NOTE IMDb
6,0/10
3,2 k
MA NOTE
Ajouter une intrigue dans votre langueA female psychologist wants to understand the minds of a confessed serial killer who spent the last five years in a mental hospital because of his state.A female psychologist wants to understand the minds of a confessed serial killer who spent the last five years in a mental hospital because of his state.A female psychologist wants to understand the minds of a confessed serial killer who spent the last five years in a mental hospital because of his state.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 7 victoires et 7 nominations au total
Avis à la une
I wanted to see The Ugly when it was released in cinemas, but I didn't actually get a chance to watch it until I rented it a few years later. Now I regret not seeing it in the cinemas when I had the chance - this movie would have been awesome on the big screen!!
Simon Cartwright, a convicted serial killer, is a patient at a local mental institution under the care of two abusive orderlies and the sadistic Dr. Marlowe. Simon requests outsider Dr. Karen Shoemaker to re-evaluate his mental state, and through a series of interviews she learns more about his past and about his crimes. The use of disjointed and out of order flashbacks tease us with glimpses into Simon's past, and as the movie progresses, we see Karen being drawn further and further into Simon's fantasy world. As she begins to be affected mentally, so too are the viewers.
There's been a lot of criticism over this movie, mostly claims that the characters weren't believable enough or that the SFX were bad. To really appreciate this film you have to pull your mind away from what's conventional and try to see what the director is trying to do. Scott Reynolds isn't trying to follow some set 'horror movie' pattern or copy a particular movie genre. In the movie, "The Ugly" is a monster inside Simon's head, and that's what Reynolds is trying to do- get inside our heads, disturb us and shake us up a bit. This is done through the creepy atmosphere of red and blue colour themes, and the black blood adds to the surreal mood of the movie. Some of the characters are a bit unbelievable but this adds a 'Twin Peaks' feel to the film. And as for the ending, some things are better left unexplained, people!!
This movie is very violent and creepy, and guaranteed to keep you on the edge of your seat. If you like it, tell all your friends about it! I give it a 8.5/10
Simon Cartwright, a convicted serial killer, is a patient at a local mental institution under the care of two abusive orderlies and the sadistic Dr. Marlowe. Simon requests outsider Dr. Karen Shoemaker to re-evaluate his mental state, and through a series of interviews she learns more about his past and about his crimes. The use of disjointed and out of order flashbacks tease us with glimpses into Simon's past, and as the movie progresses, we see Karen being drawn further and further into Simon's fantasy world. As she begins to be affected mentally, so too are the viewers.
There's been a lot of criticism over this movie, mostly claims that the characters weren't believable enough or that the SFX were bad. To really appreciate this film you have to pull your mind away from what's conventional and try to see what the director is trying to do. Scott Reynolds isn't trying to follow some set 'horror movie' pattern or copy a particular movie genre. In the movie, "The Ugly" is a monster inside Simon's head, and that's what Reynolds is trying to do- get inside our heads, disturb us and shake us up a bit. This is done through the creepy atmosphere of red and blue colour themes, and the black blood adds to the surreal mood of the movie. Some of the characters are a bit unbelievable but this adds a 'Twin Peaks' feel to the film. And as for the ending, some things are better left unexplained, people!!
This movie is very violent and creepy, and guaranteed to keep you on the edge of your seat. If you like it, tell all your friends about it! I give it a 8.5/10
The Ugly is a pretty good movie up until the unbelievable and unremarkable ending. While the story isn't very original, the director is obviously a fan of Norman Bates, it does hold the viewers interest and one is drawn into the story and looks forward to what will happen next. I do however have a complaint about the film. The ending is stupid and as mentioned above, unbelievable. One previous reviewer stated in their review that "some things are better left unexplained". It is my feeling that endings like the one in The Ugly are the result of a writer/director who doesn't know how to end their movie interestingly. It's not clever scripting but bad writing. Overall The Ugly is an okay horror movie. It does have a fair bit of suspense and a couple of good shocks but nothing too noteworthy. Prior to the ending The Ugly rated an 8 but as a whole rates a 5 out of 10.
New Zealand is not a country that instantly springs to mind when one is asked the question of "which countries make good films", and that's for good reason; as they haven't made all that much. One film they have made, however, is this one; The Ugly. And it's not bad at all. While never brilliant, and certainly not matching the claim on the DVD box (on par with Seven and Silence of the Lambs, this is not), The Ugly still represents a minor success within the overpopulated psychological thriller sub-genre. Getting this sort of movie right is difficult because the auteur needs to find just the right balance between scares and intrigue, all the while ensuring that it remains believable. While Scott Reynolds hasn't managed to pull this off to a massively high standard; he's done well in capturing the essence that the film needs, so kudos to him for that. The story follows a psychiatrist that is brought in to analyse Simon Cartwright; a notorious and extremely mental serial killer. However, as she gets deeper into his mind, she finds it increasingly harder to escape...
One thing I love about productions made in countries that don't mass-produce movies is the way that the local accents and dialect always find their way into the movie. The Ugly features lots of thick Australian accents, and it's nice to see in my opinion, as it firmly establishes the movie in it's home country. The film is at it's eerie best when our 'hero' is telling of his crimes and why he committed them. Just like he does with the psychiatrist, Simon Cartwright draws us into his world and it's a fascinating ride to be on. However, this asset is also the film's downfall as the action is never fantastically intriguing, and the plot tends to wander off at times which doesn't allow the viewer to stay in tune with the movie, thereby hindering it somewhat. However, the foreboding atmosphere and interesting array of characters ensure that the film never comes to a complete halt and it's short running time makes sure that the film is efficient and doesn't waste time on needless elements. I certainly recommend this movie, just as you long as you know that it's no Silence of the Lambs.
One thing I love about productions made in countries that don't mass-produce movies is the way that the local accents and dialect always find their way into the movie. The Ugly features lots of thick Australian accents, and it's nice to see in my opinion, as it firmly establishes the movie in it's home country. The film is at it's eerie best when our 'hero' is telling of his crimes and why he committed them. Just like he does with the psychiatrist, Simon Cartwright draws us into his world and it's a fascinating ride to be on. However, this asset is also the film's downfall as the action is never fantastically intriguing, and the plot tends to wander off at times which doesn't allow the viewer to stay in tune with the movie, thereby hindering it somewhat. However, the foreboding atmosphere and interesting array of characters ensure that the film never comes to a complete halt and it's short running time makes sure that the film is efficient and doesn't waste time on needless elements. I certainly recommend this movie, just as you long as you know that it's no Silence of the Lambs.
Sort of what you'd get if you took SILENCE OF THE LAMBS and cross-bred it with Neil Jordan's IN DREAMS. Going for a Lynchian feel, director Reynolds owes more to the spookily dreamlike imagery evoked by the writings of Ramsey Campbell. Images make you queasy, disturb and profoundly frighten you, yet you can't seem to quite tear yourself away from them, as if you're having a nightmare with your eyes wide open.
As singled out in other reviews here, Paolo Rotundo manages to temper the character of Simon with a sense of humanity, something you'd never dream of associating with a serial killer. This hearkens back to earlier little diamonds-in-the-rough from Down Under, like Richard Franklin's ROAD GAMES, David Blyth's DEATH WARMED UP or the more fantasy-oriented films of Peter Weir like THE LAST WAVE or PICNIC AT HANGING ROCK.
Like SE7EN before it, it disturbs and disorients you on some pretty deep levels, then gut-punches you with a shockingly unexpected ending, which may not make it something you want to see over and over again. But for fans of this particular genre, it's definitely worth a look.
As singled out in other reviews here, Paolo Rotundo manages to temper the character of Simon with a sense of humanity, something you'd never dream of associating with a serial killer. This hearkens back to earlier little diamonds-in-the-rough from Down Under, like Richard Franklin's ROAD GAMES, David Blyth's DEATH WARMED UP or the more fantasy-oriented films of Peter Weir like THE LAST WAVE or PICNIC AT HANGING ROCK.
Like SE7EN before it, it disturbs and disorients you on some pretty deep levels, then gut-punches you with a shockingly unexpected ending, which may not make it something you want to see over and over again. But for fans of this particular genre, it's definitely worth a look.
The successful psychologist Dr. Karen Schumaker (Rebecca Hobbs) comes to a mental institution directed by Dr. Marlowe (Roy Ward) to evaluate the dyslexic serial-killer Simon "The Ugly" Cartwright (Paolo Rotondo). Simon discloses the sad story of his life, bullied at school and abused by his mother Evelyn Cartwright (Jennifer Ward-Lealand). His only friend Julie was separated from him by his mother when he was a teenager. Simon claims that he hears voices that force him to kill. When Dr. Schumaker earns his trust, she discovers what is going inside Simon's head.
"The Ugly" is an original film with a different combination of drama, thriller and horror. The two nurses are nasty and the plot keeps the attention of the viewer until the very last scene. Unfortunately the conclusion is disappointing and gives the sensation that something is missing to be a great film. My vote is six.
Title (Brazil): "The Ugly- O Maníaco" ("The Ugly – The Maniac")
"The Ugly" is an original film with a different combination of drama, thriller and horror. The two nurses are nasty and the plot keeps the attention of the viewer until the very last scene. Unfortunately the conclusion is disappointing and gives the sensation that something is missing to be a great film. My vote is six.
Title (Brazil): "The Ugly- O Maníaco" ("The Ugly – The Maniac")
Le saviez-vous
- AnecdotesDirector Scott Reynolds changes things up by making all of the blood in the movie a dark, black color. Author John Kenneth Muir writes in his book, Horror Films of the 1990s, about how this visual cue may suggest that Simon never saw his victims as being human, making it easier for him to kill.
- Citations
Simon Cartwright: Haven't you been listening?
Dr. Karen Shoemaker: Refresh my memory.
Simon Cartwright: People pick on me.
Dr. Karen Shoemaker: People pick on me. I don't slice them ear to ear.
Simon Cartwright: Maybe you should.
- Versions alternativesAvailable in both R and unrated versions.
- ConnexionsFeatured in Boogeymen: The Killer Compilation (2001)
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is The Ugly?Alimenté par Alexa
Détails
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant