Volcano

In the mid-90s, the disaster movie experienced a revival thanks to the advancement of CGI technology, which made creating scenes of destruction on a massive scale far easier and more convincing than ever before; 1997 was the year of the volcano, seeing both the release of Universal's Dante's Peak, and this rather unimaginatively titled effort from 20th Century Fox, which starred Tommy Lee Jones as Office of Emergency Management director Mike Roark, who must try and prevent downtown LA from being entirely engulfed by lava that erupts from the La Brea tar pits.

A slick, major studio, big-budget summer blockbuster, Volcano naturally benefits from a solid cast and state of the art special effects, but proves less thrilling than the premise suggests thanks to a lack of genuinely exciting or particularly innovative set-pieces: too much of the action centres around Jones's attempts to stem the flow of lava, which travels at walking pace thereby presenting little danger to anyone but the elderly and the infirm; meanwhile, director Mick Jackson ticks off the expected clichés from his disaster movie checklist—personal dramas, heroic sacrifices, a sexy scientist, even a cute dog in peril—before wrapping matters up rather too neatly with a finale that delivers far too low a death toll to be truly satisfying.

I loved the 90's resurgence of the Disaster movie that was cemented as a Genre back in the 1970's but like a Volcano that genre laid dormant for a long time until the 90's exploded with huge, big budget Disaster films with the likes of VOLCANO, DANTE'S PEAK, TWISTER, INDEPENDENCE DAY, DEEP IMPACT, ARMAGEDDON, DAYLIGHT & even JURASSIC PARK could be considered a Disaster movie!!! There's probably more that i haven't mentioned but those were the "Big Ones" & i consider Dante's Peak & Volcano the very best of the bunch. I've always been a big Tommy Lee Jones fan after The Fugitive & Men In Black & U.S Marshalls, Batman Forever, Under Seige, among others as the 90's were his glory days as a star & here he gets his own big budget summertime Blockbuster with his name written big above the title on the poster, this is his film & he's the main star lead of the whole damn thing & he's excellent as our rugged hero lead as he runs about Los Angeles trying to rescue everyone & save the city from a big erupted Volcano spilling out a river of scorching hot lava, Tommy is great & i love his voice & his smart authoritative manner & he puts it all to good use here. There's a nice ensemble cast to round out the supporting characters with Anne Heche, Gaby Hoffman, Don Cheadle & Keith David. I totally love the Thrilling & exciting music score by the legendary ALAN SILVESTRI (Predator 1&2, Judgment Night, Death Becomes Her, Back to the Future & so many more) & the look of the sticky hot summertime LA is captured beautifully on screen & i loved the opening of the movie just showing LA in the morning with everyone going about their day as usual & busyness of it all with not knowing what's growing under the famous city, it's just an exciting & lovely 90's opening especially with the music. The special effects still hold up beautifully & the production design is perfect for a Disaster movie & the most important thing for this big budget popcorn movie is it's simply FUN & full of entertainment. As the City of Angeles starts to crumble & the lava flows through the streets we follow Tommy Lee Jones on his mission to save it all if he can & it's a thrilling & fun experience, i love 90's movies. My favourite Tommy Lee Jones "Vehicle" movie

Watching Mick Jackson's disaster flick, in which the eponymous natural disaster wreaks havoc throughout Los Angeles, is like watching a 3 a.m. infomercial. It's such silly, mindless fluff, yet there's just something about it that keeps your eyes glued to the screen.

"Volcano" is admittedly well-cast and acted, despite a dreadful script and a plot whose summary could fit on a matchbook. Tommy Lee Jones, who would give 110% making a McDonald's commercial, stars as Mike Roark, the hard-boiled head of the Office of Emergency Management, where he is assisted by his sidekick Emmit (Don Cheadle). After initially pooh-poohing the thought of a volcano in L.A. from geologist Amy Barnes (Anne Heche, who constantly ends her lines with a four-letter word like a period after a sentence), it's only a matter of time before he is proved wrong before his very eyes. Other solid performances come from Jacqueline Kim (Dr. Calder), John Carroll Lynch (Stan, the oft-maligned subway boss), and Keith David, a great actor who is otherwise wasted here in a role as a police lieutenant who has no impact on any events in the film, which is halfway over before he even appears on screen for the first time.

However, there's the small problem of having something resembling a good story to go with the awesome visuals, which are indeed spectacular. But forget the volcano; Jerome Armstrong's script poses the greatest threat to the characters. To put it mildly, it's the biggest piece of cliché-ridden muck to come along in awhile, laden with plot holes, smarmy sentimentality (the offender here being a dog rescue scene near the beginning) and heroics, forced we-are-all-brothers morals, and implausibilities. Yes, this film is rooted far from reality, but it should make a little sense along the way.

Working at the OEM must be the cushiest job in the world, for all the employees do throughout the picture is holler at each other and stare blankly at computer monitors. (And why do they continuously show news broadcasts on their big screen? Is that where their disaster briefings come from?) Mike's sullen daughter (Gaby Hoffmann, in a thankless role in the tradition of "True Lies" and "Face/Off"), due to her own incompetence, is suddenly thrust into peril and is thus separated from her father, a subplot that helps build up what turns out to be one great big joke of an ending. Describing it here can't do it justice. (After being taken to the hospital in Dr. Calder's Land Rover to receive treatment for a second-degree burn on her right leg, she is seen some time later with a bloody scab on her left cheek as she talks to Mike on the phone. And you thought your HMO was rough.) Plus, I seriously doubt that someone who jumps right into a pool of hot lava would slowly melt like a snowman in Miami while he screams and tosses the body of a man nearly twice his size to safety from a burning subway train. Then there's the wonderful family-oriented scene of two firemen burned alive in their overturned truck.

And, lest we forget that "Volcano" takes place in L.A., there's the obligatory racist-cop episode in which a black man asking the fire chief to help his neighborhood is suddenly handcuffed out of nowhere by an officer for "harassing" him, a tacky scene complete with (groan) references to Rodney King and Mark Fuhrman. (The whole time he's cuffed, the black man makes carefree wisecracks to the officers all while his 'hood is burning to cinders.) But, of course, everything's eventually resolved. "You're a good man," the other cop praises his partner after the latter grudgingly dispatches fire trucks to the black man's neighborhood, as if he has performed some immense display of generosity.

In another lovely homage to L.A., there's also a looting scene, where extras run incredibly slow while carrying empty boxes.

And what in the world was with the constant barrage of news reporters? Did we really need someone reporting "The house behind me has just exploded into flames...all hell is breaking loose!" while people were running for their lives all around her? As the volcano explodes out of the La Brea Tar Pits and lava is running onto the street, it's from a reporter describing this sight from where we hear one of the worst lines in the film: "It's as if the tar had caught fire, melted and somehow expanded." Hey, McFly, if tar is already a liquid to begin with, then how in the world can it melt?

When an army of helicopters drops gallons of water on the lava blocked off on Wilshire, the reporters and camera crews, who are camped right up against the concrete barriers, manage to stay conveniently dry the entire time.

Despite a high body count, scores of injured civilians and billions of dollars in damages, everybody's smiling as soon as a rainfall ensues, like those 7up commercials circa 1986. ("Feels so good comin' down!" Remember that?) Lots of questions are left unanswered: How will they clean up and repair everything? Will a future eruption occur soon? Will the Cubs win the World Series?

Yet for all its pretentiousness and gaping flaws, I have to admit that "Volcano" was entertaining. It's a load of escapist camp that doesn't have a care in the world. And I do have to give credit where it's due; somehow the filmmakers managed to keep slow-moving lava exciting for 104 minutes.

Plus, you can't help but get a kick out of a disaster film that includes the line "This city's finally paying for its arrogance," and finds the time to include a Bible quotation. 7/10

I first saw this with my friends in Regal theater, South Mumbai in 1997.

Those times there were no trailers or YouTube or any reviews. Enjoyed it a bit then but aft revisiting it, i found it to b lame.

The film doesnt have any tension or suspense. It has the same lava stuff going on again n again. The best part is, the film's name is Volcano but we dont get to see any mountain bursting. At times, the lava looked too fake. Even the plan and the strategy to contain/pool the lava and later divert the lava's direction is a big lol.

Anne Heche's character is a scientist but the character does stupid stuff.

The only good thing is the way Stan Olber (John Carroll Lynch) saves the driver. The jumping into the lava flow n throwing the driver to safety is epic.

BAD NEWS - Unlikeable female lead in Anne Hesch, who had too foul a mouth for me. Other irritating characters with stupid dialog. A predictable ending with the needlessly drawn out save-the-daughter scene trying for maximum suspense.

GOOD NEWS - Some awesome disaster scenes. Hollywood's special-effects just keep getting more awesome as the years go on. A fast-moving story that was just about the right length. A likable lead character played by Tommy Lee Jones.

Overall, a movie that keeps your attention but doesn't get your respect with the dumb dialog.