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Le barbier de Sibérie

Titre original : Sibirskiy tsiryulnik
  • 1998
  • Tous publics
  • 3h
NOTE IMDb
7,6/10
13 k
MA NOTE
Julia Ormond and Oleg Menshikov in Le barbier de Sibérie (1998)
ComédieDrameL'histoireRomance

Au début du siècle, un jeune cadet russe tombe amoureux d'une beauté américaine, mettant en danger sa carrière et même leurs vies.Au début du siècle, un jeune cadet russe tombe amoureux d'une beauté américaine, mettant en danger sa carrière et même leurs vies.Au début du siècle, un jeune cadet russe tombe amoureux d'une beauté américaine, mettant en danger sa carrière et même leurs vies.

  • Réalisation
    • Nikita Mikhalkov
  • Scénario
    • Nikita Mikhalkov
    • Rustam Ibragimbekov
    • Rospo Pallenberg
  • Casting principal
    • Julia Ormond
    • Oleg Menshikov
    • Aleksey Petrenko
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,6/10
    13 k
    MA NOTE
    • Réalisation
      • Nikita Mikhalkov
    • Scénario
      • Nikita Mikhalkov
      • Rustam Ibragimbekov
      • Rospo Pallenberg
    • Casting principal
      • Julia Ormond
      • Oleg Menshikov
      • Aleksey Petrenko
    • 81avis d'utilisateurs
    • 11avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire et 4 nominations au total

    Photos36

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    + 28
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    Rôles principaux97

    Modifier
    Julia Ormond
    Julia Ormond
    • Dzheyn
    • (as Dzhuliya Ormond)
    Oleg Menshikov
    Oleg Menshikov
    • Tolstoy
    Aleksey Petrenko
    Aleksey Petrenko
    • Radlov
    Richard Harris
    Richard Harris
    • McCracken
    • (as Richard Kharris)
    Vladimir Ilin
    Vladimir Ilin
    • Mokin
    Marat Basharov
    • Polievskiy
    Nikita Tatarenkov
    • Alibekov
    Georgiy Dronov
    Georgiy Dronov
    • Nazarov
    Artyom Mikhalkov
    Artyom Mikhalkov
    • Buturlin
    Daniel Olbrychski
    Daniel Olbrychski
    • Kopnovskiy
    • (as Daniel Olbrykhskiy)
    Marina Neyolova
    Marina Neyolova
    • Tolstoy's Mother
    Avangard Leontev
    Avangard Leontev
    • Uncle Nikolya
    Anna Mikhalkova
    Anna Mikhalkova
    • Dunyasha
    Robert Hardy
    Robert Hardy
    • Forsten
    • (as Robert Khardi)
    Elizabeth Spriggs
    Elizabeth Spriggs
    • Perepelkina
    • (as Elizabet Spriggs)
    Nikita Mikhalkov
    Nikita Mikhalkov
    • Emperor Aleksandr III
    Isabelle Renauld
    Isabelle Renauld
    • Empress
    • (as Ezabel Reno)
    Evgeniy Steblov
    Evgeniy Steblov
    • Grand Duke
    • Réalisation
      • Nikita Mikhalkov
    • Scénario
      • Nikita Mikhalkov
      • Rustam Ibragimbekov
      • Rospo Pallenberg
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs81

    7,613.1K
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    Avis à la une

    7JuguAbraham

    Definitely viewable, warts and all

    This is not Mikhalkov's best film. Yet a Mikhalkov film is one that presents a story with a twinkle in the eye. His films come very near to the black comedy genre. Take his swipe at the average American not understanding Mozart's music--if it is taken literally, it will cloud the Mikhalkov perspective of life through cinema. That perspective is poles apart from the filmmaking of his half brother Andrei Mikhalkov Konchalovsky, who is serious and quite a bit of a perfectionist (he worked with Andrei Tarkovsky on his earlier movies), e.g. "Runaway Train" and "Shy People" made in Hollywood or "Siberiade" made in the former USSR.

    Mikhalkov makes serious scenes seem light and a lark: the deportation to Siberia marked with opera singing; the dangerous duel that ends with a hero lying wounded in a Quixotic manner; a very tall Czar Alexander (the director) who puts down his queen with a most 'unroyal' remark. Mikhalkov and his half brother are great visualizers and have good ears for music--which is why the film is a treat to watch--natural splendors of Siberia, recreating a "Dr Zhivago" milieu with more authenticity than Mr Lean (who did a great job considering he could not shoot his film in the USSR).

    I am a great admirer of good Russian cinema: especially the works of Tarkovsky, Kozintsev, Eisenstein, Konchalovsky, Talankin in that order. Mikhalkov is not the best but all his films are worth a view. But I have one suggestion--never take his films as what appears for there is a layer underneath the obvious--that needs to be seen tongue in cheek. And unlike Konchalovsky--the quality of direction is never consistent in Mikhalkov's works--it varies from the brilliant to the almost stupid.

    But Mr Mikhalkov, what a pathetic waste of Richard Harris' talent to merely advertise his name in the credits for an insignificant role in a long movie...
    10jogrant

    fabulous

    In its extended version -where the characters are fully developed and the relationships between them fully explored- this movie is incredible. Not just because Oleg Menshikov is a fabulous actor and Julia Ormond does some of the best acting I've seen her do, but because the plot is interesting and well written and the filming is beautiful.

    In the butchered and censored short version crucial elements of the story are missing (especially the complete dialogues between Andrei and Jane and the majority of their scene in bed) and the movie is OK but nothing special.

    Why would the studio even release such a lame version? Can you imagine a two hour version of Gone with the Wind? Or a 90 minute version of Titanic?

    I saw the full 4 and ½ hours extended film in a cinema and no one walked out because it was too long. I saw the short version on the Cosmo channel and I really don't understand why the producers would stab themselves in the back by releasing a watered down and lacking version –presumably for audiences with short attention spans?- but I recommend avoiding the 3 hours one and holding out for the real film.
    10Gergy

    Wow!

    I went to see this movie based on a suggestion from a good friend of mine. I expected to see a typical love story and was curious about the way this story was developed and directed. I admit that my expectations were very low in this regard. The Barber of Siberia is a work of art, Mikhalkov is surely one of the great movie authors of all times, and I am humbly thankful to my friend for her priceless advice.

    The plot may seem like any conventional love story but the fashion in which the story is developed and the performances of all the actors (yes, ALL of them) is really fascinating.

    What strikes you most is when Mikhalkov directly compares the life of a military cadet between Russia and the US. There's also a latent comparison between the American and Russian ideals. I leave it to you to discover how and when these comparisons appear on screen.

    Mikhalkov magnificently plays the role of the Tzar Alexander III (the father of the recently canonized Tzar Nicholas II). As portrayed by Mikhalkov, Alexander III embodies the grandeur of Russia and sets the standard on the qualities of a ruler. You cannot but compare these standards to those set by Boris Yeltsin (who was in charge in 1998) and you would better understand the passing of power to Putin.

    This is one of the rare times I get emotional about a film, and believe me the Barber of Siberia contains a lot of emotions. DON'T MISS IT AT ANY RATE!
    9radlov

    A very nice movie

    I must have an extremely bad taste. Most professional critics have written devastating comments on this movie. I just loved it, all 180 minutes of it! Of course, according to the rules, you should not mix slapstick and serious drama. Mikhalkov does it and the result completely vindicates him, I feel. Critics should not forget that cinema is about entertainment. They blame Mikhalkov because he did not make another high brow artistic movie like « Burnt by the sun ». I liked both movies equally well, different as they are. Critics say Mikhalkov presented a phony image of old Russia. Of course, his billboard image of tsarist Russia is not devoid of clichés and camp, but what a glorious camp it is! Mikhalkov is accused of painting a much too rosy picture of old Russia. But are the Russians (and other people) not entitled to some glimpses of the beautiful Russia that could have been, but somehow never seems able to materialize in this century of gloom ? The critics point out that the movie has a lot of formal weaknesses. To the heck with the critics ! This movie may not have a very deep message, but I think it illustrates, in a poetic way, the difficulty Russians and Westerners have at understanding each other. Either you love this movie, or you ‘d better leave it . When you look at the viewer voting results, you see that three quarters of those who voted on this movie adore it (scores 8-10), while the others loathe it (scores 1-4). Apparently it is a movie you can't be indifferent about.
    10fox-94

    Unforgettable

    Even if most of the reviews were devastating I decided to go and see the most expensive and discussed Russian movie. And the truth is that I enjoyed every minute of it. For me absolutely the best movie of the year. For a long time no movie impressed me like this one. You can find everything in it - passion, desire, fight, love and hate, tiers...Watching some scenes you laugh and others you cry. Excellent actor performances and a beautiful music make the movie unforgettable. So forget everything you have heard or read about and better go and see it with our own eyes.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The winter in 1997 was uncommonly snowless and warm, but the movie makers wanted to film snowy Moscow streets and the Kremlin. So they used hundreds of tons of artificial snow.
    • Gaffes
      In a scene which takes place in 1905, a US flag is seen with 50 stars. The correct flag would have 45 Stars.
    • Citations

      Dzheyn: I'm one of those women your mother must have warned you about.

    • Connexions
      Featured in Namedni 1961-2003: Nasha Era: Namedni 1999 (1999)
    • Bandes originales
      Piano Concerto no. 23
      Composed by Wolfgang Amadeus Mozart

    Meilleurs choix

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    FAQ

    • How long is The Barber of Siberia?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 12 mai 1999 (France)
    • Pays d’origine
      • Russie
      • France
      • Italie
      • République tchèque
      • États-Unis
    • Langues
      • Russe
      • Anglais
      • Français
      • Allemand
    • Aussi connu sous le nom de
      • The Barber of Siberia
    • Lieux de tournage
      • Portugal
    • Sociétés de production
      • Studio Trite
      • Caméra One
      • France 2 Cinéma
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 35 000 000 $US (estimé)
    • Montant brut mondial
      • 2 634 218 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      3 heures
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 2.39 : 1

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