Arnaques, crimes et botanique

I was a total and complete sucker for this film.

If I were to write and direct a movie about gangsters or crime, this would be it. I wouldn't change one damn thing. Not a thing. Everything in this film was, to my eye, perfect - casting, the camerawork, the excellent dialogue ("It's been emotional.")

Now I don't have much to compare this to, and I've heard some criticism that it basically draws quite heavily from older British crime dramas. I've got a bunch of these on my queue to rent, but I doubt you could make a crime film better than this.

This film oozes with style, class, dark humor, plot twists and turns, and doesn't drag one bit. The casting and characterization is perfect, and Ritchie isn't afraid to move the cameras around; no pretense is really made here at "realism" - Ritchie doesn't mask the fact that it's a film and he runs with it.

I really don't think of myself as easily impressed, and I have seen a hell of a lot of films in my time, but this one instantly made my Top 10 after only a single viewing. Yes, I'm raving about it, and while it may not be "spiritually enriching" or contain any deep sociological content (which I actually do look for in films), somehow it still scores as one hell of a film; memorable and entertaining, and stands up well to multiple viewings.

I am a bit dismayed to see some of the marketing of this film comparing it to other things like Quentin Tarantino films or Trainspotting. It really does it a disservice because this film really is its own phenomenon and stands on its own two feet; if anything it is similar to Trainspotting and Tarantino films only because it actually has its own bold style.

Can't recommend it enough.

I'm not sure whether to call this a black comedy or a comedy-noir. The story is about four working class lads who have each managed to save up 25,000 pounds to spot their card-shark friend for a high-stakes poker game with "Hatchet" Harry, the local gangster.

Unfortunately, Harry's game is rigged and the four end up owing Harry half a million pounds, with just one week to come up with the cash. What ensues is a set of schemes, counter-schemes, rip-offs, and bad/good luck that demand you pay attention. On several occasions I had to pause the video just to take stock of which gang was planning what.

The final thirty minutes of the film, as the plots all collide and overlap, turn set-piece shoot outs into comedic punchlines. The comedy is driven by exploding our expectations of what are otherwise pretty standard scenes from the film-noir genre.

The acting is strong and the script very tight. Although I am not normally a fan of voice overs, this one informs without spoiling the action. And I liked the use of the slow-motion to disrupt the action and keep me paying attention.

While this film may not be for everyone, if you enjoy a darker pallette, this may be right up your alley.

If this film had been dubbed for American viewers, (even if it would have lost the magic of the cockney accent), not one person from the States would have said this wasn't a really good film. I didn't even understand most of the dialogues, but the weirdness of the characters and of what they did was really funny. Not hysterically funny, but Funny! The mixture of comedy and violence was the thing that most amused me. The story itself isn't of the most original, but surely efficacious. The photography and the soundtrack were also brilliant and to finish, I saw Pulp Fiction, I loved it, but after seeing LS&2SM I was too busy thinking over and over how much I liked it for noticing a whatsoever similarity with PF. 10 out of 10 is a bit too much… but 9/10 definitely isn't! Watch it!

This is one seriously funny movie. I've probably seen it close to 10 times and it hasn't gotten old yet. Guy Ritchie brings us a hilarious look into the London criminal underground in one of his earliest features. The story revolves around four friends who become indebted to the local crime lord after a card game goes horribly wrong. The humor in this movie is sharp and fast-paced. At times, it becomes a little hard to keep up with the thick British accents and the cockney rhyming slang but overall, it doesn't detract from the movie. The movie keeps you guessing as to the outcome when the story becomes complex with multiple lies and double-crosses but the ending satisfies.

This film marks the debuts of two of England's coolest new actors: Jason Statham (who went on to do 'Transporter', among other movies) and Vinnie Jones (now a familiar cinema tough guy). Jones is especially good as Big Chris, debt collector/family man. The majority of the cast aren't common faces in America (aside from Sting) but they all have the charisma to keep the audience interested. Another plus is the film's soundtrack, ranging from reggae to 70's soul. It adds to the movie's already laid-back feel.

Everyone I've seen the movie with enjoys it (once they get past the thick accents, anyway) so I can say with confidence this is a fun movie. I recommend it to anyone looking for a good comedy and I feel this movie's humor hits more often than it misses. I'd recommend giving this movie a chance at least once and I don't think you'd be disappointed.

Best comedy in years, friend turned me on to this hilarious comedy of errors and glad she did. The film is damn near flawless, forces you to pay attention to the twists and turns through it's witty dialogue. Wonderfully photographed with brilliant camerawork but not overdone. Worth several sittings and we could learn alot in Hollywood from this one....