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SUBWAYStories: Tales from the Underground

  • Téléfilm
  • 1997
  • TV-MA
  • 1h 20min
NOTE IMDb
6,4/10
1,5 k
MA NOTE
SUBWAYStories: Tales from the Underground (1997)
Dark ComedyDrama

Ajouter une intrigue dans votre langueThe actual experiences of New York City subway riders are dramatized in a collection of 10 intriguing and very different vignettes. The tales showcase an ensemble of familiar faces, and rang... Tout lireThe actual experiences of New York City subway riders are dramatized in a collection of 10 intriguing and very different vignettes. The tales showcase an ensemble of familiar faces, and range from stories of compassion and love to reflections on violence and loss. Among them: a d... Tout lireThe actual experiences of New York City subway riders are dramatized in a collection of 10 intriguing and very different vignettes. The tales showcase an ensemble of familiar faces, and range from stories of compassion and love to reflections on violence and loss. Among them: a disabled beggar quarrels with a woman and ruins her shoes with his wheelchair, provoking on... Tout lire

  • Réalisation
    • Bob Balaban
    • Patricia Benoit
    • Julie Dash
  • Scénario
    • Adam Brooks
    • John Guare
    • Lynn Grossman
  • Casting principal
    • Bill Irwin
    • KRS-One
    • Tina North
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,4/10
    1,5 k
    MA NOTE
    • Réalisation
      • Bob Balaban
      • Patricia Benoit
      • Julie Dash
    • Scénario
      • Adam Brooks
      • John Guare
      • Lynn Grossman
    • Casting principal
      • Bill Irwin
      • KRS-One
      • Tina North
    • 18avis d'utilisateurs
    • 6avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 victoires au total

    Photos3

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche

    Rôles principaux78

    Modifier
    Bill Irwin
    Bill Irwin
    • Bill Irwin (segment "Subway Car from Hell")
    KRS-One
    KRS-One
    • Vendor (segment "Subway Car from Hell")
    • (as Kris Parker 'KRS-One')
    Tina North
    • Grandmother (segment "Subway Car from Hell")
    Paul Lazar
    Paul Lazar
    • Mr. Nervous (segment "Subway Car from Hell")
    Andre B. Blake
    Andre B. Blake
    • Knish Buyer (segment "Subway Car from Hell")
    Anthony S. Calypso
    • Knish Buyer (segment "Subway Car from Hell")
    Robert W. Castle
    Robert W. Castle
    • Knish Buyer (segment "Subway Car from Hell")
    Marlon Cherry
    • Musician (segment "Subway Car from Hell")
    Carl J. Ferrazza
    • Hot Dog Buyer (segment "Subway Car from Hell")
    Daniel Freedman
    • Strange Man (segment "Subway Car from Hell")
    Marc Mueller
    • Musician (segment "Subway Car from Hell")
    Paul Mueller
    • Musician (segment "Subway Car from Hell")
    Simon Seven
    • Musician (segment "Subway Car from Hell")
    Joe Toutebon
    Joe Toutebon
    • Knish Buyer (segment "Subway Car from Hell")
    • (as Joseph Toutebon)
    Daniel Wolff
    • Knish Buyer (segment "Subway Car from Hell")
    Mari Danzi
    • Girl Dancing (segment "Subway Car from Hell")
    Lara McFarlane
    • Girl Dancing (segment "Subway Car from Hell")
    Angie Utt
    • Distinguished Rider (segment "Subway Car from Hell")
    • Réalisation
      • Bob Balaban
      • Patricia Benoit
      • Julie Dash
    • Scénario
      • Adam Brooks
      • John Guare
      • Lynn Grossman
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs18

    6,41.5K
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    Avis à la une

    paul2001sw-1

    Trains to nowhere

    The New York Subway is not just a transit network: it's also a place where all sides of that city's racial divide come together, albeit not necessarily in harmony. Even I have a collection of several Subway stories, and I was only in New York for 4 days. So the idea of making a film based on the true experiences of Subway users might not appear bad. But a collection of separate short films (each by a different director) always runs the risk of going nowhere, of offering underdeveloped plots and scenes that are meaningless without context: most of these stories end undramatically when someone simply gets off the train, and feel no more exciting or complete than the tales that I sometimes bore my friends with. Unsurprisingly, perhaps, my favourite segment is 'The 5:24', which develops a proper narrative despite fitting the overall pattern of chance encounters on brief journeys. Overall, however, 'SUBWAY stories' mainly reflects its subject matter: diverse, functional, but not exactly a place you'd choose to be without a very good reason.
    7Stijn

    Only in New York!

    I really loved these weird stories about the New York City subway, especially the one with the boy and the older woman, and the one with Dennis Leary. That's what I want to say about it. It's underground, it's a different world...go and rent it
    8EThompsonUMD

    A little bit of unforgettable urban poetry.

    Like the few other viewers of "Subway Stories: Tales from the Underground" who bothered to comment on this wonderful HBO "indie" film, I came upon it by chance (well, channel-surfing to tell the truth) and immediately became enthralled. A series of shorts held together by the NYC subway setting (obviously), by a wonderful framing device that brings the work to a highly satisfying and affirmative conclusion, and by a shared sense of found life, the effect of the whole is even greater than the individual parts although some of those were unforgettable.

    Each of the stories were, like life, completely unpredictable and most were left open-ended: Was the stock-tipster (Jerry Stiller) a con-man or an unacknowledged financial genius? Was the beggar (Dennis Leary) a bitter Vietnam Vet or the cynical system-beater he was accused of being by the Lady in the Red Shoes (Christine Lahti)? Would the pregnant woman (Anne Heche) jump into the oncoming subway and would the calloused New Yorker with the headphones (Gregory Hines)notice, care, try to stop her? I could never guess any of the resolutions or stop wondering about their significance.

    The structure of "Subway Stories" is somewhat analogous to the loosely connected short stories in Joyce's collection, "Dubliners." Each segment is a little slice of life that builds not to a rousing climax, but to an understated epiphany in which either we, a character, or both share a moment of truthful revelation. Although not all the stories are equally developed or intriguing, the whole production is characterized by first rate ensemble acting and direction. There's some great music too.
    8id247

    Subway Stories is worthy of your time!

    I love short story films, especially when, of one particular theme, they are connected to satisfy a feature length running time.

    Like taking any subway/underground/metro train, with Subway Stories, if you don't like one particular story, wait a few minutes and a better one will come along.

    Of course everyone will have their particular favourites, but for me

    Fern's Heart of Darkness, Sax Cantor Riff, Manhattan Miracle, Love on the A Train, and Underground were simply original and wonderful.

    I'm English and lived in London for four years so these types of stories are not exclusive to New York.

    Where there are people, there are possibilities.
    tizzi22

    Great stories, amazing singer

    I liked all the stories. Fern's Heart of Darkness was a nice little turn on a rich white woman when she was faced with being...well, I won't ruin it. Each story was a wonderful look at life and its tragedies, celebrations, and hopes. The one that got to me the most was Taryl Hicks singing to her dying mother. That not only sent a tear to my eye, but sent chills down my spine with the power and emotion displayed in her voice. There are rarely any singers that I would call even special in their talents, but this absolutely is the one I remember. Every time I see her portion in the vignettes it still sends chills down my spine and a tear to my eye.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      HBO held a contest asking New Yorkers to submit interesting true stories that happened on the subways. The winning stories were then adapted for the film.
    • Gaffes
      Narration at the start of the segment "Love on the A Train" identifies the man's daily starting point as Hoyt-Schermerhorn station. But on the day of the "first fight", it stops at Hoyt-Schermerhorn after he's on board.
    • Citations

      Old Man (segment "The 5:24"): As the hooker once said, "If they pay you for it, it's not love."

    • Crédits fous
      The camera pans around and breaks the fourth wall by showing the crew during the closing credits.
    • Connexions
      Featured in Venice Report (1997)

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    Détails

    Modifier
    • Date de sortie
      • 17 août 1997 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Subway Stories
    • Lieux de tournage
      • Ville de New York, New York, États-Unis(Subways)
    • Sociétés de production
      • Clinica Estetico
      • HBO NYC Productions
      • Ten in a Car Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 20 minutes
    • Couleur
      • Color
    • Mixage
      • Stereo
    • Rapport de forme
      • 1.33 : 1

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    SUBWAYStories: Tales from the Underground (1997)
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    By what name was SUBWAYStories: Tales from the Underground (1997) officially released in Canada in English?
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