Tango

My, what a delight for the senses. TANGO has it all: imagination, consonance, balance, choreographical beauty, cinematic creativity, and...the Tango. The dance is beautiful. The music complements the visual magnificence of the film. Although the MATRIX crowd will find it less than stimulating, those with a more artistic appreciation for the nature of things will find it quite beautiful.

If you like dancing in general,this film is for you. Carlos Saura tries to present the art of filming with all the necessary procedure in a tango atmosphere. Argentinian nostalgia in a plot where Mario,the director(after being left by Laura)will fall in love with the first in-line ballerina,Elena who is pursued by a rich gangster. The rest of the movie is a set of lessons on tango with all the fast changes in pace,watching the feet in a complicated backup of the relevant music.Symbolism takes precedence in this movie by the insertion of inanimate objects like the camera or the rehearsal chairs.A hymn to cinema,dance and their relation to life.

In Buenos Aires, the director Mario Suarez (Miguel Ángel Solá) is developing and rehearsing a tango play with historical events as background. Mario misses his mate Laura Fuentes (Cecilia Narova), who has recently left him, and is recovering from a car crash with an injured leg. When the major investor Angelo Larroca (Juan Luis Galiardo) asks for an audition for his lover Elena Flores (Mía Maestro), she succeeds and participates in the play; however, Mario falls in love for her and Elena fears the dangerous Angelo.

I saw "Tango" for the first time on 01 January 2001; I have just watched it again and I still believe it is one of the most wonderful tributes to the tango. Carlos Saura uses the concept that history is indestructible and recalls the dark years of military dictatorship in Argentina after the amnesty entwined with a passionate love of a middle-aged man for a young woman to build the plot, supported by stunning cast, choreography, music score and lighting. However, the conclusion is confused and disappointing, and I really do not understand the relationship of Angelo and Mario acting like pals in the last scene. Cecilia Narova and Mía Maestro are extremely beautiful and fantastic dancers, and I do not get tired of seeing them dancing tango. My vote is seven.

Title (Brazil): "Tango"

I absolutely love this film. I am not a huge fan of dance movies or musicals, but this creation is superb. The music, the dancing, and of course, the women are all beautiful.

Saura melds fiction & reality with all the skill he has shown in previous films, & Storaro's cinematography is, as usual, stunning. I purchased a DVD copy as soon as it became available & I have found the extras & the commentaries to be both informative & entertaining.

For anyone who loves; beautiful filming making, passionate dancing or erotic women, this film will fill all those needs. Buenos Aires, here I come!

This is a stunning film. The score is dynamic--beautifully written and magnificently performed, with a shockingly wonderful presence in its new DVD incarnation. The color is gorgeous, bright, subdued, subtle, stunning--broad of range and magnificent. The dancing is incredible!

Add to this the magnificent variety of tango, and you have an undeniable winner!

And this in spite of the fact that the plot is rather slight, relieved finally and solely because of a rather Pirandelloesque twist at the end.