La Ligne verte

Frank Darabont returns to the directors chair with another adaptation of Stephen Kings novel. The events take place at a death row, the guards call the green mile. The story is a layered, rather character-driven fantasy tale of the events that transpire at "the mile" after the arrival of a giant man, John Coffey (Michael Duncan), convicted of the murder of two small girls. Actually this is not one single story, but several tied together seamlessly.

A character-driven movie requires a lot from the cast, and fortunately when it comes to cast, The Green Mile delivers. As the poster of the movie tells, this movie stars Tom Hanks as Paul Edgecomb, senior prison guard of the mile, and as always he performs very well indeed. Yet the cast around him is even more spectacular, perhaps partially due to them being relatively unknown. With a face you know, one inevitably remembers previous performances, and the new role is coloured by this. Doug Hutchison as Percy Wetmore, a mean spirited prison guard was particularly impressive, yet his character could have been given more depth. The most captivating was the performance of Michael Duncan.

It is hard to find a flaw in this movie. The camerawork is superb, cast wonderful and direction flawless. The movie's considerable length, a bit over three hours, is something that had me worried. Yet the marvellous cast and the peaceful yet firm pace of the movie held my attention progressively through the three hours right to the touching culmination. Many will find this movie to be too long, but I for one was delighted of the style, combination of simplicity of events and depth of characters and conversation.

All in all the The Green Mile is a very touching drama, with the joys and sorrows of the life pictured with great skill, if not the best movie of the year. Five out of five.

The world is teeming with wretched prisons wherein all manner of men are housed. Because these men are said to have committed a crime, the places are manifest and most men serving there, have earned their stay. However, as history has shown, there are innocent men incarcerated as well. Occasionally, one of these innocents are not only imprisoned, but are further remembered because their life becomes legend. In this case, the realization is nothing short of incredible as the new prisoner is a natural empath. Steven King the prolific American horror writer, chronicles this unusual story in a Louisanna prison where one Joe Coffee, (Michael Clarke Duncan) a huge, nay, enormous Black man, having been convicted of murder, is sentenced to be executed, by electrocution. Tom Hanks( And Dabbs Greer) plays Paul Edgecomb, an aging Prison Guard, who recalls his years in the state prison. Working on 'Death Row' or " The Green Mile ", Mr. Edgecomb recalls Mr. Coffee's arrival and the strange events during his stay. With sympathetic Guards, like Brutus Howell (David Morse), Dean Stanton (Barry Pepper), Harry Terwilliger (Jeffery Demunn and one particular sadistic guard called Percy Wetmore (Doug Hutchison), Edgecomb recollects his discovery of the man's unusual healing powers and the surprising revelations concerning his innocence. The story is crafted by Steven King and it's application to the silver screen is perhaps one of the finest adaptation ever done. Duncan is magnificent and has a superb ability to allow the audience to learn his true purpose. Were it not for the sadistic behavior of Hutchison, who earned his ultimate reward, the story would not have carried it's genuine sympathetic awe which gave this movie it's Classic status. A great film and a must for true movie fans. ****

"The Green Mile" is one of my favorite Stephen King books and I have read it several times. I was anxiously anticipating the film version, but was concerned that the emotional impact of the book could not be replicated on screen. Fortunately this wonderful story was adapted by Frank Darabont, who did such a magnificent job bringing King's "Shawshank Redemption" to the screen. He does the same high quality work with "The Green Mile". The story is faithful to the book, only losing details that were not important to the story anyway. The casting is superb - every actor is perfectly suited for his role and does an excellent job, although I would like to single out Doug Hutchison. His portrayal of the detestable Percy is right on the mark and suggests complexities in this character I had not discovered in the book. The length is about three hours and it seems that critics are complaining about that. I can't understand the complaints. The film never drags and is never dull, and it certainly didn't feel three hours long. The length is needed to tell this story the way it should be told, and the story is so very engrossing. Best of all, Darabont and the actors bring so much emotion ot the screen, that I cried like a baby through several scenes. "The Green Mile" will haunt you.

The Green Mile is a masterwork. This is film as art, at it's very best. The depth of the cast is extraordinary, with all of the players delivering excellent performances. There is a clear sense here that all involved in the production knew that this was something special, and gave it their all. See this film if you truly enjoy actors giving everything to their craft. Watch for the countless subtleties of expression, and the great power that the cast creates with silence. This is evident in the opening sequence and remains throughout. Above all, Michael Duncan as John Coffey is exceptional. He brings gripping emotion to a unique, fascinating character.

The Green Mile should bring you joy, laughter, and if you are like most in the theater this night, tears.

BRAVO!

This movie is a real gem. It is hard to find fault with it. Hanks is excellent in a role that clearly calls for him to suppress his natural slant toward humor. He is Paul Edgecomb; Tom Hanks is nowhere to be found. Yet he gives Edgecomb just the right flavor. One cannot find a single weak cast member! Michael Jeter should have got an Oscar. Michael Clark Duncan put just the right shading on his huge character to make him vulnerable and sympathetic.

Flawlessly shot on perfect period sets, the whole production binds together to bring the extraordinary story into the realm of a believable and compelling study of human injustice and charity.