Bienvenue à Woop Woop

I can understand how non-Australians might not get "Welcome to Woop Woop". As an Aussie, I don't get it either.

Australian cinema has produced some off-the-wall comedies over the years, but this one is in a league of its own.

Teddy (Johnathon Schaech), an American rare bird smuggler on the run ends up in the Australian outback. He meets Angie (Susie Porter), a sexually veracious girl who drugs him and takes him to her community in the ex-asbestos mining town of Woop Woop run by her father Daddy-O (Rod Taylor).

Teddy wakes up to find he is married to Angie. He gets caught up in the weird lifestyle of the isolated community whose only source of entertainment and connection to culture is old videos of Rogers and Hammerstein musicals - a little like "Galaxy Quest" where the alien Thermians only understand human behaviour through the signals they have received of old television shows.

Along with the most strident of Australian accents, the changes of mood in the film are bewildering - singing, dancing and fornicating one minute and shooting dogs the next. This slice of Australiana makes the characters in "Wake in Fright" seem like Oxford dons.

I only saw "Woop Woop" recently (2015) when it appeared on "World Movies" about the same time as a documentary called "Not Quite Hollywood: The Wild, Untold Story of Ozploitation!" Apparently Quentin Tarantino championed the documentary and I must admit it was more entertaining than most of the films it featured, including "Welcome to Woop Woop"

The cast gave it everything they had, and seemed to be in on the joke. Rod Taylor has one great scene where he does an electric tap dance to "Shall We Dance" on the bar with leads on his shoes connected to a battery. But as far as I'm concerned these were the only sparks generated in the film.

Stephen Elliott had made "Priscilla Queen of the Desert" the year before. "Priscilla" was outrageous with souvenirs of ABBA, ping-pong balls etc. - but it was funny. "Welcome to Woop Woop" is outrageous and tedious.

Would I recommend the film? Well that all depends on what you like. Some people relish a good bad movie. By bad, I don't mean poor editing or shoddy sound, far from it, "Woop Woop" is polished as far as production values are concerned - I mean bad in concept. It has a certain cult following, but that's one cult I managed to escape.

"Welcome to Woop Woop" takes Australian cliches to the extreme. When con-artist Teddy escapes to the Australian outback, he finds himself drugged, unconsciously married and trapped in "Woop Woop" an outback town inhabited by zany hooligans.

I enjoyed it. Initially, I didn't want to rent it after reading several negative reviews, but I'm glad I finally did proving that critics are often wrong.

There's one scene which I won't spoil that hit the film's high-point, and let's just say I will never look at the Sound of Music again, or at least Mother Abbess.

The soundtrack was fantastic (especially the "Climb Every Mountain" remix) and the cast were great. Johnathon Schaech and Dee Smart gave nice performances, but the show stealers were arguably Rod Taylor and Susie Porter. Both reigned with charisma and succeeded in entertaining and disgusting audiences with their amazingly repulsive father/daughter performance . Paul Mercurio also makes a humorous cameo reiterating one of the stricter rules of "Woop Woop" ~ "Nobody leaves".

Although some scenes caused me to wince, such as the Woop Woop abbatoir scenes and a funny, yet disturbing incestual relationship, I suggest you check it out.

Welcome to Woop Woop is a brilliant satire of Australian culture.

7.5/10

One of the wonderful aspects of cinema is that all the various originality of a culture can be presented, in any combination, with their indigenous visual and aural realities. The arid outback, the aussie dialect, and the Down Under idea of Wacky combine in this oh-so-funny film to bring you to tears from laughing so hard. You'll find yourself rewinding to see a great slapstick scene again, or to hear exactly what someone said. A quick take will clarify a confusing one several scenes earlier causing renewed laughter yet again. When the credits began rolling I began laughing again at remembered shots still teasing my memory. And laughter isn't all this film has to offer - bits of poignance, ire, and mystery are added to the recipe to round out its flavor. The story could only have been told in Australia by Australians to acheive so great result. So, Laugh me dead, Mate, if this wasn't a gem of a film!

Set in the Australian outback you might have thought this movie would have had more in common to the directors previous movie Adventures of Priscilla, Queen of the Desert, The (1994). At the London Film Festical screening director Stephan Elliot started off before the screening that this definitely wasn't the case, and telling us it was about the more obnoxious of his country folk.

This shows a side of Australia that is being rather swept under the carpet. Although raucous and rude in the first half of the movie the mood turns darker towards the end.

And don't forget to wait till after the credits end for an amusing extra.

There are some very funny scenes including Barry Humphries as a blind petrol pump attendant - which so outraged the US lead that he had to spend time recovering in his trailer - it was done fortunately in one take with Humphries ad libbing the scene. And an excellent performance by Rod Taylor as the leader of the community.

Shot in the height of the summer, due to Stephan Elliot becoming ill just before the original start date, the crew needed 36,000 gallons of water per day to survive and in one scene they had to fit the dogs in the scene with shoes to allow them to run across the set.

Director Stephan Elliott had a big hit with "Adventures of Priscilla, Queen of the Desert" back in 1994. This is his 1997 followup which was a huge bomb. I like it, but it's easy to see why it failed.

A con man (Jonathan Schaech) travels to Australia to kidnap some rare exotic birds (don't ask). He is unexpectedly sexually attacked by a VERY aggressive young woman, and she knocks him out, drugs him and takes him to her hometown, Woop Woop, and proclaims he's her husband. Woop Woop is in the middle of nowhere, has a population of 50 and is definetely a strange place--Rodgers + Hammerstein songs are blasting from speakers all day (!!!), they kill kangaroos and make them into dog food and no one is ever allowed to leave the town. Schaech wants out...but can he make it?

To say this movie is bizarre is an understatement--it's VERY weird! Everyone overacts to the extreme (especially Schaech) and wear very weird, colorful costumes (I mean that in a good way). The script goes rambling all over the place, most lines make no sense and then there's the non-stop R&H songs! Still, it is very funny (if a little sick at times) and you can't take your eyes away from it.

The acting is, as I said, over the top but great. Schaech gets right in the mood of things from the beginning--he's very lighthearted, grinning continuously and gives his all to his lines. He's also handsome and hunky and has a few nude scenes. Also Rod Taylor chews the scenery again, and again, and again, and AGAIN as Daddy-O--the leader of the town.

It does lag a little at the end and it's definetely not for all tastes but totally off-beat and fun--particularly the opening in NYC and the last scene with...well, you'll know! A must-see for R&H fans.