Négociateur

An honest cop is an easy target, right? Well, this is what the trailer of "The Negotiator" states, but it also states a lot of more things; some which it shouldn't state. So my first recommendation is: don't watch the trailer of this film before watching the film itself…It will make it better. Danny Roman (Samuel L. Jackson) is a successful negotiator and, as it happens in these films, he's getting too close to something and consequences are ahead.

That's all you'll hear from me. After this main plot line, "The Negotiator" becomes a nerve- racking ride; with thrills all the way through and a very intelligent use of the general elements of the crime thriller. See, that's the thing about crime thrillers: they are always around the same kind of ideas and stories. I recently watched "Edison" and I didn't like the way it handled things; because it wanted to give an explanation to a conspiracy that was confusing and difficult to understand, sadly inside of a good script.

"The Negotiator" suffers from the same thing. However, writers James DeMonaco and Kevin Fox make it up with some beautifully written, gripping dialogue in a fantastic achievement; considering that one of them hadn't done anything before and the other had written "Jack". The screenplay of "The Negotiator" is probably what brings the rest to life.

It isn't the writers' fault but, although the cameras are well placed and F. Gary Gray's direction is accurate, everything feels a little bit like television (like in "SWAT"). I'm not saying this is a bad characteristic, because it doesn't make the film less dynamic and because the film is, as I said, intelligent; but it's ultimately disappointing. The music by Graeme Revell is one of the high points, with chilling strings that accentuate the characters' looks in the moments of tension.

These moments of tension also look like television, but we forgive it because we get some good intense looks. If "The Negotiator" is not good for everything else (which is not entirely true), it is good because of the actors (casting by David Rubin). Samuel L. Jackson is full of perfectly managed rage as Danny Roman, achieving a better performance than the ones he got in other movies where he carried guns, like "The Long Kiss Goodnight", "Rules of Engagement", even "Shaft" and definitely "SWAT".

A lot of the actors in the cast come from television or are now still on television (which may help the feeling I was talking about), like Ron Rifkin, John Spencer, Carlos Gomez, Nestor Serrano, Stephen Lee and Doug Spinuzza. They are all great, and so is the late J.T Walsh in a small role. Besides, Regina Taylor is powerful as Jackson the cold David Morse is astounding playing a kind of villain and showing he's one of the best for playing villains today; even in films like "Dreamer".

Paul Giamatti steals the show as a maniac hostage, which is a nice performance to see Giamatti before becoming the cult performer he is now. He was still good then. Siobhan Fallon is also flawless as a law-abiding secretary. But Jackson is the centre of the movie, alongside the other main character. Chris Sabian appears late in the film, but in the skin of Kevin Spacey he encounters Jackson's craziness and "The Negotiator" elevates itself into a whole different level. Spacey's facial expression and manner of talking and Jackson's unique eyes movement are just little details of their incredible performances and their chemistry.

Wonderful actors pay attention to details in movies. At least just to watch Spacey and Jackson, you can't miss "The Negotiator". It has one of the best acting duos I've seen in a long time.

Lieutenant Danny Roman, just married and quickly becoming recognized as one of Chicago's top hostage negotiators, has his life turned upside down when he's framed for the murder of his partner and embezzlement of his department's pension fund. With the evidence piling up against him and unsure of whom he can trust, he resorts to desperate means by taking hostages himself and acquiring the services of unknown but equally skilled negotiator Chris Sabian in order to clear his name. Sharp, intelligent thriller should be your run-of-the-mill cop flick, but its plot twists are so convincing, its police procedures so realistic, and its acted with such great conviction that you don't want to miss a single moment of it! Jackson and Spacey ignite the screen, but they're surrounded by a top-notch supporting cast. A great piece of work from all those involved. ***

In terms of plot and story development, The Negotiator offers little that is new. It's a very conventional film. However, it gets a much needed injection from its cast, especially the two leads Jackson and Spacey, whose verbal exchanges are exciting and dynamic.

The far-fetched yarn introduces us to Chicago hostage negotiator Danny Roman (Samuel L. Jackson). Roman's partner Nate (Paul Guilfoyle) is brutally murdered just as he is about to expose a bunch of cops who have been stealing from the Disability Fund. All the clues at the scene of Nate's murder point to Roman being the guilty one. Danny is arrested for the killing, but he remains determined to prove his innocence. He violently besieges the Internal Affairs division of the Chicago P.D, taking several hostages at gunpoint, and proceeds to demand that his name be cleared. Hostage negotiator Chris Sabian (Kevin Spacey) arrives on the scene to talk Roman into surrendering his hostages.

The ease with which Jackson's character is framed for a crime he didn't commit is hard to believe, and his subsequent decision to take hostages in order to clear himself stretches credibility to the limit. The solution to the mystery - with the revelation of the real killer coming right at the end - isn't especially believable either. However, improbabilities aside, The Negotiator is an entertaining work. As mentioned, Jackson and Spacey's confrontations are quite dynamic and help to make the film compulsively watchable. Siege thrillers by their very definition are exciting, and this one is no exception. Granted, The Negotiator is totally conventional fare, but within its limitations it remains a well-crafted, absorbing and agreeable offering.

The Negotiator presents us with both of two things in a summer full of flicks only containing one or the other: ambition AND intelligence. It doesn't have any qualms with taking a far-fetched concept and treating it with absolute seriousness, but unlike most movies that are willing to do this (especially some recent ones involving very large asteroids and very large lizards), it is able to pull it off by combining a tight script with strong, strong acting.

If this were a perfect world, Jackson would deserve an Oscar nomination for his performance here. There's no way on Earth he'll get it, of course, but he's given the difficult role here of playing a guy who has to convince the guys downstairs that he's a psycho, while convincing the guys he's kidnapped that he's innocent, and he does a flawless job of it. No easy task, especially when you consider the fact that he's got to throw in the occasional gunfight. At least he'll probably win the MTV award :)

What results is a skillfully made film. I enjoyed it. It made sense but kept me guessing, the action was intense but still followed logical patterns, and the ending was not a disappointment. An altogether fun experience.

I do not know what it is about Samuel L. Jackson. No picture, and I have seen many: Freedomland, Shaft, Die Hard with a Vengeance, A Time to Kill, Pulp Fiction, and on and on, fails to excite, and this one is no exception. His interaction with another top negotiator, Keven Spacey, incredible as usual, after he framed by other officers for stealing from the policemen's disability fund, is brilliant. As he goes crazy-like-a-fox berserk in order to prove his innocence, he and Spacey play cat and mouse to solve the crisis. A wild ending and a super supporting cast, especially David Morse, John Spencer, J.T. Walsh, Paul Giamatti, and Paul Guilfoyle