Un duel entre un meurtrier présumé et un détective pressé par des gens qui veulent des résultats. Mais qui veut vraiment sa peau ?Un duel entre un meurtrier présumé et un détective pressé par des gens qui veulent des résultats. Mais qui veut vraiment sa peau ?Un duel entre un meurtrier présumé et un détective pressé par des gens qui veulent des résultats. Mais qui veut vraiment sa peau ?
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 9 victoires et 13 nominations au total
Avis à la une
9hfk
What an excellent movie. Do not pass this one by: although it's virtually static (most of it takes place in a police station interview room, and most of what's left occurs in other portions of the same station) it is absolutely riveting. I wonder how many viewers of this movie shared my thoughts immediately afterwards: why in the world don't we see more movies of this calibre?
Despite Hollywood being awash with good Aussie actors and directors, generally our industry produces worthless dross.
This film, however, is one of the rare exceptions to that rule.
An "interview" is what police in Australia call an interrogation. This is a movie an excellent psycho drama about the relationship between a policemen and a suspect in one such interview.
The acting is good. And the directing is good. And most importantly, the story is good.
What a pity we haven't seen more from the writer/director team of Craig Monaghan and Gordon Davie.
This film, however, is one of the rare exceptions to that rule.
An "interview" is what police in Australia call an interrogation. This is a movie an excellent psycho drama about the relationship between a policemen and a suspect in one such interview.
The acting is good. And the directing is good. And most importantly, the story is good.
What a pity we haven't seen more from the writer/director team of Craig Monaghan and Gordon Davie.
This is a must-watch Aussie thriller! Hugo Weaving and Tony Martin both have delivered an extraordinary screen performances... The story revolves around an official police interview, Tony Martin (Det St John Steele) is inquiring Hugo Weaving (Fleming) who is an out-of-job-and-broke individual and has lost everything in life including his wife and home! What is the interview about, why is Fleming picked from his home disgracefully by police and put into interview, all has to be seen and known. "The interview" will keep you stick to the chair and unveil the unsaid truths and nature of human beings. A MUST SEE!
A claustrophobic, tense Australian psychological thriller that will have you guessing even after the closure. Basically has two characters; the suspect and the cop interviewing him. This is one of those films you just wish would hurry up and finish because it is agonising but riveting to watch. No special effects, stunning sets or killer soundtrack here; an acting tour de force by both the leads.
What makes this film outstanding is the script which slides and spirals down a path of almost unbelievable emotional snares and plot twists. The nightmarish flashback scenes allow no relaxation for the viewer, only a mesmerised state of fear.
The film is set for the most part in a room that looks like a cross between the 'Bladerunner' interview room and KGB murky, dust filled rooms of our collective cold war memories. Very atmospheric and full of menace.
The acting is intense and convincing throughout with Tony Martin (Wildside) and Hugo Weaving (The Matrix) really earning their acting dollars in this one. Yes, this does sound like a promo rather than a review but, honestly, I can't fault this film for what it is. Everything is utterly meshed and designed to create maximum emotional impact.
Brilliant !
What makes this film outstanding is the script which slides and spirals down a path of almost unbelievable emotional snares and plot twists. The nightmarish flashback scenes allow no relaxation for the viewer, only a mesmerised state of fear.
The film is set for the most part in a room that looks like a cross between the 'Bladerunner' interview room and KGB murky, dust filled rooms of our collective cold war memories. Very atmospheric and full of menace.
The acting is intense and convincing throughout with Tony Martin (Wildside) and Hugo Weaving (The Matrix) really earning their acting dollars in this one. Yes, this does sound like a promo rather than a review but, honestly, I can't fault this film for what it is. Everything is utterly meshed and designed to create maximum emotional impact.
Brilliant !
While the supporting cast is excellent, make no mistake: this is Hugo Weaving's film. He constantly keeps the audience guessing and easily changes his role from the victim to the villain by the tweaking of his facial features.
Hugo is starting to make waves in the international scene, and hopefully, if there's any justice he will a win similar success that Russell Crowe and Guy Pearce are enjoying. Roles in the Matrix (and now Lord Of The Rings) trilogy are winning him notice.
This film is recommended for those don't think any movie made in Australia (by Australians) can be worth watching. A very intelligent film that demands your attention and holds your intrigue until the very last shot.
Hugo is starting to make waves in the international scene, and hopefully, if there's any justice he will a win similar success that Russell Crowe and Guy Pearce are enjoying. Roles in the Matrix (and now Lord Of The Rings) trilogy are winning him notice.
This film is recommended for those don't think any movie made in Australia (by Australians) can be worth watching. A very intelligent film that demands your attention and holds your intrigue until the very last shot.
Le saviez-vous
- AnecdotesCame out one year before The Matrix (1999), which made Hugo Weaving incredibly famous.
- Citations
Det. Sr. Const. Wayne Prior: It's about a fucking stolen fucking car, you fucking fuckwit!
- Crédits fousAt the beginning of the New Yorker Video DVD, right before the main menu appears, a quote of Eddie Fleming fills the screen: "Just goes to show you how the mind works." At the very end, after the credits roll, a quote of Det. Steele fills the screen: "I don't know Mr. Fleming, how does the mind work?" But if you run the end credits a second time a different quote appears at the end, this time from Det. Prior: "It's about a fucking stolen fucking car you fucking fuckwit."
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- How long is The Interview?Alimenté par Alexa
Détails
Box-office
- Budget
- 2 600 000 $AU (estimé)
- Durée
- 1h 44min(104 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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