On découvre au fond de l'océan un vaisseau spatial sur lequel le développement du corail est inférieur à trois cents ans.On découvre au fond de l'océan un vaisseau spatial sur lequel le développement du corail est inférieur à trois cents ans.On découvre au fond de l'océan un vaisseau spatial sur lequel le développement du corail est inférieur à trois cents ans.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 nominations au total
Avis à la une
The movie follows the book pretty closely. Barry Levinson directs his 2nd Crichton adaptation, following Disclosure. There is a terrific superstar cast. Dustin Hoffman is a legend and has made several great movies with Levinson. Samuel L. Jackson, always fun to watch, is one of the top actors of today. The sexy Sharon Stone here continues to prove how good of an actress she is.
Sphere is a very strange, but entertaining movie. I do reccomend reading the book beforehand, though.
The government has discovered a space craft buried beneath some coral in the Pacific Ocean. The government concludes that this must be an opportunity at alien contact so they grab a team of scientists to make the first contact. Within the crashed vessel they find a shimmering sphere. A few of the scientist decide to enter it and then things get weird.
I liked the cast: Sharon Stone, Samuel L. Jackson, Dustin Hoffman, Liev Schrieber, Queen Latifah et al. The setting was very claustrophobic as they spent the majority of the movie 1000 feet beneath the surface surrounded by water. Once people started being killed by odd creatures it was race to figure out what or who was causing this before they all perished.
This movie was really about man's inability to handle alien gifts/technology. That's a lesson we've learned many times over. The movie got a bit confusing towards the end as they tried to solve the mystery of who/what was the cause of the death and destruction. I felt there were a lot of holes in the movie and it left me a bit unfulfilled.
On the seabed in mid-ocean a huge vessel is discovered. A team is dispatched to investigate - and what they find is beyond belief.
Admittedly there were a couple of scenes which I felt missed the intended realism of the film, and occasionally it seemed far too obvious what was going on, but the ending resolved everything beautifully.
I suspect that fans of action films will feel let down by the thought necessary to follow this film, and fans of science fiction may well feel that after the first half hour there is a lack of a traditional sci-fi element. Many people I'm sure will feel that too little is explained, but the point of the film is that it doesn't need to be - the message of the ending is strong enough that we don't need explanation.
I'd particularly recommend this film to anyone who likes psychological thrillers. I was fairly impressed by the action integrated in The Abyss, but Sphere far surpasses it in terms of plot. Most of all, if you like films that simply entertain, this is not for you. It's more about the reactions it causes in you when you follow the story. If you come away from this film unchanged, you've missed the point.
As a kid, I vaguely remembered glimpsing Sphere (1998), but for some reason I hadn't (re)watched it until now. I'm convinced that if I had watched the whole thing back then, I'd felt far more nostalgia for it.
The book laid out a quasi 'foolproof' formula for a hit movie: gather a small group of intellectuels, isolate 'em from the outside world, add some mystery and the unknown, and voilá! Sound familiar? Despite this, the filmmakers couldn't quite crack the code for this one.
While the first act showed some promise, later acts felt rushed and ultimately fell apart, failing to capture the impact of the book, especially the end. Perhaps those story changes were as helpful as a screen door on a submarine.
Regarding the casting: Hoffman was a great choice for Norman, and Schreiber was fine as Ted. Well, Jackson is like the 'wildcard' of actors, he can work with anyone and anything, so that's that.
However, whenever Stone was on screen, I couldn't help but wonder who could portray Beth instead of her. In my mind, I envisioned actress like Amy Brenneman from Heat, or rather Kim Dickens from Mercury Rising, or even Radha Mitchell from Pitch Black --someone with a bit of edge, yet still lively and likable. Unlike Stone, who seemed devious from the get-go. While she really excelled in Basic Instinct with such mannerisms, here she seemed miscast.
Visually, some aspects still hold up. Though initially disappointed by certain missing elements, maybe it's for the best.
As for recommendations, it's probably a once-in-a-lifetime watch (even as a devoted Crichton fan, once in total is enough for now).
I rate it a weak 6/10.
PS: I'd recommend opting for the book instead, or for the audiobook (with a sample by Scott Brick, sounds nice).
Le saviez-vous
- AnecdotesMany scenes, like Harry (Samuel L. Jackson) and Norman's (Dustin Hoffman's) conversation about making up the ULF report and dealing with Ted (Liev Schreiber), were completely improvised.
- GaffesWhen Jerry first makes contact, he transmits in code : "MY NAME IS JERRY". Later, the code is revealed to have been mistranslated and the message reads: "MY NAME IS HARRY" If the letters H, E, J, and A in the simple letter/number substitution code were wrong, the first message would have read: "MY NEMA IS JERRY". Also, the entire series of conversations they had would have exhibited the same error, yet none did so. (HAPPY would have been JEPPY, ALL = ELL, etc.)
- Citations
Dr. Harry Adams: We're all gonna die down here.
Norman Goodman: What?
Dr. Harry Adams: You see? It's curious. Ted did figure it out - time travel. And when we get back, we gonna tell everyone. How it's possible, how it's done, what the dangers are. But then why fifty years in the future when the spacecraft encounters a black hole does the computer call it an 'unknown entry event'? Why don't they know? If they don't know, that means we never told anyone. And if we never told anyone it means we never made it back. Hence we die down here. Just as a matter of deductive logic.
- Crédits fousThe opening credits are cast over an invisible sphere.
- Versions alternativesSPOILER ALERT: An alternate television edit has been shown with a simplified and more ambiguous ending that follows the shooting script; Harry warns them that the authorities are on their way to debrief them, and they will demand answers. The three survivors ready themselves to forget about their mission and the power they possess. Outside, a helicopter sets down. Subsequently, we see the three survivors being interviewed in a debriefing room after decompression, each shot individually against the same background. They react as if they're oblivious to anything going wrong in the Habitat, unaware of anything that happened to Ted, Barnes or the Sphere. The helicopter leaves, and the camera pans down to the ocean, where the Sphere supposedly still remains.
- Bandes originalesHorn Concerto No. 3 in E Flat Major, K.447
Written by Wolfgang Amadeus Mozart
Performed by Vienna Mozart Ensemble; Herbert Kraus, Conductor
Courtesy of LaserLight Digital
By arrangement with Source/Q
Meilleurs choix
Détails
Box-office
- Budget
- 80 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 37 020 277 $US
- Week-end de sortie aux États-Unis et au Canada
- 14 433 957 $US
- 15 févr. 1998
- Montant brut mondial
- 37 020 277 $US
- Durée
- 2h 14min(134 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1