Volcano
- 1997
- Tous publics
- 1h 44min
NOTE IMDb
5,6/10
85 k
MA NOTE
Un volcan entre en éruption dans le centre-ville de Los Angeles, menaçant de détruire la ville.Un volcan entre en éruption dans le centre-ville de Los Angeles, menaçant de détruire la ville.Un volcan entre en éruption dans le centre-ville de Los Angeles, menaçant de détruire la ville.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 1 nomination au total
James MacDonald
- Terry Jasper
- (as James G. MacDonald)
Avis à la une
I'm not going to pretend that this movie is realistic. It isn't. But if you want to just sit down and watch a film with action, drama and entertaining characters, then this is the film for you.
Most disaster films are unrealistic, have no science behind them and if you think about them too much just get worse and worse. This movie is no exception. However, it is still a brilliant film if you want to sit down and not think too hard, or if you want to put a movie on without having to give it your full concentration. Personally, I think this film is great. There are better films out there, including better disaster films, but there are so many films that are ten times worse yet get better reviews. That's probably because they have better actors or are more realistic - but the job of a movie is to entertain, and this film does that brilliantly.
Most disaster films are unrealistic, have no science behind them and if you think about them too much just get worse and worse. This movie is no exception. However, it is still a brilliant film if you want to sit down and not think too hard, or if you want to put a movie on without having to give it your full concentration. Personally, I think this film is great. There are better films out there, including better disaster films, but there are so many films that are ten times worse yet get better reviews. That's probably because they have better actors or are more realistic - but the job of a movie is to entertain, and this film does that brilliantly.
Despite a history of major geological events in the area, nobody really suspects anything when a handful of pipe engineers die from intense burns while underground. Investigating the accident, OEM chief Mike Roark almost gets killed himself when an underground fissure throws up intense heat and flame. Expert Dr Amy Barnes believes that magma may be coming up to the surface of the earth and causing the events but, would you believe it, nobody buys it. Nobody that is, until the tar pits overflow and start to pour lava onto the streets, destroying everything in its path. With Roark convinced and Barnes wishing she had been wrong, the race is on to protect the city.
Better known as 'that other volcano movie of 1997', this film gets out the disaster movie handbook and follows it step by step. So we have a manly and practical hero, an expert, children and pets in peril, human conflict, sacrifice, special effects, 'bad' politicians etc etc. So far so formula, and so it all continues. The basic set up does the usual things by setting up the most basic of characters for us to use as a focus before then just letting the lava go and relying on special effects to do the rest. The need to turn the drama into a specific story around Roark means that it occasionally forces him and his into unlikely dangerous positions that require them to be inches away from the action; this is not convincing and at times just feels like overkill, sucking any real tension out of the film.
Without much real excitement the film just piles on the special effects and, unfortunately, these look dated with some poor back projection failing to really cut the mustard.
The film soldiers on, unsure of how it can keep raising the stakes while remaining plausible (it doesn't!) and it will satisfy those just looking for a noisy disaster movie but no more than the clichés that those produce. The script has a few digs at LA (the news reporting, the pet obsession etc) but these don't amount to much but it works much better than the rather sickening attempts at racial commenting in the final few scenes ('everyone looks the same' ugh!). The cast try hard to convince us that they are real people in real danger but even the talent involved cannot do much more than put on grim faces and soldier on. Jones is a good lead because he has a solid presence, but even he cannot make it exciting when he is placed within inches of anything falling/burning/exploding. Heche simply fits into the 'I hate it when I'm right' expert without really bringing more than competence to the role, while Hoffmann simply tries to find trouble to get into anytime the film dips. Cheadle is good support but minor subplots featuring the likes of David, Corbett and Rispoli only serve to highlight that the film cannot even manage to do the disaster movie stable of having each character have a background to make us care.
Overall this is an average disaster movie at best and, as such, will only really play well to those that like that sort of thing. The script is weak and cannot wait until the lava flows but even then struggles to make it exciting, throwing specific near misses at us again and again to keep us interesting. The cast have nothing to work with and make little impression but viewers may find this has just enough going for it to make it watchable if totally forgettable.
Better known as 'that other volcano movie of 1997', this film gets out the disaster movie handbook and follows it step by step. So we have a manly and practical hero, an expert, children and pets in peril, human conflict, sacrifice, special effects, 'bad' politicians etc etc. So far so formula, and so it all continues. The basic set up does the usual things by setting up the most basic of characters for us to use as a focus before then just letting the lava go and relying on special effects to do the rest. The need to turn the drama into a specific story around Roark means that it occasionally forces him and his into unlikely dangerous positions that require them to be inches away from the action; this is not convincing and at times just feels like overkill, sucking any real tension out of the film.
Without much real excitement the film just piles on the special effects and, unfortunately, these look dated with some poor back projection failing to really cut the mustard.
The film soldiers on, unsure of how it can keep raising the stakes while remaining plausible (it doesn't!) and it will satisfy those just looking for a noisy disaster movie but no more than the clichés that those produce. The script has a few digs at LA (the news reporting, the pet obsession etc) but these don't amount to much but it works much better than the rather sickening attempts at racial commenting in the final few scenes ('everyone looks the same' ugh!). The cast try hard to convince us that they are real people in real danger but even the talent involved cannot do much more than put on grim faces and soldier on. Jones is a good lead because he has a solid presence, but even he cannot make it exciting when he is placed within inches of anything falling/burning/exploding. Heche simply fits into the 'I hate it when I'm right' expert without really bringing more than competence to the role, while Hoffmann simply tries to find trouble to get into anytime the film dips. Cheadle is good support but minor subplots featuring the likes of David, Corbett and Rispoli only serve to highlight that the film cannot even manage to do the disaster movie stable of having each character have a background to make us care.
Overall this is an average disaster movie at best and, as such, will only really play well to those that like that sort of thing. The script is weak and cannot wait until the lava flows but even then struggles to make it exciting, throwing specific near misses at us again and again to keep us interesting. The cast have nothing to work with and make little impression but viewers may find this has just enough going for it to make it watchable if totally forgettable.
Watching Mick Jackson's disaster flick, in which the eponymous natural disaster wreaks havoc throughout Los Angeles, is like watching a 3 a.m. infomercial. It's such silly, mindless fluff, yet there's just something about it that keeps your eyes glued to the screen.
"Volcano" is admittedly well-cast and acted, despite a dreadful script and a plot whose summary could fit on a matchbook. Tommy Lee Jones, who would give 110% making a McDonald's commercial, stars as Mike Roark, the hard-boiled head of the Office of Emergency Management, where he is assisted by his sidekick Emmit (Don Cheadle). After initially pooh-poohing the thought of a volcano in L.A. from geologist Amy Barnes (Anne Heche, who constantly ends her lines with a four-letter word like a period after a sentence), it's only a matter of time before he is proved wrong before his very eyes. Other solid performances come from Jacqueline Kim (Dr. Calder), John Carroll Lynch (Stan, the oft-maligned subway boss), and Keith David, a great actor who is otherwise wasted here in a role as a police lieutenant who has no impact on any events in the film, which is halfway over before he even appears on screen for the first time.
However, there's the small problem of having something resembling a good story to go with the awesome visuals, which are indeed spectacular. But forget the volcano; Jerome Armstrong's script poses the greatest threat to the characters. To put it mildly, it's the biggest piece of cliché-ridden muck to come along in awhile, laden with plot holes, smarmy sentimentality (the offender here being a dog rescue scene near the beginning) and heroics, forced we-are-all-brothers morals, and implausibilities. Yes, this film is rooted far from reality, but it should make a little sense along the way.
Working at the OEM must be the cushiest job in the world, for all the employees do throughout the picture is holler at each other and stare blankly at computer monitors. (And why do they continuously show news broadcasts on their big screen? Is that where their disaster briefings come from?) Mike's sullen daughter (Gaby Hoffmann, in a thankless role in the tradition of "True Lies" and "Face/Off"), due to her own incompetence, is suddenly thrust into peril and is thus separated from her father, a subplot that helps build up what turns out to be one great big joke of an ending. Describing it here can't do it justice. (After being taken to the hospital in Dr. Calder's Land Rover to receive treatment for a second-degree burn on her right leg, she is seen some time later with a bloody scab on her left cheek as she talks to Mike on the phone. And you thought your HMO was rough.) Plus, I seriously doubt that someone who jumps right into a pool of hot lava would slowly melt like a snowman in Miami while he screams and tosses the body of a man nearly twice his size to safety from a burning subway train. Then there's the wonderful family-oriented scene of two firemen burned alive in their overturned truck.
And, lest we forget that "Volcano" takes place in L.A., there's the obligatory racist-cop episode in which a black man asking the fire chief to help his neighborhood is suddenly handcuffed out of nowhere by an officer for "harassing" him, a tacky scene complete with (groan) references to Rodney King and Mark Fuhrman. (The whole time he's cuffed, the black man makes carefree wisecracks to the officers all while his 'hood is burning to cinders.) But, of course, everything's eventually resolved. "You're a good man," the other cop praises his partner after the latter grudgingly dispatches fire trucks to the black man's neighborhood, as if he has performed some immense display of generosity.
In another lovely homage to L.A., there's also a looting scene, where extras run incredibly slow while carrying empty boxes.
And what in the world was with the constant barrage of news reporters? Did we really need someone reporting "The house behind me has just exploded into flames...all hell is breaking loose!" while people were running for their lives all around her? As the volcano explodes out of the La Brea Tar Pits and lava is running onto the street, it's from a reporter describing this sight from where we hear one of the worst lines in the film: "It's as if the tar had caught fire, melted and somehow expanded." Hey, McFly, if tar is already a liquid to begin with, then how in the world can it melt?
When an army of helicopters drops gallons of water on the lava blocked off on Wilshire, the reporters and camera crews, who are camped right up against the concrete barriers, manage to stay conveniently dry the entire time.
Despite a high body count, scores of injured civilians and billions of dollars in damages, everybody's smiling as soon as a rainfall ensues, like those 7up commercials circa 1986. ("Feels so good comin' down!" Remember that?) Lots of questions are left unanswered: How will they clean up and repair everything? Will a future eruption occur soon? Will the Cubs win the World Series?
Yet for all its pretentiousness and gaping flaws, I have to admit that "Volcano" was entertaining. It's a load of escapist camp that doesn't have a care in the world. And I do have to give credit where it's due; somehow the filmmakers managed to keep slow-moving lava exciting for 104 minutes.
Plus, you can't help but get a kick out of a disaster film that includes the line "This city's finally paying for its arrogance," and finds the time to include a Bible quotation. 7/10
"Volcano" is admittedly well-cast and acted, despite a dreadful script and a plot whose summary could fit on a matchbook. Tommy Lee Jones, who would give 110% making a McDonald's commercial, stars as Mike Roark, the hard-boiled head of the Office of Emergency Management, where he is assisted by his sidekick Emmit (Don Cheadle). After initially pooh-poohing the thought of a volcano in L.A. from geologist Amy Barnes (Anne Heche, who constantly ends her lines with a four-letter word like a period after a sentence), it's only a matter of time before he is proved wrong before his very eyes. Other solid performances come from Jacqueline Kim (Dr. Calder), John Carroll Lynch (Stan, the oft-maligned subway boss), and Keith David, a great actor who is otherwise wasted here in a role as a police lieutenant who has no impact on any events in the film, which is halfway over before he even appears on screen for the first time.
However, there's the small problem of having something resembling a good story to go with the awesome visuals, which are indeed spectacular. But forget the volcano; Jerome Armstrong's script poses the greatest threat to the characters. To put it mildly, it's the biggest piece of cliché-ridden muck to come along in awhile, laden with plot holes, smarmy sentimentality (the offender here being a dog rescue scene near the beginning) and heroics, forced we-are-all-brothers morals, and implausibilities. Yes, this film is rooted far from reality, but it should make a little sense along the way.
Working at the OEM must be the cushiest job in the world, for all the employees do throughout the picture is holler at each other and stare blankly at computer monitors. (And why do they continuously show news broadcasts on their big screen? Is that where their disaster briefings come from?) Mike's sullen daughter (Gaby Hoffmann, in a thankless role in the tradition of "True Lies" and "Face/Off"), due to her own incompetence, is suddenly thrust into peril and is thus separated from her father, a subplot that helps build up what turns out to be one great big joke of an ending. Describing it here can't do it justice. (After being taken to the hospital in Dr. Calder's Land Rover to receive treatment for a second-degree burn on her right leg, she is seen some time later with a bloody scab on her left cheek as she talks to Mike on the phone. And you thought your HMO was rough.) Plus, I seriously doubt that someone who jumps right into a pool of hot lava would slowly melt like a snowman in Miami while he screams and tosses the body of a man nearly twice his size to safety from a burning subway train. Then there's the wonderful family-oriented scene of two firemen burned alive in their overturned truck.
And, lest we forget that "Volcano" takes place in L.A., there's the obligatory racist-cop episode in which a black man asking the fire chief to help his neighborhood is suddenly handcuffed out of nowhere by an officer for "harassing" him, a tacky scene complete with (groan) references to Rodney King and Mark Fuhrman. (The whole time he's cuffed, the black man makes carefree wisecracks to the officers all while his 'hood is burning to cinders.) But, of course, everything's eventually resolved. "You're a good man," the other cop praises his partner after the latter grudgingly dispatches fire trucks to the black man's neighborhood, as if he has performed some immense display of generosity.
In another lovely homage to L.A., there's also a looting scene, where extras run incredibly slow while carrying empty boxes.
And what in the world was with the constant barrage of news reporters? Did we really need someone reporting "The house behind me has just exploded into flames...all hell is breaking loose!" while people were running for their lives all around her? As the volcano explodes out of the La Brea Tar Pits and lava is running onto the street, it's from a reporter describing this sight from where we hear one of the worst lines in the film: "It's as if the tar had caught fire, melted and somehow expanded." Hey, McFly, if tar is already a liquid to begin with, then how in the world can it melt?
When an army of helicopters drops gallons of water on the lava blocked off on Wilshire, the reporters and camera crews, who are camped right up against the concrete barriers, manage to stay conveniently dry the entire time.
Despite a high body count, scores of injured civilians and billions of dollars in damages, everybody's smiling as soon as a rainfall ensues, like those 7up commercials circa 1986. ("Feels so good comin' down!" Remember that?) Lots of questions are left unanswered: How will they clean up and repair everything? Will a future eruption occur soon? Will the Cubs win the World Series?
Yet for all its pretentiousness and gaping flaws, I have to admit that "Volcano" was entertaining. It's a load of escapist camp that doesn't have a care in the world. And I do have to give credit where it's due; somehow the filmmakers managed to keep slow-moving lava exciting for 104 minutes.
Plus, you can't help but get a kick out of a disaster film that includes the line "This city's finally paying for its arrogance," and finds the time to include a Bible quotation. 7/10
Almost certainly not scientifically accurate (!!!!), "Volcano" is nonetheless a fantastic example of a mid-90's disaster movie, right down to Tommy Lee Jones' Mike Roark being one of those outsiders who predicts coming disaster quite accurately. But he never says "I told you so!", he just gets on and saves the world.
TLJ (who is equally as good at playing heroes as he is villains, if you ask me) is well supported by Anne Heche and Don Cheadle, amongst others.
Of course, the special effects are what we watch these movies for, and they don't disappoint - there are some really spectacular visuals. Seeing Los Angeles as the epicentre of a volcano is pretty cool. (Side note: Hollywood has really given that city a battering over the years!)
Uncomplicated, entertaining stuff - fun!
TLJ (who is equally as good at playing heroes as he is villains, if you ask me) is well supported by Anne Heche and Don Cheadle, amongst others.
Of course, the special effects are what we watch these movies for, and they don't disappoint - there are some really spectacular visuals. Seeing Los Angeles as the epicentre of a volcano is pretty cool. (Side note: Hollywood has really given that city a battering over the years!)
Uncomplicated, entertaining stuff - fun!
I loved the 90's resurgence of the Disaster movie that was cemented as a Genre back in the 1970's but like a Volcano that genre laid dormant for a long time until the 90's exploded with huge, big budget Disaster films with the likes of VOLCANO, DANTE'S PEAK, TWISTER, INDEPENDENCE DAY, DEEP IMPACT, ARMAGEDDON, DAYLIGHT & even JURASSIC PARK could be considered a Disaster movie!!! There's probably more that i haven't mentioned but those were the "Big Ones" & i consider Dante's Peak & Volcano the very best of the bunch.
I've always been a big Tommy Lee Jones fan after The Fugitive & Men In Black & U.S Marshalls, Batman Forever, Under Seige, among others as the 90's were his glory days as a star & here he gets his own big budget summertime Blockbuster with his name written big above the title on the poster, this is his film & he's the main star lead of the whole damn thing & he's excellent as our rugged hero lead as he runs about Los Angeles trying to rescue everyone & save the city from a big erupted Volcano spilling out a river of scorching hot lava, Tommy is great & i love his voice & his smart authoritative manner & he puts it all to good use here. There's a nice ensemble cast to round out the supporting characters with Anne Heche, Gaby Hoffman, Don Cheadle & Keith David.
I totally love the Thrilling & exciting music score by the legendary ALAN SILVESTRI (Predator 1&2, Judgment Night, Death Becomes Her, Back to the Future & so many more) & the look of the sticky hot summertime LA is captured beautifully on screen & i loved the opening of the movie just showing LA in the morning with everyone going about their day as usual & busyness of it all with not knowing what's growing under the famous city, it's just an exciting & lovely 90's opening especially with the music.
The special effects still hold up beautifully & the production design is perfect for a Disaster movie & the most important thing for this big budget popcorn movie is it's simply FUN & full of entertainment.
As the City of Angeles starts to crumble & the lava flows through the streets we follow Tommy Lee Jones on his mission to save it all if he can & it's a thrilling & fun experience, i love 90's movies.
My favourite Tommy Lee Jones "Vehicle" movie
Le saviez-vous
- AnecdotesThe lava was primarily made of methylcellulose, the thickening agent used in fast-food milkshakes.
- Gaffes(at around 27 mins) During the first big tremor, the city has a blackout, and goes completely dark. Car headlights, which are not attached to the power grid, should still be visible.
- Citations
Amy: Sometimes magma can find one of those fissures and rise up through it.
Roark: What's magma?
Rachel: Lava.
Roark: Lava? Right here in L.A?
Amy: It is one of the possibilities.
Roark: We have a history of that here in the downtown area?
Rachel: Paricutin... 1943, a Mexican farmer sees smoke coming out of the middle of his cornfield. A week later there's a volcano a thousand feet high. There's no history of anything until it happens. Then there is.
- Versions alternativesTo attract more viewers the German theatrical version was cut to receive a "Not under 12" rating. The German video release contains the complete version and is rated "Not under 16".
- Bandes originalesI Love L.A.
Written and Performed by Randy Newman
Courtesy of Warner Bros. Records Inc.
By Arrangement with Warner Special Products
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is Volcano?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Thảm Họa Núi Lửa
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 90 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 49 323 468 $US
- Week-end de sortie aux États-Unis et au Canada
- 14 581 740 $US
- 27 avr. 1997
- Montant brut mondial
- 122 823 468 $US
- Durée1 heure 44 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant