Urban Ghost Story

I caught Urban Ghost Story on t.v. recently and I have to say I was very impressed. I was familiar with the film makers through their authorship of the Guerilla Film Makers Handbook but, to be honest, after reading about their first two features 'The Runner' and 'White Angel' (neither of which I have seen) I wasn't expecting great things from Urban Ghost Story.

It turned out however to be a very effective piece of film making which works just as well as social realism as it does as a genre film. The central performance, given by a young non-actor, possesses a raw, natural quality which helps to ground the film's supernatural aspects in a very well observed reality. Stephanie Buttle as the girl's mother is a real find as well, having to work hard against her natural beauty to make her portrayal of a dirt poor single mother convincing. Less impressive are the star turns. Billy Boyd is an ineffectual, stuttering gangster and Jason Connery (a questionable piece of stunt casting) does little with his role as a shady tabloid journalist. The film works hard though to create a believable locale, a Glasgow tower block, and succeeds totally. The film makers have clearly taken the Robert Wise 'Haunting' approach to depicting the ghostly activity and for the most part it works. These scenes could have done with being a little scarier perhaps but a bizarre seance scene does unnerve. Most impressive of all though is the fact that Urban Ghost Story was made for a reported £250,000. For that money they have created an atmospheric film which feels cinematic, complete with a jaw dropping explosion and stunt work. If only more British low budget film making was this adventurous. I am surprised to see that the director has not made a film in the six years since release whereas Merchant Ivory (whose films have gone largely unwatched since Remains of the Day) get money thrown at them. I only wish that more film makers like Ms Joliffe would emerge to shake up the British film industry.

Finding any work with Billy Boyd here in the US is tough so finding something where Billy is credited as 'loan shark' told me he wouldn't be in it much - and he was only in two scenes. However, the story itself was absorbing, though slow or repetitive in a couple of places. There was a good amount of tension building to keep me interested. While I am not familiar with who's who in the Scottish acting world, I thought there were strong performances by Heather Ann Foster, Stephanie Buttle and Nicola Stapleton, as well as a fair turn for Jason Connery. I was quite astonished by Billy's foul mouthed character - a loan shark that has a stutter that comes out when he particularly angry. I thought he played the part well. He certainly startled me with his performance - so much anger.

Generally, I don't go in for these kind of movies and it was curiosity of Billy's previous work that got my attention. But it was the story that kept me watching.

Film-making duo Jones & Jolliffe deliver bleak and spooky visions in modern day Blighty with this inspired tale of the supernatural.

A winning cast plays out the story of a 12 year-old girl haunted by survivor's guilt after living through a horrific car accident that claimed her best friend. The guilty conscience coincides with subtle but decidedly ethereal events in the family's rundown, government subsidized building. Is a ghost haunting the family or is there a corporeal explanation for furniture going bump in the night?

The film looks startling realistic which heightens the goose flesh when the boo shocks come (especially in the first 25 minutes) but the film doesn't settle for scares, it also examines the real world struggles of a single mother and her brood facing down to earth skepticism of money lenders, social workers and the police. Some viewers may be put off when the film neglects ghostly activity in favor of character study, and perhaps some of the tone shifts are unwieldy, nonetheless this is one of the best (and painfully overlooked by US distributors) British genre films since DOG SOLDIERS. Bravo.

After a car accident, Lizzie lies dead on the roadside - slowly she is taken into the light - but is pulled back to earth when she is revived by the doctors.

It's a descent ghost story, nothing special. Good acting though.

When urban ghost story is mentioned stuff like Candyman etc. spring to mind so I was perplexed when I saw this little gem from Scotland recently.

The content and atmosphere of the film does not adhere to the title whatsoever. You would be expecting Snoop Dog and Dr Dre driving around in cadillacs killing vampires. But no, instead a gritty Ken Loach style drama set in lovely Glasgow! I was very impressed overall by this effort, although the spiritualist and paranormal team from the university seemed a bit over the top with the more realistic view elsewhere. Otherwise it was neatly paced with a few creepy moments and a very moving score. I would recommend this film to any film watcher and not just paranormal junkies!