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La légende du pianiste sur l'océan

Titre original : La leggenda del pianista sull'oceano
  • 1998
  • Tous publics
  • 2h 49min
NOTE IMDb
8,0/10
72 k
MA NOTE
POPULARITÉ
2 938
836
La légende du pianiste sur l'océan (1998)
Home Video Trailer from Fine Line
Lire trailer2:39
1 Video
99+ photos
DrameMusiqueRomanceDrames historiquesLe passage à l'âge adulte

Un bébé, découvert en 1900 sur un paquebot, devient un prodige de la musique, tout en ne posant jamais pied à terre.Un bébé, découvert en 1900 sur un paquebot, devient un prodige de la musique, tout en ne posant jamais pied à terre.Un bébé, découvert en 1900 sur un paquebot, devient un prodige de la musique, tout en ne posant jamais pied à terre.

  • Réalisation
    • Giuseppe Tornatore
  • Scénario
    • Alessandro Baricco
    • Giuseppe Tornatore
  • Casting principal
    • Tim Roth
    • Pruitt Taylor Vince
    • Mélanie Thierry
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    8,0/10
    72 k
    MA NOTE
    POPULARITÉ
    2 938
    836
    • Réalisation
      • Giuseppe Tornatore
    • Scénario
      • Alessandro Baricco
      • Giuseppe Tornatore
    • Casting principal
      • Tim Roth
      • Pruitt Taylor Vince
      • Mélanie Thierry
    • 310avis d'utilisateurs
    • 62avis des critiques
    • 58Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 22 victoires et 10 nominations au total

    Vidéos1

    The Legend of 1900
    Trailer 2:39
    The Legend of 1900

    Photos261

    Voir l'affiche
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    + 254
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    Rôles principaux51

    Modifier
    Tim Roth
    Tim Roth
    • Novecento
    Pruitt Taylor Vince
    Pruitt Taylor Vince
    • Max
    Mélanie Thierry
    Mélanie Thierry
    • La ragazza
    Bill Nunn
    Bill Nunn
    • Danny
    Clarence Williams III
    Clarence Williams III
    • 'Jelly Roll' Morton
    Peter Vaughan
    Peter Vaughan
    • Negoziante
    Niall O'Brien
    • Capo del porto
    Gabriele Lavia
    Gabriele Lavia
    • Contadino
    Vernon Nurse
    • Fritz Hermann
    Alberto Vazquez
    Alberto Vazquez
    • Machinista messicano
    • (as Alberto Vázquez)
    John Armstead
    Cory Buck
    Cory Buck
    • Lemon - age 8
    Norman Chancer
    Norman Chancer
    • Impresario
    Sidney Cole
    • Musician
    Katy Monique Cuomo
      Luigi De Luca
      Luigi De Luca
      • Neapolitan Stoker
      Agostino Di Giorgio
      • Banjo Player
      Nicola Di Pinto
      Nicola Di Pinto
      • Réalisation
        • Giuseppe Tornatore
      • Scénario
        • Alessandro Baricco
        • Giuseppe Tornatore
      • Toute la distribution et toute l’équipe technique
      • Production, box office et plus encore chez IMDbPro

      Avis des utilisateurs310

      8,071.9K
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      Avis à la une

      8ccthemovieman-1

      Astounding Visuals, Unique Story

      This a "sleeper," a very good film few people have heard about. The ones who have reviewed it here obviously know about it and you can see by their comments how well-liked it is.....so if you haven't seen it, check it out. In North America, it's called "The Legend Of 1900."

      The movie is definitely unique, about a man who spends his entire life on board an ocean liner and is a fantastic piano player. The best thing about this film, to me at least, was not the story- which I did enjoy - but the cinematography. Wow, what a great-looking film. Speaking of looks, Melanie Thierry is gorgeous. Too bad she has only a small part in this movie.

      It was nice to see Tim Roth play something other than a detestable villain and Clarence Williams was fun as the arrogant "Jelly Roll Morton," who comes aboard ship to challenge Roth to a piano duel, which has to be seen to be believed. Can you say "outrageous?"

      This was filmed by the same man who did the much more well-known Italian film, Cinema Paradiso, and if you appreciate how good-looking that film is, well, this is even better!
      8=G=

      A wonderfully wistful mixture of melodrama and music.

      "The Legend of 1900" wistfully tells its creative, capriciously unpredictable, and musical tall tale with excellence in all aspects of film from sets to sound, costume to casting, and script to screenplay. Roth and Vince work well together in this plaintive, simple story which will captivate those who can make the leap of faith required to "buy in". A good film for all but critics, "Legend" will likely resonate most with those who equate living with musical expression. La vita è musica.
      8endalayng

      A hidden gem

      Had never heard of this until I came across it by accident. A real gem , dragged a little near the end but overall well worth watching. Music fabulous, great acting and an interesting story. Not commercial drivel like the Titanic.
      10stratton_assoc

      A Great Flick

      This movie was given to me as a Christmas gift in 2004. My friends know my love of ships and movies, so they knew this would be something I was surely to like. And did I. I would have been deeply disappointed if I had seen this at the local CinePlex, because there are so many excellent scene's you will want to rewind an ponder over, even shed a tear or two. Its the story of a baby boy ( Tim Roth )who is found aboard an ocean liner( by actor Bill Nunn ), who spends his entire life aboard this ship. Its a movie that is wonderfully acted by all the cast. It moves with ease an always keeps you in a slight fog that lifts at the perfect moment. The piano score's are exquisite !!!I found it haunting and moving at the same time. This movie is 2 hours long, but it will glide by so quickly you will want for more. Without spoiling it, the ending scene is powerful, its..............well......I'll let you be the judge. Enjoy, Marco
      8Elgroovio

      Impressive

      Not a classic, but whoa, some of that piano playing just sweeps you right off your feet. Tim Roth is good as the handsome pianist Nineteenhundred and so is all the the rest of the cast. This cast also includes Clarence Williams III, presumably the grandson of Clarence Williams (the man who wrote the song "Basin Street Blues" one hell of a classic), as Jelly Roll Morton. This leads me on to one of the most impressive parts of the film where Nineteenhundred and Morton have a match to see who is the best pianist. There is some piano playing in this scene which will leave pianists with there mouths hanging open. Probably the best thing about this film is it's music. There are many rousing themes played throughout the film, especially the love theme played while Nineteenhundred kisses a girl he has fallen in love with, a simple yet very effective theme. Another thing that makes this film very good is the fantastic camera-shots, especially one of Nineteenhundred as he stands halfway across the plank which leads him from the boat to New York, undecided whether or not he should leave the boat and head for world-wide celebrity on land, or stay on the boat and remain unknown to anyone but the passengers. I have got to get myself the soundtrack to this film and you have got to see it somehow. Enjoy!

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      Histoire

      Modifier

      Le saviez-vous

      Modifier
      • Anecdotes
        Tim Roth cannot, in fact, play the piano. He trained for six months just to be able to "fake it" for the film.
      • Gaffes
        The recording equipment used for making the record was clearly acoustic in nature, showing large horns. This type of recording was largely replaced in 1925 by electrical recording, using microphones. Yet the recording was made somewhere between 1927 and 1933, according to Tooney's story. Furthermore, the recording engineer played back the matrix immediately; this would have ruined the matrix, which was cut in wax. In those days, immediate playback was only possible using a second set of equipment especially for that purpose.
      • Citations

        1900: [explaining why he didn't leave the ship and never will be] All that city... You just couldn't see an end to it. The end! Please, could you show me where it ends? It was all very fine on that gangway and I was grand, too, in my overcoat. I cut quite a figure and I had no doubts about getting off. Guaranteed. That wasn't a problem. It wasn't what I saw that stopped me, Max. It was what I didn't see. Can you understand that? What I didn't see. In all that sprawling city, there was everything except an end. There was everything. But there wasn't an end. What I couldn't see was where all that came to an end. The end of the world. Take a piano. The keys begin, the keys end. You know there are 88 of them and no-one can tell you differently. They are not infinite, you are infinite. And on those 88 keys the music that you can make is infinite. I like that. That I can live by. But you get me up on that gangway and roll out a keyboard with millions of keys, and that's the truth, there's no end to them, that keyboard is infinite. But if that keyboard is infinite there's no music you can play. You're sitting on the wrong bench. That's God's piano. Christ, did you see the streets? There were thousands of them! How do you choose just one? One woman, one house, one piece of land to call your own, one landscape to look at, one way to die. All that world weighing down on you without you knowing where it ends. Aren't you scared of just breaking apart just thinking about it, the enormity of living in it? I was born on this ship. The world passed me by, but two thousand people at a time. And there were wishes here, but never more than could fit on a ship, between prow and stern. You played out your happiness on a piano that was not infinite. I learned to live that way. Land is a ship too big for me. It's a woman too beautiful. It's a voyage too long. Perfume too strong. It's music I don't know how to make. I can't get off this ship. At best, I can step off my life. After all, it's as though I never existed. You're the exception, Max. You're the only one who knows that I'm here. You're a minority. You'd better get used to it. Forgive me, my friend. But I'm not getting off.

      • Versions alternatives
        Original version released in Italy is 2 hours and 45 minutes long. A 123-minutes version premiered at the Locarno film Festival in July 1999. This shorter version is the same released in the USA by Fine Line under the title "The Legend of 1900".
      • Connexions
        Edited into Spisok korabley (2008)
      • Bandes originales
        Big Fat Ham
        Written by Ferdinand 'Jelly Roll' Morton (uncredited)

        Performed by Ferdinand 'Jelly Roll' Morton (as 'Jelly Roll' Morton)

        Edizioni Chappell s.r.l

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      FAQ

      • How long is The Legend of 1900?
        Alimenté par Alexa
      • How does he know that the girl is the daughter of the old man he talked to?

      Détails

      Modifier
      • Date de sortie
        • 12 janvier 2000 (France)
      • Pays d’origine
        • Italie
      • Langues
        • Anglais
        • Français
        • Italien
      • Aussi connu sous le nom de
        • La leggenda del pianista sull'oceano
      • Lieux de tournage
        • Odessa, Ukraine
      • Sociétés de production
        • Sciarlò
        • Medusa Film
      • Voir plus de crédits d'entreprise sur IMDbPro

      Box-office

      Modifier
      • Budget
        • 9 000 000 $US (estimé)
      • Montant brut aux États-Unis et au Canada
        • 167 435 $US
      • Week-end de sortie aux États-Unis et au Canada
        • 39 200 $US
        • 31 oct. 1999
      • Montant brut mondial
        • 21 061 339 $US
      Voir les infos détaillées du box-office sur IMDbPro

      Spécifications techniques

      Modifier
      • Durée
        2 heures 49 minutes
      • Couleur
        • Color
      • Mixage
        • Dolby Digital
      • Rapport de forme
        • 2.35 : 1

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