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Dans les années 1960, un groupe d'amis d'une école pour filles apprend que leur école va être combinée avec une école pour garçons à proximité. Ils concoctent un plan pour sauver leur école ... Tout lireDans les années 1960, un groupe d'amis d'une école pour filles apprend que leur école va être combinée avec une école pour garçons à proximité. Ils concoctent un plan pour sauver leur école tout en faisant face aux problèmes quotidiens.Dans les années 1960, un groupe d'amis d'une école pour filles apprend que leur école va être combinée avec une école pour garçons à proximité. Ils concoctent un plan pour sauver leur école tout en faisant face aux problèmes quotidiens.
- Réalisation
- Scénario
- Casting principal
Tom Guiry
- 'Frosty' Frost
- (as Thomas Guiry)
Michael J. Reynolds
- Mr. Armstrong
- (as Michael Reynolds)
Avis à la une
This story is about the teenage girls who plays the dirty tricks on the school boys from the different school and saving the girl school in danger. I watched this movie in the theater AND with VCD and I love this movie. My boyfriend slept in the theater, though. Maybe this movie is NOT for the boys. Chris is a BIG fan of Kirsten Dunst and Gaby Hoffman, but he said he just didn't like the movie. I thought Kirsten Dunst played Verena really well. She's such a intelligent actress in Hollywood. Rachael Leigh Cook was cute in the movie playing a spoiled girl. I give 8 out of 10. If you want to watch a movie like this, rent 'Now and Then'. You'll see Gaby in 12.
Strike is a great teen 'girl-power type' film with a cool cast including: Kirsten Dunst, Gaby Hoffmann, Monica Keena and Heather Matarazzo who are all brilliant in their roles. Might I just add that the film also includes some VERY cute guys. Anyway, if you like all the other teen films about, I'm sure you'll love Strike. I give the film a 10/10. Great!
According to David Kehr's review (which is posted on Letterboxd if you want to find it), he referred to this movie sort of literally as "homework" since, once it got wrested by the clutches of (sigh, fine, "alleged") rapist Harvey Weinstein and Miramax - and why they even greenlit this in the first place is sort of a mystery to me , producer Deutchman (a film professor at Columbia) posted notices all over the place for people to go see it... Well, anyway, if this is homework I wish I could do more of it!
This is a fun and peppy and completely up-with-women AND perhaps more importantly outside of Hillary Clinton (for what it's worth) is the most up-with-women-as-political-heroes comedy that isnt funny LOL like as it is amusing and consistently clever. I could see someone not liking it on the whole because of how broad and big some of the gags go for, but what this filmmaker was going for - having this teen sex comedy (here PG13 I believe) set in that same just-before-fall63-spring64 period when everything changed and can thus join the company of little films like National Lampoon's Animal House and American Graffiti but for girls - was a more than valid idea, and the movie has a lot to say about systemic patriarchal structures as far as economy and social placement in life go. Not to mention all of the major performances from Dunst, Redgrave, Matarazzo and especially Hoffmann who is really the protagonist amid the ensemble, are all having a great time.
... Oh, and try as he might, Vincent Karthiezer is still only giving his second most obvious character/performance here (this before of course Connor on Angel cemented #1 for him). If nothing else, it may be the ultimate sign of success that Weinstein's name is not Executive Producer on the film.
This is a fun and peppy and completely up-with-women AND perhaps more importantly outside of Hillary Clinton (for what it's worth) is the most up-with-women-as-political-heroes comedy that isnt funny LOL like as it is amusing and consistently clever. I could see someone not liking it on the whole because of how broad and big some of the gags go for, but what this filmmaker was going for - having this teen sex comedy (here PG13 I believe) set in that same just-before-fall63-spring64 period when everything changed and can thus join the company of little films like National Lampoon's Animal House and American Graffiti but for girls - was a more than valid idea, and the movie has a lot to say about systemic patriarchal structures as far as economy and social placement in life go. Not to mention all of the major performances from Dunst, Redgrave, Matarazzo and especially Hoffmann who is really the protagonist amid the ensemble, are all having a great time.
... Oh, and try as he might, Vincent Karthiezer is still only giving his second most obvious character/performance here (this before of course Connor on Angel cemented #1 for him). If nothing else, it may be the ultimate sign of success that Weinstein's name is not Executive Producer on the film.
Me and my girls ALWAYS watch STRIKE when we have sleep overs. YES, it is a chick flick and it is a teen movie. But it's always such a joy to watch this: it's got great female characters you easily get attached to, good sub-plots that make it more believable and an unlimited amount of unforgettable quotes and jokes. The theme of the movie is really STAND UP FOR WHAT YOU BVELIEVE ME. But also ALWAYS BE THERE FOR YOUR FRIENDS. I, personally, love teen movies that are both hilarious and heartwarming at the same time. And this is definitely one of the best teen movies out there. I also really like ''Never Been Kissed'',''10 Things I Hate About You'',''Down To You'' and ''She's All That''. And if you've seen and enjoyed all of these movies and haven't seen ''STRIKE'' yet, get your butt of that chair and run to the video store. You won't regret it.
There's much more to this movie than such sitcom catchphrases as "Up your ziggy with a wa-wa brush," and "Masterly." As I said in my comment on "Can't Hardly Wait"(1998) this is the kind of movies that teenagers need, and I didn't just mean teenage boys. Unfortunately, this was in and out of the theaters much too quickly. The only reason I saw it was because it was on Encore as part of a block of movies that were introduced by Alison Sie, who I'd like to thank for letting us know about it. To make matters worse, in order to see the more suggestive and erotic aspects of this movie, you'd have to go to Canada. We Americans are being ripped off.
Our story begins in early 1963, where a Motor-City Maiden named Odette Sinclair(Gabby Hoffman) is determined to lose her virginity, until her mother catches her with a birth-control device and ships her and her horse off to Miss Goddard's School for Girls, an all-girls boarding school, supposedly in Connecticut which she think is "surrounded by high walls and lesbians." The high walls part is right, but the "lesbians,..." you'll find that out later.
While at first she and they want nothing to do with each other, eventually they warm up to her and decide to help her out, by getting her to join an organization called "the Daughters of the American Ravioli." Miss Godard's Girls aren't just "talented and organized," they're the wildest boarding school girls since The Belles of St. Trinian's, and believe it or not, kind of cute too. This is helpful, because they're not afraid of their sexuality and know how to use it to get what the want at a time when girls(especially upper crust ones) were expected to be "prim and proper." The Flat Critters are the geekiest greaser gang ever to grace a period piece movie from the 1950's or early-'60's. And they also become a suprising relief in the face of a potential merger with the St. Ambrose Boys' Academy. St. Ambrose Headmaster Armstrong(Michael J. Reynolds) sounds like the narrator on "Underdog"(1964), and if I had been a kid in that period, I would've sworn he did that on the side. Nevertheless, it's the arrival of the St. Ambrose school for a school dance/test merger that leads to a prank rivaling some of the teen movies of the late-1970's and early-1980's. And when that doesn't work, Odie leads them all on a major student strike!
In defense of us guys, I'd like to point out that when we lust for you women, it's not a conspiracy to drag you down to the bottom of the economic totem pole. It's just a conspiracy to get you into our beds, or get into yours. Perhaps over 20 years ago when I was a teenager I might not have understood the desire to keep such schools separate, but I can see the reasons now. Not that I'm endorsing sexual segregation, mind you. I'm just endorsing this movie.
Our story begins in early 1963, where a Motor-City Maiden named Odette Sinclair(Gabby Hoffman) is determined to lose her virginity, until her mother catches her with a birth-control device and ships her and her horse off to Miss Goddard's School for Girls, an all-girls boarding school, supposedly in Connecticut which she think is "surrounded by high walls and lesbians." The high walls part is right, but the "lesbians,..." you'll find that out later.
While at first she and they want nothing to do with each other, eventually they warm up to her and decide to help her out, by getting her to join an organization called "the Daughters of the American Ravioli." Miss Godard's Girls aren't just "talented and organized," they're the wildest boarding school girls since The Belles of St. Trinian's, and believe it or not, kind of cute too. This is helpful, because they're not afraid of their sexuality and know how to use it to get what the want at a time when girls(especially upper crust ones) were expected to be "prim and proper." The Flat Critters are the geekiest greaser gang ever to grace a period piece movie from the 1950's or early-'60's. And they also become a suprising relief in the face of a potential merger with the St. Ambrose Boys' Academy. St. Ambrose Headmaster Armstrong(Michael J. Reynolds) sounds like the narrator on "Underdog"(1964), and if I had been a kid in that period, I would've sworn he did that on the side. Nevertheless, it's the arrival of the St. Ambrose school for a school dance/test merger that leads to a prank rivaling some of the teen movies of the late-1970's and early-1980's. And when that doesn't work, Odie leads them all on a major student strike!
In defense of us guys, I'd like to point out that when we lust for you women, it's not a conspiracy to drag you down to the bottom of the economic totem pole. It's just a conspiracy to get you into our beds, or get into yours. Perhaps over 20 years ago when I was a teenager I might not have understood the desire to keep such schools separate, but I can see the reasons now. Not that I'm endorsing sexual segregation, mind you. I'm just endorsing this movie.
Le saviez-vous
- AnecdotesThis movie was originally titled "The Hairy Bird". Miramax, the film's American distributor, found the title too offensive as it alludes to male genitalia, so they released the film under the alternate title "All I Wanna Do". In Canada and the United Kingdom, the film is titled "Strike!" Only the Australian release retains the original title.
- GaffesVereena's tray as she purchases cigarettes from one of the cooks. The plate is on the tray, then on the table as she removes the cigarettes, then it is on the tray again.
- Crédits fousThe opening credits state, "A Film By Everyone Who Worked On It."
- Versions alternativesWhen Tinka slow dances with a boy, rubbing her hips against him, the "Strike!" and "The Hairy Bird" versions of the film linger considerably longer on that moment, with two party attendees saying "Look at Tinka, she's at it again!" in the middle. After it is implied that the boy ejaculates, these two versions of the film show Verena mischievously handing the boy a handkerchief, and subsequently saying to Momo: "So suave, so continental these Saint Ambrose boys!", to which Momo responds "I can't wait until they're a permanent part of our lives!", concluding the scene. The dance plays a lot shorter in the "All I Wanna Do" version, and the handkerchief moment and subsequent dialogue with Verena and Momo is completely removed. The scene ends with the party attendees saying "Look at Tinka, she's at it again! in this version, but you can still see a bit of Verena grabbing the handkerchief right before the interaction of the party attendees.
- ConnexionsFeatured in Beyond Clueless (2014)
- Bandes originalesWalkin' the Dog
Performed and Written by Rufus Thomas
Published by Almo Music Corp.
Courtesy of Atlantic Recording Corp.
By Arrangement with Warner Special Products
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- How long is All I Wanna Do!?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 913 834 $US
- Week-end de sortie aux États-Unis et au Canada
- 307 763 $US
- 23 août 1998
- Montant brut mondial
- 913 834 $US
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What is the Spanish language plot outline for Les filles font la loi (1998)?
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