Piège dans l'espace

Velocity Trap is one of those movies that is neither terrible or great. In fact my thoughts were mixed here, meaning that there were good things and also bad things. Starting with the good things, Velocity Trap does look good. The special effects are really quite decent, the movie is well shot and the galactic settings and ship are more than convincing as well. There is some solid action, efficiently choreographed, spiritedly performed and decently shot, that ensures that Velocity Trap doesn't get tedious. The music score is memorable and atmospheric enough to not get generic and overbearing. The acting is also better than average, okay Olivier Gruner often looks as though he's in tears, but Alicia Coppola and Jorja Fox are very appealing and Ken Orlandt is surprisingly good. However, here come the debits. The cardboard stereotypes that we have for characters are not really interesting or developed enough to make you root for them, but the actors do deserve credit by all means for trying to give some credibility to them. There is some wit in the dialogue, but there are one too many times where it's all clichéd, stilted and somewhat soppy. But the biggest problem was the story, which, while not dull, suffered from having interesting ideas that were never developed sufficiently, and I'll be honest there were one too many times when I was confused in alternative to enthralled. While the action parts were great, but the thriller ones were lacking in suspense and originality. The Sci-Fi elements looked good and had some good ideas going for them, but not enough time is spent to explore them well enough. In conclusion, looks good with solid action and better than average acting, but a ridiculous story sinks it. 6/10 Bethany Cox

Although filled with special effects and sometimes advertised as a sci-fi film, "Velocity Trap" is really an action film. A "Die Hard"-clone set in space. But since I loved "Die Hard" and especially "Under Siege", I decided to buy the film and check it out. Now that I have, I'm not disappointed at all although there were a few flaws.

The hero of this film is Olivier Gruner. His most famous film is probably "Cyborg", directed by the legendary Albert Pyun, but he has been in several other films as well. My personal favorite of his films is "Automatic", a surprisingly inventive action film with great fight scenes. Gruner definitely has the right stuff to be an action hero. He has "the accent", his fight scenes are always great and he even has a sense of humor which is especially apparent in "Velocity Trap". Not only that, he even starred in a family film(!) "The White Pony" and didn't look out of place.

Now, the plot here is nothing special but I guess nobody expects or even wants it to be. This is after all an action film, not "Boys Don't Cry". However, there are some pretty interesting humorous details in a few scenes. For example, there's a scene where Olivier Gruner is dancing ballet by himself! I thought Mark Dacascos singing karaoke in "Drive" was something but I was wrong. _This_ scene is something! There are also some good bits of dialogue here and there ("Can't take a joke, Stokes?" "Actually, many people find me very funny" or something along those lines).

The director is Phillip Roth who's previous work includes "Digital Man" and "Darkdrive". Although his films usually have a pretty low budget, they have some quite good effects and that is the case in this film as well. The chase in the end of the film is surprisingly effective and there are no obvious "blue/green screen-effects". The sets also work pretty well but the music was a letdown. It lacked a good theme and the underscore wasn't that great either. This film would have benefited greatly from a futuristic and energetic synthesizer score.

Also, while this is one of the best films from Phillip Roth, it lacks one key element that I expected from it: fight scenes. There's a fair amount of gunplay, some good stunts and some pretty nice explosions but I think fans of Olivier Gruner (myself included) were expecting more fights. As it is, there's really only one fight scene in the beginning of the film and even that is quite short and unspectacular.

Anyway, this is an effective action film. It doesn't even try to re-invent the genre but it's never boring. All in all, a very good effort from Mr. Roth, but the next time, a better score and more fight scenes, please! This one gets a 7.

Oh, and by the way, the DVD includes a great commentary from Phillip Roth, special effects expert Andy Hoffman and Olivier Gruner himself. This is one of the best and most entertaining commentaries I've heard since the commentary of "Darkdrive", which also includes a commentary by these guys (except Gruner) although it isn't even listed as a feature on the DVD box cover. In case you've heard the commentary of "Velocity Trap", I can tell you that the name of the actor they couldn't remember in the beginning of the movie is Yannick Bisson (here credited as Yannock Bisson, a typo perhaps?) and his show that they refer to is, of course, "High Tide" (a great show, also starred Rick Springfield). I recommend renting the DVD just for the commentary.

Velocity Trap, is a better than avrg movie. The affects combined with the character acting, pulled off by virtual unknowns, truly carried the movie. Alicia Coppola, who played Beth Sheffield the navigator, performed an outstanding job! She was tough, funny, and believable. In watching this movie I enjoyed the association between characters more than I did the plot.

As many others have already noted, the best thing about "Velocity Trap" is the quality of the special effects. They are very impressive, and they belie the film's low budget. Other than that, the film starts out as extremely confusing and baffling (I couldn't tell what was going on during the first 20 minutes), then elevates itself to the level of "passable". Olivier Gruner is wooden, but at least he shows a sense of humor about himself. (**)

Raymond Stokes is the only cop in the colony who cannot be bought - and that costs him dearly: He is separated from his lover and placed aboard a freighter. The separation dialogue, by the way, is only bearable on Fast Forward.

Penal duty: For 9 months, the ship will travel through space, in order to bring 40 billion dollars in used notes to Earth. But - how original and innovative a plot element! - pirates arrive to try and steal the money. They have not counted on finding - you guessed it - Stokes.

Well: Actors that are at best mediocre, trying hard to produce dialogue that will lend credibility to plot holes the size of a galaxy. Some of it's fun though - the occasional action sequence and ship effects aren't half bad.