Stiff Upper Lips

This film kept me laughing all the way. Prunella Scales alone cracked me up totally! The Bonham-Carter parody was indeed weak. That was a pity, since she is the crown princess of Merchant-Ivory Land. Samuel West was brilliant at mocking the characters he DIDN'T play in the real Merchant-Ivory pieces. His fan scene with friend was fabulous. Ustinov didn't try very hard, as usual in his later career. But, as a Merchant-Ivory junky, I have to say that I was delighted at the opportunity to laugh at myself for being such a sucker for their formula. If you watch this film, you must be prepared to lighten up, or else it will be wasted on you.

This is a hilarious film designed to appeal to Anglophiles, particularly those who enjoyed Fawlty Towers and Monty Python. It is a takeoff on all those wearisome and often thought-provoking Masterpiece Theater films many of us know well. Only the British themselves could have made such glorious fun of this genre. I would give this the highest rating possible.

For anyone who has seen Howards End, Enchanted April, A Passage to India, Carrington, and especially A Room with a View, this is a side-splitter. Though aiming mostly at Merchant-Ivory films, this piece takes on that entire category of films centered on the lives and loves of stuffy late-Victorian and Edwardian Brits of the upper class. Some of the gags are film specific like Edward opening his window in Rome to find a brick wall or character names like Reverend Dweeb. Others, like Emily's panicked flight through a hedge maze the size of closet are broader. I found the entire cast, especially Prunella Scales as Aunt Agnes, to be spot-on perfect. It helps that Scales and West (as Edward) were actually featured in Howards End. Peter Ustinov is also grand as batty Horace. Whether you love or hate this kind of movie, Stiff Upper Lips is a kick.

I have always admired the way Merchant/Ivory films have had at their core a sort of droll humour that has come through and made me smile. This movie has taken every little bit that had made me crack a smile during the "serious" Merchant/Ivory productions and made me smile and laugh so much my cheeks hurt by the end of the movie. There are so many sight gags that I couldn't keep track of them all, and the ones I did see were enough for me to recommend this movie. Here's a little hint, just before George rescues Emily from drowning, take a look at what he's carving, maybe that's why he was little too eager to divest himself of his clothes. Don't get me wrong, I loved Howards End and Room with a view, but I also loved The Naked Gun and Airplane as well, this is the perfect hybrid of the two genres. The acting isn't in the least bit Hammy, the actors play it straight the whole way through, which is what makes this so funny, Samuel West probably being the best thing about this movie. His brainless upperclass twit played to perfection makes this a good movie for Masterpiece theatre watchers with a sense of humour.

I saw this film twice in the first week it came out. This was just as well, as it closed after a week, as nobody else saw it apart from me and a friend. I think that, apart from its DVD availability, it is just about unseen. This is what I would call 'a pity'.

Stiff Upper Lips has, especially in the first half, so many spot on gags that it becomes almost abstract. Death in Venice? Yes. Chariots of Fire? Yes. Maurice? Yes. Every Merchant Ivory film? You bet. And all these jokes are funny. Imagine Airplane, remade in Britain, with better jokes.

And the performances are spot on as well. Peter Ustinov is amusing as a slave trading plantation owner, Georgina Cates is fun as the 'heroine', who spends most of the film whinging, but the honours go to Robert Portal and Samuel West, in a pair of the funniest performances of all time. Every nuance, every line is finely judged. (Is that Forster you're reading? Yes, but I only read him for the landscapes.) Buy a DVD player, get this film, and enjoy.