Deux jeunes Américaines se retrouvent accusées de trafic de drogue. Emprisonnées, elles doivent affronter un système étranger et les tensions croissantes dans leur amitié, tandis qu'un avoca... Tout lireDeux jeunes Américaines se retrouvent accusées de trafic de drogue. Emprisonnées, elles doivent affronter un système étranger et les tensions croissantes dans leur amitié, tandis qu'un avocat tente de les aider à prouver leur innocence.Deux jeunes Américaines se retrouvent accusées de trafic de drogue. Emprisonnées, elles doivent affronter un système étranger et les tensions croissantes dans leur amitié, tandis qu'un avocat tente de les aider à prouver leur innocence.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
- Prisoner Shub
- (as Intira Jaroenpura)
- Mary
- (as Maya Elise Goodwin)
Avis à la une
This powerful and gripping movie is a jail-drama based indirectly on true events. The picture relies heavily on the enjoyable relationship between Beckinsale and Danes, more than on legal problems and brutal conditions from prison. Despite contributing a final twist to the extremely suspenseful climax , Claire Danes 's role feels too contrived and is the greatest gap in the movie. The story follows the wake of ¨Midnight express(Alan Parker)¨ and and ¨Return of paradise(Joseph Ruben)¨. The film is shot in Phillipines , as the government of Thailand was none too pleased by the screenplay. The motion picture is well directed by Jonathan Kaplan, he's a veteran director with hits: ¨Accused,Love field¨ and flops : ¨Unlawful entry, Bad girls¨and today working for television: ¨Law and order, Without a trace, Crossing Jordan, ER¨, among others. Rating: Good and well worth seeing.
I'm old enough to be the father of the two main characters; they seemed like accurately drawn teenage girls to me. And I've probably hung out with both of their fathers before. I've been to the Far East. I've stayed in both better and worse places than the girls stayed. I had the pleasure of seeing the inside of a police station after I was robbed. I'm glad I had no more direct exposure to the local judicial system than that; that was more than enough. Everything in this movie seems awfully familiar to me.
I think "Brokedown Palace" represents something pretty close to stark realism. It certainly reminded me of Asia.
Of course it's true that the attitudes of the girls often don't do much to improve their situation. But they are meant to be an example of what not to do overseas. And the portrayal of some of the Thais did make me uncomfortable. But then many of my own personal travel anecdotes don't paint a complimentary picture either.
This is a cautionary tale. An unfortunate consequence of too many people having too much money to spend these days is that you will find unescorted, unprepared, "streetwise", naive young people popping up in places where they have no business being. And when that happens, you end up with situations mirroring this movie.
I suspect people choose to denigrate this one because they are too embarrassed to accept how true it is, and how vulnerable they would be if placed in similar circumstances.
"Brokedown Palace," whose plot echoes "Return to Paradise," falls several notches below the earlier film mostly because it saves its moral dilemma until the very end of the story. The resolution is a powerful one when it comes, but the delay robs the film as a whole of some of its interest. In this film, Claire Danes and Kate Beckinsdale play recent high school graduates who opt to visit Thailand instead of Hawaii and run into a sleazy young con man who plants heroin on them - an act for which, when it is discovered by the authorities, the girls are falsely imprisoned. The bulk of the film concerns itself with the attempts by an American lawyer (Bill Pullman) to clear their names and secure their freedom.
Much of the film plays like a rehash of "Midnight Express," as the girls are badgered and threatened through their interrogations and forced to endure the rigors of a Third World prison - although, strangely enough, the horrors seem oddly downplayed at times. These are the weakest sections of the film for the visualization of the experience seems almost too glamorized at times, as if the commercial-minded filmmakers didn't dare risk alienating these actresses' many fans by offending their sensibilities. Still, the situation is a ripe one for intense audience identification since who cannot empathize with a couple of fun loving adolescents caught in a nightmarish web not of their own making? Actually, the sharpest aspect of the film is the underlying theme of the scary part seemingly insignificant actions and decisions can play in determining the course of one's entire life. Constantly, the girls are forced to wonder "what if we had gone to Hawaii...what if we had not met the drug smuggler...what if we had not snuck into the hotel to order drinks on a stranger's room bill, etc." The movie also achieves some depth in its final moments as Alice (Danes) grapples with a major moral decision and discovers the redemption for a life built on a pattern of seemingly insignificant deceit and lies. She realizes that a person's character is made up of ALL the actions she performs in a lifetime, regardless of how trivial or benign they may seem at the time. In addition, she learns the often horrifying price true friendship sometimes demands - and her final actions betoken a personal maturation that helps lift her character far above the rung of conventional movie heroines.
"Brokedown Palace" may occasionally seem tedious in its details, but the thematic depth and moral underpinnings that lie within it make it a film worth watching.
The main aspect that brings this movie down is the direction. Jonathan Kaplan was a capable director and this movie seems outside his style. I find his choices to be very weird, like the aforementioned MTV inspired style. Now, I don't know if that's his fault as it was probably what the studio mandated but I expect this movie to have a more gritty feel to it. On top of that, the performances vary a lot. Bill Pullman is great as usual but the two main leads aren't. I've seen much better performances from both of them. Claire Danes was ok for the most part and showed some range with a few bad moments but Kate Beckinsale was pretty bad. However, they can be excused due to not having much experience at the time and maybe the director not giving them enough feedback and instructions. All the flaws add up and yet like I said previously I enjoyed watching this, and so I can't judge it unfavorably as I rate movies based on ejoyment. It could've been a better film but what we got is intriguing enough for me to reommend despite all the flaws that it possesses.
Le saviez-vous
- AnecdotesIn an interview Claire Danes complained about the conditions in the Philippines, heat, humidity, filthy, cockroaches, poor and disabled people. She subsequently was declared "persona non grata" by the Philippine government and barred from entering the country.
- GaffesAfter Alice and Darlene take the fruit forbidden to new prisoners, Alice is punished by having the palms of her hands beaten severely with a heavy wooden club. Even if the beating didn't break any bones, it would have caused severe swelling, pain, and difficulty gripping things, yet in the very next scene, her hands seem fine.
- Citations
Doug Davis: You're a scammer and you're a manipulator. You think that I don't know you? You are dead wrong. The only thing that has ever come out of your mouth is lies. Six years old... the paint... the paint all over your hands. All over our couch? 'I didn't do it.' 16 years old with the beer cans in my car. 'I didn't do it.' Let me hear you say it again, Alice. Come on! Let me hear you say it in here, huh? Come on, one for old times' sake!
Alice Marano: [screaming] I didn't do it!
- ConnexionsFeatured in HBO First Look: Brokedown Palace (1999)
- Bandes originalesSilence
Written by Bill Leeb, Rhys Fulber, Sarah McLachlan
Performed by Delerium
Courtesy of Nettwerk Productions
Meilleurs choix
- How long is Brokedown Palace?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Inocencia robada
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 25 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 10 115 013 $US
- Week-end de sortie aux États-Unis et au Canada
- 3 871 616 $US
- 15 août 1999
- Montant brut mondial
- 10 115 013 $US
- Durée
- 1h 40min(100 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1