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Oscar Wilde

Titre original : Wilde
  • 1997
  • Tous publics
  • 1h 58min
NOTE IMDb
6,9/10
19 k
MA NOTE
Jude Law, Jennifer Ehle, Stephen Fry, and Vanessa Redgrave in Oscar Wilde (1997)
Official Trailer
Lire trailer1:44
1 Video
30 photos
BiographieDrameRomanceDrames historiquesRomance tragique

La tourmente dans la vie du poète/dramaturge Oscar Wilde après la découverte de son homosexualité.La tourmente dans la vie du poète/dramaturge Oscar Wilde après la découverte de son homosexualité.La tourmente dans la vie du poète/dramaturge Oscar Wilde après la découverte de son homosexualité.

  • Réalisation
    • Brian Gilbert
  • Scénario
    • Julian Mitchell
    • Richard Ellmann
  • Casting principal
    • Stephen Fry
    • Jude Law
    • Vanessa Redgrave
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,9/10
    19 k
    MA NOTE
    • Réalisation
      • Brian Gilbert
    • Scénario
      • Julian Mitchell
      • Richard Ellmann
    • Casting principal
      • Stephen Fry
      • Jude Law
      • Vanessa Redgrave
    • 117avis d'utilisateurs
    • 40avis des critiques
    • 70Métascore
  • Voir les informations de production sur IMDbPro
    • Nomination aux 2 BAFTA Awards
      • 4 victoires et 8 nominations au total

    Vidéos1

    Wilde
    Trailer 1:44
    Wilde

    Photos29

    Voir l'affiche
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    Rôles principaux56

    Modifier
    Stephen Fry
    Stephen Fry
    • Oscar Wilde
    Jude Law
    Jude Law
    • Lord Alfred Douglas
    Vanessa Redgrave
    Vanessa Redgrave
    • Lady 'Speranza' Wilde
    Jennifer Ehle
    Jennifer Ehle
    • Constance Wilde
    Gemma Jones
    Gemma Jones
    • Lady Queensberry
    Judy Parfitt
    Judy Parfitt
    • Lady Mount-Temple
    Michael Sheen
    Michael Sheen
    • Robbie Ross
    Zoë Wanamaker
    Zoë Wanamaker
    • Ada Leverson 'Sphinx'
    Tom Wilkinson
    Tom Wilkinson
    • The Marquess of Queensberry
    Ioan Gruffudd
    Ioan Gruffudd
    • John Gray
    Matthew Mills
    • Lionel Johnson
    Jason Morell
    • Ernest Dowson
    Peter Barkworth
    Peter Barkworth
    • Charles Gill
    Robert Lang
    Robert Lang
    • C.O. Humphreys
    Philip Locke
    Philip Locke
    • Judge
    David Westhead
    David Westhead
    • Edward Carson
    Jack Knight
    • Cyril Wilde
    Jackson Ellis Leach
    • Cyril Wilde, aged 4
    • (as Jackson Leach)
    • Réalisation
      • Brian Gilbert
    • Scénario
      • Julian Mitchell
      • Richard Ellmann
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs117

    6,918.7K
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    Avis à la une

    7moonspinner55

    Wonderfully bright, cynical, jaded, and romantic biopic

    The mid-life years of (now genteel) decadent behavior by one of late Victorian England's celebrities, the Irish-born novelist-poet-playwright Oscar Wills Wilde (1854–1900). Director Brian Gilbert doesn't bandy about giving us the childhood torments of a literary genius; instead, he and screenwriter Julian Mitchell delve right into the more prominent chapters of Wilde's life, his marriage to a woman--producing two children--before realizing his homosexual desires, leading to some promiscuous indiscretions before finding love with churlish, childish poet Lord Alfred Douglas. Stephen Fry gives a masterful performance as Wilde, and the portrait allows for many shadings (this isn't a plea for the misunderstood gay artist, as Wilde himself is shown to be occasionally fickle, lusting, and selfish). Jude Law is equally good as ornery, demanding lover 'Bosie', whose tyrannical father brought about a court-case and two-year jail term for Wilde (covered previously in 1960's "The Man with the Green Carnation"), contributing to his early demise. A provoking, insightful, eloquent film--not at all stuffy or coy--which is due in large part to Gilbert's dexterous way with his actors and a keen sense of pacing and audience-involvement. *** from ****
    8bandw

    Earnest production with a great performance by Stephen Fry

    This film biography of Oscar Wilde is a showcase for Stephen Fry. He not only looks like Wilde, he breaths life into the many passages from Wilde's writings that are woven into the screenplay. The difference between reading Wilde and experiencing Fry's performance is like reading Shakespeare and seeing Olivier perform. An evening listening to Fry read from Wilde's works would be worth paying a tidy sum to attend.

    I had no idea that Wilde had married young to Constance Lloyd (Jennifer Ehle in a fine performance) and had two adorable boys by her. In an effective plot device, periodically throughout the movie Wilde reads to his sons from his children's story, "The Selfish Giant." The readings are presented in a way that cleverly integrates the storyline of the writing with the storyline of the movie, with Wilde being the selfish giant. And how many people know that Wilde wrote children's stories?

    There are many examples given of Wilde's biting wit, such as, "Give a man a mask and he will tell you the truth," "The world is a stage, but the play is badly cast," and "I find that alcohol, taken in sufficient quantities, can bring about all the effects of drunkenness." Fry delivers these with perfect tone.

    Of course a good part of the movie is devoted to Wilde's arrest and ultimate imprisonment for "indecent acts" with Lord Alfred Douglas (Jude Law). Wilde truly did live his life in accordance with his comment, "Where your life leads you, you must go. I defy society." As presented here, Wilde is a courageous and sensitive man who was forced into a tragedy by the strictures of a hidebound society. In current America most would judge his infractions with mild distaste at worst.

    There are some disconcerting transitions, mostly in scenes with Lord Douglas. Douglas is seen to have a volatile personality. He could be needy and tender, but he could also be a first-class ass and manipulator with an explosive temper. His fits of anger seemed exaggerated and disrupted the tone of the movie. I had a similar reaction to the sex scenes in terms of disrupting the flow. Robbie's initial advances were abrupt and without foundation. The explicit sex scenes between Wilde and Lord Douglas would have been better hinted at than seen - their kisses and embraces could well be imagined but they felt incongruous and unbelievable in the flesh.

    Wilde was much more than a wit. He could express emotions with eloquence. Consider this quote about encountering a previous lover after a hiatus of a few years:

    "Life cheats us with shadows. We ask it for pleasure, it gives it to us with bitterness and disappointment in its train. And we find ourselves looking with dull heart of stone at the tresses of gold-flecked hair that we once had so wildly worshiped and so madly kissed."

    The movie is nicely filmed with a good musical score. I wound up liking it more after having thought about it.

    Watching this has expanded my appreciation for Wilde as a writer and as a person - I have been left wanting to know more about him and his work.
    7Peach-2

    Interesting portrait.

    Wilde is a film about a man's passions destroying his life. Oscar Wilde was a very interesting man and discovered his dormant homosexuality late in life. The film was very tragic in a lot of ways. The love story between Wilde and Douglas was venomous and sweet. The performances by Jude Law and Stephen Fry were top notch. The direction was a little sluggish I thought and the film could have been better paced. The production design was great though and I loved listening to Wilde's sarcasm of the British class system. If you are a fan of Oscar Wilde, you will probably like this film more than the average movie fan.
    Gordon-11

    Touching and engaging story

    This is about the famous writer Oscar Wilde, and his forbidden love in the intolerant society.

    I watched this film two times already, and I really like it. Stephen Fry and Jude Law both give incredible performances. The script is able to portray their untainted and pure love. Their yearning for each other grips me very much. Jude Law portrays Brosie's spoiled personality well. The scene where Brosie intentionally sits in the middle of the restaurant with Wilde is particularly memorable.

    The story is touching and engaging, making me wanting more. Stephen Fry must be commended for selecting Jude Law, who was not as much of a superstar at that time, as his on screen partner. Orlando Bloom's brief appearance as one of the boys certainly comes as a surprise. Stephen Fry's eye for hot male stars is certainly to be admired!
    8zaileia

    The noblest form of love

    I saw this film for the first time over the weekend, drawn to it I'm ashamed to say for the fact that it contained Orlando Bloom's debut appearance, all one line of it. I was pleasantly surprised to discover Jude Law as Lord Alfred 'Bosie' Douglas as well, making this film highly appealing to the voyeurs of the world. However distracting these heavenly creatures are though, they do become quite rightly overshadowed by Stephen Fry in a role that could not be more perfect for him if it were based on fiction rather than fact.

    I have been a fan of Oscar Wilde for some time, and this film gave amazingly accurate insight into the life of a great Irish literary. Indeed, many a speech by Stephen Fry has been quoted word for word from the actual trial monologues, and the uncanny resemblance of Fry to Wilde himself is astounding.

    'Wilde' proved to be entertaining and beautiful, maintaining the historical biopic status is revels in, but never drawing away from the fact that this story is of real people and real events.

    So much can be gained by observing the prejudices of the past, and such sadness realized from knowing the suffering of those who were not meant for their time.

    'Wilde' deserves credit in all aspects from accuracy to acting, direction and scene, it is a beautiful film and a credit not only the cast and crew, but to Oscar Wilde himself.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Orlando Bloom made his film debut in this film, with a brief appearance as a "Rentboy."
    • Gaffes
      When Oscar Wilde visits his wife's grave near Genoa, the headstone states "Wife of Oscar Wilde." It originally stated only "Constance Mary, daughter of Horace Lloyd, Q.C." and "Wife of Oscar Wilde" was not added until later.
    • Citations

      Oscar Wilde: [last lines]

      Oscar Wilde: In this world there are only two tragedies. One is not getting what one wants. The other is getting it.

    • Crédits fous
      The credits are in the style of the black-ink drawings of Aubrey Beardsley (1872-1898), leading artist of the Aesthetic movement and colleague of Wilde for whom he illustrated the text of "Salome" in 1894. In the opening credits the pictures reflect the character being played or suggest the role in the production team.
    • Connexions
      Featured in Venice Report (1997)
    • Bandes originales
      Ah, Leave me not to Mine Alone
      from "The Pirates of Penzance"

      Words and Music by W.S. Gilbert (as Gilbert) & Arthur Sullivan (as Sullivan)

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    FAQ

    • How long is Wilde?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 7 octobre 1998 (France)
    • Pays d’origine
      • Royaume-Uni
      • Allemagne
      • Japon
    • Langues
      • Anglais
      • Italien
    • Aussi connu sous le nom de
      • Wilde
    • Lieux de tournage
      • Durdle Door Beach, West Lulworth, Wareham, Dorset, Angleterre, Royaume-Uni
    • Sociétés de production
      • Samuelson Productions
      • Dove International
      • NDF International
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 10 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 2 158 775 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 69 424 $US
      • 3 mai 1998
    • Montant brut mondial
      • 2 158 775 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 58 minutes
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 2.35 : 1

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