NOTE IMDb
7,1/10
27 k
MA NOTE
Un employé d'une société détenteur d'un processus lucratif secret est tenté de le dévoiler. Mais les choses se compliquent.Un employé d'une société détenteur d'un processus lucratif secret est tenté de le dévoiler. Mais les choses se compliquent.Un employé d'une société détenteur d'un processus lucratif secret est tenté de le dévoiler. Mais les choses se compliquent.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 nominations au total
Mike Robinson
- Security Person
- (as Michael Robinson)
Avis à la une
Mamet work that is a lot closer to House of Games than to Glengarry Glen Ross (which used up all the swear words; there's none here). If you're okay with Mamet's way with dialogue and line reading, then the only real complaint is the terrible ending.
Joseph Ross is a researcher for a major corporation. He is in the Caribbean for a business trip to discuss his invention with the heads of the firm - a formula that stands to make the company very, very rich. While on the trip he meets the charismatic Jimmy Dell who he does a favour for and gradually befriends. As Joe starts to realise that his employers are trying to squeeze him out for his just deserves, Jimmy starts to offer him understanding and legal help to secure his end.
I first discovered this film on late night sky about 5 years ago now and was very taken by it. Later I got to see it again when I had a free weekend of FilmFour (this weekend in fact!) and I was happy to see it again. The film is a con, from start to finish it is what the tagline claims - never what it seems. The whole audience know this and therefore are ready for twists and turns and it is to the film's credit that the twists are still gripping and enjoyable even if we expect it. The film has a very slow pace and is quite unshowy all the way.
In one regard this is to it's detriment but it does create a film that is unassuming and all the more surprising for it. However the lack of fire works also meant that it never got the audience it deserved. I believe that, if it had gone more dramatic and tense that it would have played better in multiplexes and drawn in less patient audiences.
In a rare (at the time) serious role, Martin is actually very good. He may not have a great character but he does a really good job with the two sides of his performance - even if the darker side is more revealed through Joe's fate than it is through his performance. Scott is good but is forced to play a rather bland simple man - meaning that his performance was rather bland at times. The support cast is good and features several Mamet regulars including the charismatic and distinctive Ricky Jay. Talking of Mamet, he is great as writer and director and this is yet another film that justifies his reputation in my mind.
Overall this is a great film that will engage you and entertain you with it's twisty and enjoyable plot. It may lack the fireworks or heavy slick style of other films of the genre but it is all the better for it. Criminally under seen and deserves to be discovered.
I first discovered this film on late night sky about 5 years ago now and was very taken by it. Later I got to see it again when I had a free weekend of FilmFour (this weekend in fact!) and I was happy to see it again. The film is a con, from start to finish it is what the tagline claims - never what it seems. The whole audience know this and therefore are ready for twists and turns and it is to the film's credit that the twists are still gripping and enjoyable even if we expect it. The film has a very slow pace and is quite unshowy all the way.
In one regard this is to it's detriment but it does create a film that is unassuming and all the more surprising for it. However the lack of fire works also meant that it never got the audience it deserved. I believe that, if it had gone more dramatic and tense that it would have played better in multiplexes and drawn in less patient audiences.
In a rare (at the time) serious role, Martin is actually very good. He may not have a great character but he does a really good job with the two sides of his performance - even if the darker side is more revealed through Joe's fate than it is through his performance. Scott is good but is forced to play a rather bland simple man - meaning that his performance was rather bland at times. The support cast is good and features several Mamet regulars including the charismatic and distinctive Ricky Jay. Talking of Mamet, he is great as writer and director and this is yet another film that justifies his reputation in my mind.
Overall this is a great film that will engage you and entertain you with it's twisty and enjoyable plot. It may lack the fireworks or heavy slick style of other films of the genre but it is all the better for it. Criminally under seen and deserves to be discovered.
Steve Martin in a serious role in a Mamet film is reason enough to see "The Spanish Prisoner", which I believe gets its name from a type of sucker scam of the same name. And that's what this film is about. A young professional invents "the process" which is very valuable to his company but he is worried he will not get compensated well enough. This seed of doubt, which others around him recognize, sets into motion a whole series of secrets and deceptions. The dialog is snappy as in all Mamet writing, and you either really like the style a lot, or you don't. I really like it. The various twists get a bit hard to follow, and it is the kind of movie you have to see at least twice for full benefit. It is not a great film, but a worthy one.
Beside Steve martin in his serious role, which he pulls off very well, the film also has Ben Gazzara and Mamet's wife, Rebecca Pidgeon who is very good in one of the key roles in this film.
Beside Steve martin in his serious role, which he pulls off very well, the film also has Ben Gazzara and Mamet's wife, Rebecca Pidgeon who is very good in one of the key roles in this film.
It's hard to say that 'The Spanish Prisoner' is the best film of the year, because it quite obviously isn't. It's more like a filmed play in that many of it's locations, especially those in the Carribean, look positively fake. What can be said, is that the film is the year's most complex and interesting film, and one of the best.
The script by acclaimed playwright David Mamet (Who also wrote 1997's The Edge) is stunning, excellent with a perfect, credible plot. It's a wonder how anyone could even come up with such a great story.
The acting is also very good. Campbell Scott, who we have never and likely never will see much of is well cast and delivers the flick's best performance. A-List star Steve Martin skips the big bucks for a good script, and it's a wonder he ended up with this project in the first place, an unlikely but excellent career move. The rest of the cast is unremarkable when put up against Scott and Martin, but still good on their own right.
If you have a liking for complicated, though-provoking puzzle-like films 'The Spanish Prisoner' is highly, highly recommended, as is the similar, more accessible 'The Game'. Very intriguing and absorbing 'The Spanish Prisoner' is a must see.
The script by acclaimed playwright David Mamet (Who also wrote 1997's The Edge) is stunning, excellent with a perfect, credible plot. It's a wonder how anyone could even come up with such a great story.
The acting is also very good. Campbell Scott, who we have never and likely never will see much of is well cast and delivers the flick's best performance. A-List star Steve Martin skips the big bucks for a good script, and it's a wonder he ended up with this project in the first place, an unlikely but excellent career move. The rest of the cast is unremarkable when put up against Scott and Martin, but still good on their own right.
If you have a liking for complicated, though-provoking puzzle-like films 'The Spanish Prisoner' is highly, highly recommended, as is the similar, more accessible 'The Game'. Very intriguing and absorbing 'The Spanish Prisoner' is a must see.
I remember watching this film in 1998 at the theater and it became one of my favorites ever since. I have since watched every Mamet film I ran into, they were very good, but I believe this one's his best film yet. The story follows Joseph Ross (Campbell Scott), a salaried mathematician who's invented some truly valuable system that will make a fortune for his company. We meet him as he goes on vacation and befriends with a seemingly multi-millionaire who calls himself Julian "Jimmy" Dell (Steve Martin). Ross is then drawn into a big conspiracy surrounds his valuable "system". I won't go into the details so that i won't spoil the surprises and there are many. All the actors involved gives their best, most notable are Rebecca Pigeon as Susan, Joseph's pretty and sophisticated secretary and for Steve Martin, who was very refreshing to see in a serious role. The film has some unique and intelligent dialogs often appear in David Mamet's works. The twists are very surprising but MAKE SENSE, something that a lot of film makers have to learn these days. Overall an intelligent gem of a film you will not forget easily. Thumbs up and 10/10. Highly Recommended.
Le saviez-vous
- AnecdotesMamet wrote the part of Jimmy Dell specifically for Steve Martin in order to take full advantage from the comic playing against type. He was one of the first to recognize that Martin, renowned for his manic energy, possessed a deep well of seriousness which allowed Martin to portray his character as calm and in charge, which in turn made him appear menacing.
- GaffesWhen the rendezvous in Central Park is set up, Scott is told to go to the Navy Fountain. The fountain that he goes to is actually the Bethesda Fountain.
- Citations
George Lang: Worry is like interest paid in advance on a debt that never comes due.
- Bandes originalesI Wonder Who's Kissing Her Now
Written by Frank R. Adams (as Frank Adams), William M. Hough (as Will Hough),
Joseph E. Howard (as Joseph Howard) and Harold Orlob
Arranged by Play-Rite Music Rolls, Inc.
Played at the carousel
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- How long is The Spanish Prisoner?Alimenté par Alexa
Détails
Box-office
- Budget
- 10 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 9 593 903 $US
- Week-end de sortie aux États-Unis et au Canada
- 124 011 $US
- 5 avr. 1998
- Montant brut mondial
- 9 593 903 $US
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