Au péril de son entreprise et de sa carrière, un avocat tenace prend en charge une affaire impliquant une grande entreprise responsable de la leucémie de plusieurs personnes après avoir cont... Tout lireAu péril de son entreprise et de sa carrière, un avocat tenace prend en charge une affaire impliquant une grande entreprise responsable de la leucémie de plusieurs personnes après avoir contaminé l'approvisionnement en eau de la ville.Au péril de son entreprise et de sa carrière, un avocat tenace prend en charge une affaire impliquant une grande entreprise responsable de la leucémie de plusieurs personnes après avoir contaminé l'approvisionnement en eau de la ville.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 2 Oscars
- 5 victoires et 10 nominations au total
- Mr. Granger
- (as Daniel Von Bargen)
Avis à la une
Robert Duvall is excellent as his opposing counsel, and his character's interplay in the courtroom drama with Travolta is worth seeing the film for alone. Duvall plays quirky characters like few else in modern cinema.
Given the job of prosecuting a tannery over water pollution that has led to the death of many children, this is well written and structured - as well as being brilliantly acted and well directed.
The one complaint I would have is that this petered out a little in the finish, which was perhaps inevitable as it's a true story, and sometimes the climax of real life isn't as good as in fiction.
"Slow-moving" = ...no car chases.
"poor acting" = ...no karate chops
"too long" = ...longer than a music video
"dull" = ...See "Slow-moving"
"A Civil Action" was a fine book, and the film does it justice. No, it's not perfect, but it is emotionally moving, and faithful to the non-fiction account of the case.
Some of the heart-rending short scenes featuring parents of the child-victims (the father at the deposition; the parents trying to revive the dying child in the car) were absolute masterpieces. There should be special Academy Awards available for brief scenes of this kind that are too "small" for Best Supporting Actor awards, but are, in themselves, worthy of acclaim.
I approached this film with firm expectations. I work as an environmental consultant and in part of my law training I was advised to read the book as it was a good case study (albeit a 500 page case study) on a environmental case. The book was fascinating if a little heavy in detail. For the film I knew that much of it was going to be trimmed but I didn't realize how much. The `trimmed' bit is the whole case! There is none of the trial instead any court room scenes are more focused on the characters than the case.
As a film this still plays well and is entertaining if not enlightening or interesting. It still carries the mantle of being `true' but without any of the book's case detail it is never more than a Grisham-esque drama despite having a better ending.
The cast are great easily turning out for a worthy film and they are rewarded because the characters get much better treatment than the facts. Travolta does well but doesn't manage to be as real as the book's portrayal of Schlichtmann. Duvall is good while the rest of the cast are very much support but manage to be deep. When names like William H Macy, Shalhoub, John Lithgow, Kathleen Quinlan, Stephen Fry, Dan Hedaya and James Gandolfini are all in support then you rightly expect it to be a very worthy film.
Overall this is a good film that is entertaining. There is a more powerful, more interesting and moving captivating story at it's heart anyone wanting that story should read the book.
The DVD brings out the cinematography which is very, very good and the picture is razor-sharp. One of Hollywood''s Hall Of Fame photographers, Conrad Hall, shot this film. Story-wise, the courtroom scenes were the most dramatic of the film but this story dealt more with the behind-the-scenes digging of information to expose thoughtless businessmen who had dumped poison in an area and people were suffering because of it. It is supposedly-based on a true story.
Another big highlight of this movie is great performance by John Travolta, perhaps his best work ever. Just the pauses and looks on his face alone greatly enhanced his performance. He was just fascinating. Language-wise, this is pretty tame except for William H. Macy, who loses his cool a few times as the assistant lawyer/financial man for the law firm battling the polluters.
It's easy to get involved with the story, but don't overlook the great photography in here.
Le saviez-vous
- AnecdotesThe real Jerome Facher was thrilled at the way he was portrayed by Robert Duvall.
- GaffesAl Eustis tells Jan he won't pay the amount of money to settle the lawsuit because once the amount is disclosed to the public, they'll file lawsuits as well. With all his years of experience in civil law, Jan should've known this is only an excuse because all contract settlement terms will remain confidential to any outside party, as the judge states at 1 hour and 30 minutes into the movie.
- Citations
Jan Schlichtmann: [narrating] The odds of a plaintiff's lawyer winning in civil court are two to one against. Think about that for a second. Your odds of surviving a game of Russian roulette are better than winning a case at trial. 12 times better. So why does anyone do it? They don't. They settle. Out of the 780,000, only 12,000 or 11/2 percent ever reach a verdict. The whole idea of lawsuits is to settle, to compel the other side to settle. And you do that by spending more money than you should, which forces them to spend more money than they should, and whoever comes to their senses first loses. Trials are a corruption of the entire process and only fools who have something to prove end up ensnared in them. Now when I say prove, I don't mean about the case, I mean about themselves.
- Crédits fousThe producers wish to thank the people of Boston, Waltham, Northbridge, Charlestown, Dedham, Brimfield and Palmer, MA.
- Versions alternativesIn the North American prints, the 1985 Touchstone Pictures logo played first, followed by the 1995 version of the 1987 Paramount Pictures plays at the beginning. The international prints had the logos alternating with Paramount played first followed by Touchstone. The North American prints ending it with the Buena Vista Pictures Distribution disclaimer, followed by the closing version of the Paramount Pictures and Touchstone Pictures logos. The international prints meanwhile had also removing the Buena Vista references and it goes directly to the closing version of Touchstone Pictures and Paramount Pictures logos.
- Bandes originalesHard Workin' Man
Written by Jack Nitzsche, Ry Cooder, Paul Schrader
Performed by Don Van Vliet (as Captain Beefheart)
Courtesy of MCA Records
Under license from Universal Music Special Markets
Meilleurs choix
Détails
Box-office
- Budget
- 75 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 56 709 981 $US
- Week-end de sortie aux États-Unis et au Canada
- 70 079 $US
- 27 déc. 1998
- Montant brut mondial
- 56 709 981 $US
- Durée
- 1h 55min(115 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1