B. Monkey

I was very fortunate to be able to attend the world premiere of this excellent new film from Michael Radford, the director of Il Postino.

B MONKEY tells the story of the romance between a quiet, jazz-loving school teacher (played by the excellent Jared Harris) and the beautiful, mysterious and dangerous Beatrice (played by Asia Argento). Beatrice, or B. Monkey as she was known in her criminal life, tries to leave her old life behind her - but it proves very hard to shake off.

This is a great film and I enjoyed it immensely. It's a hugely stylish film and is beautifully shot. The acting all round is tremendous but special honours should go to Asia Argento who gives a powerful and captivating performance.

I really hope this film will do well around the world as it is greatly deserving of huge success.

I saw this film on Saturday November 7th 1998, at the London Film Festival

Saw this film the other night on cable. Michael Radford's "Il Postino" had played the night before, and never are there two more different films than "B Monkey" and the other one! The novel by Andrew Davies was a joy and it's translation to the screen suffers because of the adaptation we see in front of our eyes. It appears this movie has been badly chopped up as indicated by comments by Mr. Radford.

This is a film about opposite characters that attract one another in ways that in other circumstances, they wouldn't have met. We meet the nerdish Alan Furnace, a teacher who also volunteers at a hospital where he loves to play jazz at night. He is fond of the great Django Reinhardt, a legend guitarist, whose records one hears on the background.

Beatrice is a young woman with a past. She is trying to get out of that life and the unsavory characters around her. When she meets Alan, she has no clue of what is going to happen to her, but she falls for him. Alan wants to get out of London to a quieter and more subdued atmosphere in which he feels Beatrice will feel happy too.

Beatrice's past gets in the way as Paul and Bruno come to interrupt the idyllic home life Alan and Beatrice have made for themselves, but in spite of the dangers, in an ironic twist, the couple finally manage to find peace in their newly found paradise.

Jared Harris is perfect as Alana. Asia Argento gives a complex reading on Beatrice a role that offers her a lot of opportunities. Rupert Everett and Jonathan Rhys Meyers make good contributions to the film.

The original film score by Luis Bacalov, a contributor to Mr. Radford in "Il Postino", is easy on the ears. The other non original songs are well selected and give the film another texture.

Although Mr. Radford did his best with the film, one can only recommend the viewer to check out Andrew Davies novel that is the basis of the movie.

This was Michael Radford's first film since "Il Postino" and it's definitely a letdown because Radford is a terrific director. Story is about a woman named B. Monkey (Asia Argento) who moonlights as an armed robber and she works with a couple of drug addicts named Bruno (Jonathan Rhys-Myers) and their father figure Paul (Rupert Everett) and a local gangster named Frank (Tim Woodward) is the one who sets up the scores. One night Bea meets Alan (Jared Harris) who is a school teacher and he asks her out on a date. She accepts and soon she falls in love with him and wants to leave her sordid past behind. Alan gets another teaching job in the country and Bea goes with him and they start to live the quiet life but one day Bea calls Paul and he traces the call back and finds out where she lives. Paul is in serious trouble with Frank and they follow him to where Bea is. One of the main problems with the story is how much Alan puts up with to be with Bea. Her friends are criminals, she was responsible for him losing his job and she displays a pretty bad temper. Maybe it's time to move on, buddy! But the strong point for the film is Argento's performance. She's a very brave actress and it appears that she would do just about anything on camera. There are several scenes in this film that require total nudity and Argento seems very comfortable doing this. Argento is Italian and grew up in Europe and European actress's seem to have a different attitude towards nudity in films. I first noticed Radford's direction in the highly underrated "1984" and also "Dancing at the Blue Iguana". Both of these films along with "Il Postino" are superbly directed but his talent wasn't evident in this film. It's adequately made but besides Argento this was a pretty tepid viewing experience. I had heard rumors that it was heavily edited but I'm not sure thats the problem. The whole film feels flat and labored and really has nothing special to offer. Argento does make it watchable though.

Alan Furnace is a school teacher who's only joy in life is his late-night slot on hospital radio where he can play the light jazz he loves so much. Seeking more excitement in his life, he takes an interest in a collection of people in a local pub who the barman describes as "criminals". Despite this Alan approaches the woman of the group – the sexy and charming Beatrice, but is surprised when she responds to his advances. As he gets to know her, he uncovers a damaged soul with a murky past and dark present that perhaps he would be keep out of; however, as much as he is put off he is drawn in and soon finds himself involved deeper than he had ever planned.

I'll be honest and say that I was only drawn to this film by the strange title; other than that I had no idea what it was about but decided to give it a stab anyway. However the film seems to be aiming for a mood rather than a narrative and, as a result, this film is more about the tone and feel and thus it fails to really engage because the story isn't there. Well, there is a story but it comes second to the mood and it isn't well developed, is full of illogical holes that just don't convince and feels like a mishmash of other films' ideas. It is interesting at points but ultimately it doesn't work. The film tries to be seedy and introspective, using smoky rooms, jazz and crime as motivators and the "normal guy" as our way in, but even this doesn't totally work and elements of it failing make it feel like it has all been forced from the start – certainly the choice of the jazz music is way off.

However, as the title suggests, the film is more about Beatrice than the other characters and, as such, it is interesting enough even if she isn't as well developed a character as a "character driven film" would usually require. The performance from Argento is good and she has a real sexy presence that is more than just her taking her clothes off for the cameras – it is an aspect of her character that the film uses well. Harris is every bit as bland as the music he plays and he is the reason why I never bought the main relationship once – OK, she's after a "nice guy" but would she go for someone so very bland? The rest of the cast are colourful enough and do OK work with very basic material; Rhys-Meyers is good, Everett does his usual lazy, bi-sexual performance, Hart has a small role and the rest are just basic "East End thug" sorts.

Overall this is a film to watch for the sexy, dark presence of Argento and that alone. Outside of her, the narrative is pretty weak and never really convinced me or involved me; the dramatic fireworks come and go without really doing much and by the end I was pretty bored by the whole affair. Argento and some of the support cast make it worth a go but, like Harris and his type of jazz music, this film is consistently bland and uninteresting.

This film has all of the touches of an early Truffaut and some Fritz Lang in the use of wonderful characters,especially Argento, who I notice has not stopped working in big productions but who is quite young with a distinctive screen presence. If she were a blond, even Hitchcock would have used her. She is strong,fierce,bold,kind,unafraid to expose her nice body for passionate sexual interludes.She falls for a "nerdish" British third grade teacher,Jared Harris, son of late Richard, and is a truly marvelous actor who falls IMMEDIATELY for moll Asia Argento. It has handsome photography in London,Yorkshire,Paris, and in spite of Argento's strong presence,there are some good bits by Rupert Everett who adds class even in this sleazy role.An the young actor/hood is excellent as the rejected lover turned gangster.There is almost too much going on, making the ending a little too "pat" but it is one of the few crime love stories I have seen with such an engaging actress as Argento.She photographs beautifully and her transitions are so good, one is reminded of the great screen dames like Gloria Grahame, Jeanne Moreau and Tuesday Weld in PRETTY POISON.