Starship Troopers

The truth is that this is a brilliant film that, like Verhoeven's earlier "Robocop", is an insightful satire and critique of fascism and at the same time succeeds as a sci-fi thriller. It can be enjoyed at both levels, though obviously it is much richer when the viewer comprehends the satirical and critical level as well.

It's not as if the satire is so subtle it's hard to get. If anything, it hits you over the head with it. But at the same time, it is very disciplined and consistent in not tipping its hand and giving the game away, which to me makes it much more successful and enjoyable than if the satire and social critique were blatantly broadcast. That's the strange and wonderful thing about "Starship Troopers" and "Robocop" -- one viewer might totally not get it, while to another, the critical/satirical level is totally in your face and is what the film is really all about.

I don't know if I'm describing it well, but watch it with the film-makers' commentary turned on (on the DVD version), and director Paul Verhoeven and writer Ed Neumeier lay it all out very clearly: the film is about how war makes fascists of us all. Very timely today (2004) with US imperialism wreaking havoc in Iraq & Afghanistan.

On a technical level, the film is excellent. The bug special effects are top notch and the whole bug society and hierarchy is deeply thought through, as is the future Earth society's politics and technology. The acting is excellent, and the balance between the characters' interpersonal story line, the bug war story line, and the underlying political satire and critique, is perfectly handled.

A truly exceptional film, Verhoeven's best so far, topping even "Robocop" in my opinion, and fully deserving a 10 out of 10 score, which I rarely give.

When "Starship Troopers" came out, one of my friends told me that it bore little relation to the novel on which it was based: the novel had a plot, the movie was an excuse to show naked women. But one of my mom's friends said that although the movie did lapse into a video game, it had sort of an interesting story. When we finally saw the movie a few months later, we found it fairly interesting. You see, more than simply a silly action/sci-fi flick (but make no mistake about it, those two are certainly a factor), the movie pokes fun at 1950s sci-fi flicks, what with all the "Know your enemy! Do your part!" stuff. I'm actually not surprised that Paul Verhoeven made a good movie with this one, given how well he did with "Soldier of Orange" and "Robocop".

So yes, the movie rips at militarism and jingoism (the essential elements of fascism), while also finding time to show the sorts of things that easily appeal to teenage boys: pumped up action and naked babes. Casper Van Dien, Dina Meyer, Denise Richards, Jake Busey and Michael Ironside have plenty to be proud of in this movie. Worth seeing.

This movie never fails to generate strong reactions, both positive and negative.

Much of the negative criticizes the wooden acting, soap-opera beautiful stars, and unreasonably military tactics that lead to an enormous human body count.

But that misses the whole point. The actors and plotlines are supposed to be caricatures of themselves. We are presented with a seemingly utopian society, where everyone is beautiful, the world is united under a single government, and patriotism is rampant.

The further the movie goes, the more the viewer realizes just how horrific this supposed utopia really is. Patriotism is exploited to trick young men and women into going off to a pointless war. The beautiful people are mercilessly chopped to pieces by their insectoid opponents. And the united world government uses its control of the media to brainwash the public into supporting this bloody war.

Yes, the Nazi symbolism is a little heavy-handed. But that's the whole point -- the intertwining of this "perfect" society with such a deeply evil subtext is supposed to be disturbing. What's even more disturbing is how close to our recent (American) history this movie truly is. Yes, it's a caricature, but it's a caricature of a very real and frightening phenomenon.

How different are the government propaganda ads in Starship Troopers from the "Loose Lips Sink Ships" campaign or the "10% for War Bonds" posters in 1940s U.S.? How dangerous is it to have a society where everyone looks the same, thinks the same, and acts the same, even to their own death? This is the message behind Starship Troopers, and it's a chilling one at that.

And for me, it works.

If "Starship Troopers" isn't the most epic science-fiction movie ever made, then I don't know what is! What is that you say? "2001: A Space Odyssey"? "Star Wars"? Well, perhaps, but they aren't nearly as entertaining as Paul Verhoeven's extravagant, unhinged and excessively violent dystopian saga. This film is probably the most cynical, yet simultaneously the most straight-faced parody in history. Look closely at the FedNet propaganda, the Aryan lead characters and their costumes, the careless sacrificing of the Infantry forces... This futuristic battle set in 2197 is a replay of WWII, but somehow Verhoeven succeeded in making us root for the fascist party! I honestly don't think there is much to write about "Starship Troopers", except that it's nearly perfect and brilliant from every possible angle. After the already amazing "Robocop" and "Total Recall", Verhoeven reached the ultimate in genius Sci-Fi. It's all there: the F/X, the humor, the cast, the bloodshed, the scenery, ... The only things you have to add yourself are beer and popcorn.

This movie has levels. You can appreciate the action sequences and special effects just as much as the subtle, and not so subtle, undertones. Like Orwell's Animal Farm, with Starship Troopers you need to sometimes dig a little deeper into your IQ to more completely appreciate its genius.