-number" the Mexican forces--and as we all know the average ratio was between 3:2 and 3:1, in favor of the Mexican Army, in all the battles--which could have made the movie more spectacular--for the "bad" Americans--if they can be called that--something that was latent but not overt. As others have pointed out, it also does have a "Mexican" bias, but this is due to the arrangement of the plot of the movie...concerning the San Patricios Companies of Foreigners. I personally thought the biases of the "named" characters (at least the Americans) were "historically" correct--despite any gaffes in acting. Zachary Taylor (James Gammon) had his "damn the consequences" attitude, and Winfield Scott (Patrick Bergen) was also "true" to the history. The "Anti-Catholic" (not just Anti-Irish) sentiment as portrayed by the junior officers and non-comms in front of the Colonel of the 5th US Infantry Regiment, is also in line with the time.
It is a shame that they could not work in more of the major characters (and a few of the Civil War Generals--in their baptism of fire). We see Scott, Taylor and Harney; It would have been nice to see others like Santa Anna, David Twiggs, William Worth, etc. as well as maybe Jackson as an Artillery Lieutenant moving his guns forward at Churubusco to take on the San Patrico batteries or Grant moving his men of the 4th Infantry forward, or even Lee reconoitering a position. However nice this may have been, it was extraneous to telling the movie-maker's story, and it was not to be.
Not every movie can be a "Gettysburg" calibre movie...but considering the "attention span" of my fellow countrymen (most would not endure a 4 hour movie--let alone the subject matter), this movie trys to be entertaining, as well as, historically "honest". I say, "bravo".
On the historical facts of the movie, well, it has errors: for example, the Americans seem to "out-number" the Mexican forces--and as we all know the average ratio was between 3:2 and 3:1, in favor of the Mexican Army, in all the battles--which could have made the movie more spectacular--for the "bad" Americans--if they can be called that--something that was latent but not overt. As others have pointed out, it also does have a "Mexican" bias, but this is due to the arrangement of the plot of the movie...concerning the San Patricios Companies of Foreigners. I personally thought the biases of the "named" characters (at least the Americans) were "historically" correct--despite any gaffes in acting. Zachary Taylor (James Gammon) had his "damn the consequences" attitude, and Winfield Scott (Patrick Bergen) was also "true" to the history. The "Anti-Catholic" (not just Anti-Irish) sentiment as portrayed by the junior officers and non-comms in front of the Colonel of the 5th US Infantry Regiment, is also in line with the time.
It is a shame that they could not work in more of the major characters (and a few of the Civil War Generals--in their baptism of fire). We see Scott, Taylor and Harney; It would have been nice to see others like Santa Anna, David Twiggs, William Worth, etc. as well as maybe Jackson as an Artillery Lieutenant moving his guns forward at Churubusco to take on the San Patrico batteries or Grant moving his men of the 4th Infantry forward, or even Lee reconoitering a position. However nice this may have been, it was extraneous to telling the movie-maker's story, and it was not to be.
Not every movie can be a "Gettysburg" calibre movie...but considering the "attention span" of my fellow countrymen (most would not endure a 4 hour movie--let alone the subject matter), this movie trys to be entertaining, as well as, historically "honest". I say, "bravo".
Anyone who doubts the power of religion to sway a man's loyalties has never studied history. Likewise, anyone who doubts the power of a man's need to feel respect and a sense of "belonging" has simply never felt the lack. The Irish of the time came to our shores fleeing famine and disease, poor in the wallet but rich in pride and heritage. They asked for nothing but a chance, and took what was offered in good faith. The politics of the time made them much as the Mexicans are viewed today. Unwanted aliens who should be sent back from whence they came. Taking the offer of the US Army at face value, they were ridiculed and scorned and abused constantly. When battle was joined they found themselves fighting a people not so different from themselves. A people who shared ties of Catholicism, as well as spirit. They got nothing but hatred and ridicule from those who supposedly would welcome them, and could not be proud of fighting Mexicans, who shared so much in common with them. All they asked was a place to belong. Once they found it, they fought for it with all they had. It just happened, they found it in the ones they were supposed to be fighting.
An epic, slow grinding war story of source accounts with romance, faith and loyalty streaming through. I don't know how true it is to the facts, but you couldn't help but admire its powerful scope and sound performances led by Tom Berenger. Irishman John Riley leads his fellow countrymen who desert to Mexico just before the American-Mexican war after encountering religious and ethnic prejudice in the US cavalry. While holding up in Mexico, war is ignited and the men form the St Patrick's brigade where they become allies with the Mexicans. The story shows how much in common these two sides shared in their viewpoint of freedom, which the Irish men saw when they lived and fought side by side with the Mexicans. They kept fighting on, despite the odds being stacked up against them. The war scenes are dramatically staged with strategic precision and bravery, as it becomes a stirring display of chemistry and spirit between the cast. The characters do provide good insight and form lasting impressions, making the entire ordeal even more effective when they meet their fate. Joaquim de Almeida is perfectly strong willed as a Mexican outlaw and Daniela Roma as the Mexican lady caught in a love triangle.
"One man's hero. Is another man's traitor I reckon sir."
"One man's hero. Is another man's traitor I reckon sir."
10theeht
Someday, perhaps, when this film achieves the reputation as a classic that it deserves it will be widely re-released. A labor of love for Berenger, it features the acclaimed actor in possibly his greatest performance as an Irish sergeant who fights with his men on the side of the Mexicans during the Mexican war. Tom is incredible here, especially in the closing scenes, but everything is superb here, the music, photography, direction by Lance Hool, supporting performances, everything you could ask for in a spectacle like this.See this film.
Le saviez-vous
- AnecdotesThis was the last film ever released by Orion Pictures.
- GaffesThere are a number of geographical and historical errors in this film, including some scenes in the battle of Churubusco (the last battle in the movie).
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- How long is One Man's Hero?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Herois sense pàtria
- Lieux de tournage
- Sierra de Organos, Sombrerete, Zacatecas, Mexique(exterior scenes)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 11 350 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 240 067 $US
- Week-end de sortie aux États-Unis et au Canada
- 108 567 $US
- 26 sept. 1999
- Montant brut mondial
- 240 067 $US
- Durée2 heures 1 minute
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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