Sale nuit

First off, this movie was terrible. Now I have to address another issue.

People do not understand how long it takes to get a movie made. VERY BAD THINGS was released about a year after STAG. ONE YEAR. And people are saying that VBT stole the idea from STAG. WRONG!!! Peter Berg wrote VBT in his trailer during the filming of COPLAND. How could he know or care to know about the making of a lame direct-to-video movie? He wouldn't. VBT is far superior to this slow, plodding, poorly acted, poorly directed, poorly etc. movie. I can't even remember if there was a score in this movie. It doesn't matter because it was brutal. I want to know how semi-famous people like Mario Van Peebles and Ben Gazzara got roped into this trash heap of unoriginality.

1/2* (out of 10)

I thought the movie was very professionally executed, although I didn't care for all the violence. Enjoyed some of the performances, including Taylor Dayne & Lawrence Leritz as the cop....I recognized him from TV shows.

I like both of these films! They're probably a 'genre', although I don't know any other "stag party disaster" films.

I have to say, I also saw a little bit of 'Shallow Grave', especially in 'Very Bad Things' where it was necessary to dissect and dispose of all those inconvenient bodies.

Hello 'Goodfellas'.

Certainly not for everyone...but you know who you are.

Take time to watch both. I don't think you'll be disappointed with either of them.

Kevin McCarthy and Christian Slater are the bad guys. Good choice and they do a good job.

Things look pretty good for groom to be John Stockwell, where his mates hold him a surprise stag party. His guests are an assortment of characters, some oldies types, that have you questioning, how exactly are these guys related, without never really knowing much about 'em. They are soon wishing it was just a stag party instead of a shag party, when one of two hookers, the prettier, younger one, ends up taking a really bad fall, while being tossed around on a blanket, where she falls face flat on the floor, instantly dead. This is what happens when things get a little too crazy, where alcohol and drugs can really make you do stupid s..t. Too, prior to her death, she had politely asked them to stop, to no avail, and now our men have a situation, where this party has really died. The other hooker, rock singer, Taylor Dane, who in some close ups, horribly resembles a girl I went to acting class with, is kept hostage by this group, who we appallingly discover, with the exclusion of one, are all out to save their own skin. They don't give two hoots about the dead girl, including one promising actor, who doesn't want to throw his career down the toilet on account of a whore. They have plans for the surviving sister too. The rest of the film, impressively intense, at times, deals with the shared conflict between the men, and how they all must agree to do away with the other girl, only we have a greater conflict. Kevin Dillon is the only one not on board. One line of dialogue he uses to describe his friends, and this gutless act, I totally agree with, but really what would you do, if faced with this situation? Would you tell the truth, and risk jail? What if you had everything in front of you, and everything to lose? What if you were that promising actor? Stag, silently raises these questions, and what you would really do in this predicament, where these kind of (before and after) circumstances, could happen tomorrow. That's what I got from this movie, of being any of those guys. They were all in a inescapable dilemma, fate and karma paying one of em, with a heart attack. After all, only earlier was he bonking the deceased. Andrew Mccarthy plays sleaze great here, as a real piece of s..t drug dealer, in probably one of his best performances, the less caring of them all. It was great to see him get his just desserts. Not helping the situation or the men's paranoia, we have some little interruptions by a lonely and annoying old neighbor, guess you can't guess who? Stag eventuates with a realistic, if disillusioned ending, I totally bought, where sometimes, truth can pay off. Good on ya Kev. Stag is one of those better b movies, and when you got a jazzy Tom Jones's number to open it up, you know you're in for something good. A mainstream movie copy followed, Very Bad Things.

From watching the start of the movie, i though that Stag looked quite promising. The introduction of each character, although minimalist, was quite effective... there would be a freeze frame on each character, and some text describing their occupation and past.

Unfortunately the movie takes it time to get to the crucial plot twist that this movie is based on. There's a lot of uninteresting dialog and a scene of gratuitous sex. "When's this movie going to start!" i was left thinking for a good while.

So eventually after the death of the stripper, the protagonists of the movie try to figure out what to do next. But... this is the problem... they spend the entire movie trying to figure out what to do next. And even worse, they still haven't figured out what to do even after the end credits come up. But obviously you don't expect this to happen when you first see this movie, so it's the only thing keeping you watch it.

At the end of the movie i was left feeling very unsatisfied. There could've been such an interesting story made from the idea it presents to you at the start. (Well maybe not the *start*... it does drag on quite a bit ;-) I was expecting some great little plot twists or an intelligent story, but no, the outcome in my opinion is unbelievable and unfinished.