The Naked Man

Was unaware of this, and believe me as much as I love movies, I feel no shame about that. However, this is a must-see for those of us who crave escape into silliness occasionally. The Naked Man is the wrestling moniker of a mild mannered chiropractor with a brutal, but golden touch played by Michael Rappaport, Brooklyn's answer to Gary Busey. All he seeks in life is reunion with his father, a stern pharmacist and believer in pills, and to be a provider to his "best girl" and soon-to-be-born son. However, chilling tragedy strikes in a hilarious Ethan Coen way which sends our back stretcher on a wild mission of revenge in his wrestling persona aided by Delores, a biker babe liberally pierced. Their targets are Sticks Verona, a drug kingpin played by an always funny Michael Jeter, and his driver of the huge semi that he lives in, an Elvis clone who lives on peanut butter sandwiches with bacon. Also, the jewel in the cast, a chain smoking detective wearing a six month shirt and a raincoat that even Columbo would Goodwill, is played by that unique actor Joe Grifasi. There is a long, dialogue-free, classic scene of the beginning of his day that is a gem. Half a load on will get you through the awful parts to the good stuff which is inspired. Shameless fun.

When I saw this movie, I was on the one hand overwhelmed and on the other hand very disappointed. It is a tragic and in some parts surrealistic comedy that is standing close to Bertolt Brecht's theater dramas and his V-effect and the German Dadaism-Artists. It may be considered as a sequel or even as a conclusion of other Coen - movies OR as just a big piece of humbug. I myself was thinking between these two aspects for a long time. And I came to the conclusion that everybody has to decide for himself. The thing that was really fascinating were the characters: real types - to speak in the traditional language of drama - not complex protagonists made me think about the sense of this movie. And to come back to the title of this comment: It is really a thin line between a very complex piece of film-artwork and rubbish. Decide for yourselves!

The director has, on a low budget, created a tight script, with beautiful timing. Rapaport plays a pro wrestler (whose persona is "The Naked Man")/chiropractor who is thrust into responding to an attempted gangland takeover of his small town. Wonderfully acted from the chain smoking cynical cops, to the paraplegic gangster, to his Elvis impersonating enforcer, and finally to the biker girlfriend follower. All the little bits were perfect and the movie was a hilarious comedy.

Of course, this isn't a Coen brothers film, but it does have a strong connection to their films with Ethan Coen contributing to the script (but not producing) and with the Coen's storyboard artist J. Todd Anderson directing and also co-writing. As to be expected, it's not as good as a full Coen brothers effort, but worth a look for anyone who is a fan of the Coens (as I am).

That said, it's not a great movie. It does have a pretty funny central concept, but to me, it never seemed to completely get off the ground. J. Todd Anderson directs the film in a similar style to Joel Coen, but he isn't near as good as writing funny dialog. There is some stuff here that people with a weird sense of humor (like me) will appreciate, but mostly the film is meandering and pointless.

Definately not on the same level as the Coen brothers' classics, but worth seeing for anyone who likes the Coens, or weird comedies in general.

This movie is more than just a film co-written by Ethan Coen (of the Coen brother fame). And if your expecting a Coen brother movie, its different but it does have some familiar ties to films made by the Coen brothers. What else would you expect from Director J.T Anderson who has been the storyboard artist on almost all of the Coen brothers projects, and J.T's characters are every bit as interesting as any created by his co-writer and his brother. This movie lives on the dynamics between its characters, and of course great photography by Jeff Barklage. (I think every Coen brother film has had great photography that pushes the story and the characters.) But enough about Coens. This is a fun film and a good film, and I cannot understand why OCTOBER and UNIVERSAL did not release this sucker.