NOTE IMDb
6,2/10
2,4 k
MA NOTE
Ajouter une intrigue dans votre langueLonging to have a baby, a sterile 1930s Bostonian hires a man to impregnate his wife.Longing to have a baby, a sterile 1930s Bostonian hires a man to impregnate his wife.Longing to have a baby, a sterile 1930s Bostonian hires a man to impregnate his wife.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire au total
Thomas Downey
- Torrey Harrington
- (as Tom Downey)
Frank Toste
- Frank
- (as Father Frank Toste CSC)
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Fortunately for me, I stumbled on this film with absolutely no expectations--didn't even know the title until I looked it up on the IMDb! But it kept me watching, fascinated, for two hours (including commercials), and at the end I felt like I wanted to spend more time with it. It has romance, elegant atmosphere, a surprising plot, intriguing themes, and good actors...so, while the pacing and direction sometimes seem a touch stilted, I'd definitely watch it again.
I'm a bit baffled that everyone who finds fault with this film picks on the story. For me, the story was the strong point: it had some truly surprising twists and grew from the complexities and relationships of a range of fully drawn characters--a luxury most films, with their flat cardboard characters, don't offer. And the references to Virginia Woolf, also singled out for criticism by many viewers, actually served to enrich and illuminate the ways the film dealt with the tragic inability of a woman to escape the double standard. In the world of the film, where even a seemingly perfect husband could with no warning transform into a tyrant, even a woman who thought she had it all could be trapped by a paucity of choices.
That makes it sound like a preachy feminist movie, which it isn't. In fact, those who enjoy good old-fashioned murder mysteries will get a kick out of it. Perfect it isn't, but I can think of far worse ways to spend a lazy evening.
I'm a bit baffled that everyone who finds fault with this film picks on the story. For me, the story was the strong point: it had some truly surprising twists and grew from the complexities and relationships of a range of fully drawn characters--a luxury most films, with their flat cardboard characters, don't offer. And the references to Virginia Woolf, also singled out for criticism by many viewers, actually served to enrich and illuminate the ways the film dealt with the tragic inability of a woman to escape the double standard. In the world of the film, where even a seemingly perfect husband could with no warning transform into a tyrant, even a woman who thought she had it all could be trapped by a paucity of choices.
That makes it sound like a preachy feminist movie, which it isn't. In fact, those who enjoy good old-fashioned murder mysteries will get a kick out of it. Perfect it isn't, but I can think of far worse ways to spend a lazy evening.
Kenneth Branagh, as expected, performed very well. What was difficult to absorb as "possible" were the Catholic religious elements depicted. They were wrong and inaccurate. For example, the Mass vestments were not correct. The conversations and characterizations of the pastor and the young priest, for that period of time (Boston in the late 30s, early 40s) were off key, to say the least. The plot was interesting, but the film was too long, and there was too much "symbolism", and the "next move" was always predictable. With such a fine cast, and a great story, the producers and the directors should have taken time to be more accurate and correct about details. Another example of the lack of care was the scene where the young priest is seen administering "Anointing of the Sick" [formerly called "Extreme Unction"] to a corpse about to be buried. This never happens and is actually forbidden in the RC Church. Dead people cannot receive "sacraments." Attention must be paid. Details, details, details. The truth is in the details. However, I did enjoy it. I think most people would find this film interesting and entertaining.
How can you hate a movie that has Kenneth Branagh, as a Catholic priest, who has given in to the weakness of the flesh, saying, "I began to know God thru Elenore...it was she who taught me about faith." Or Kenneth Branagh saying to William Hurt, "You know you needen't feel guilty about this, THE SUN SHINES HERE TOO."(italics, mine) All kidding aside, the cast could have sleepwalked thru this somewhat cliched drama of a wealthy, staid older millionaire, resorting to having a jerk impegnate his beautiful young wife to keep the family line going, having the jerk end up dead, and the beautiful wife meets a charming local priest,,,and then...you know ..and so forth. Get the idea? But what saves the movie, are the acting "chops" of this steller cast: Branagh, William Hurt, the beauteous Madeline Stowe, and Blythe Danner. You can see they're not taking this film lightly. Branagh gets better with every film. He will surely inherit Olivier's mantle very soon. William Hurt definitely has acting greatness in him. His career seems to be on hold. He should be doing big, serious films. Madeline Stowe's beauty is so far above the average anorexic, thong, Barbie Doll, MTV sexpot, as to make them the jokes they have become. She doesn't weigh 27 lbs., AND she can really act. Where is her presence in major filmaking? Blythe Danner works steadily on Broadway and surely deserves an award for a lifetime of top level acting, on the stage, and in the movie house. All in all I enjoyed this film and recommend it to fans of the above great performers. If you like movies based on Dad's boss making him take in the boss's chimp for the weekend, just when the hated insufferable in-laws are coming for a barbeque, and the kids decide to dress up the chimp as Ben Laden, and the fox terrier next door tries to mate with the chimp and start a REAL family, even if the local DA says chimp /terrier unions are heretical to the basic man/women setup, and... and. If you like that kind of movie, "The Proposition" is not for you.
Love it or hate it, and the opinions seem to be pretty evenly divided, this is a compelling film because of the performances of three fine actors--Kenneth Branagh, Madeline Stowe, and William Hurt. The story is incredibly far-fetched but, a la Six Feet Under, because it deals with emotions and fantasies we've all felt, it works in some sort of quirky way.
Madeline Stowe is absolutely radiant--confused, vulnerable, strong, passionate. William Hurt perfectly combines the ruthless Wall Street professional and the condescending tenderness of a man of his time. Branagh is a cypher whose screen charisma makes him riveting.
Some of the nitpicking in earlier reviews seems wrong to me. The Mass vestments are exactly right for the solemn high mass of that period, as is Branagh's demeanor. Extreme Unction can in fact be administered for a short period after death, though not, of course, on a corpse in a coffin. In fact, the only reason to open the coffin before burial is so that Eleanor can see who it is that's being buried.
Madeline Stowe is absolutely radiant--confused, vulnerable, strong, passionate. William Hurt perfectly combines the ruthless Wall Street professional and the condescending tenderness of a man of his time. Branagh is a cypher whose screen charisma makes him riveting.
Some of the nitpicking in earlier reviews seems wrong to me. The Mass vestments are exactly right for the solemn high mass of that period, as is Branagh's demeanor. Extreme Unction can in fact be administered for a short period after death, though not, of course, on a corpse in a coffin. In fact, the only reason to open the coffin before burial is so that Eleanor can see who it is that's being buried.
You know there must be a problem when a recent film appears on TV with a cast that includes William Hurt, Kenneth Branagh, Madeleine Stowe, Robert Loggia and Blythe Danner and you've never heard of it. I guess my suspicions were aroused when the TV Channel shoved it out at 3 o'clock in the morning, but I really didn't think it could be that bad.
I was wrong. One of the previous comments summed this film up far better than I could but I would still like someone to tell me who the hell is Blythe Danner supposed to be? The mother, sister, best friend,'Mrs Danvers', I still haven't got a clue. I'm certainly not going to watch it again just to find out..
However, by far the saddest thing about this movie is watching talent like Blythe Danner, Madeleine Stowe and William Hurt being wasted in rubbish like this (I didn't miss out Mr Branagh by accident , incidentally).
Come on Hollywood, give them something decent to get their teeth into!
I was wrong. One of the previous comments summed this film up far better than I could but I would still like someone to tell me who the hell is Blythe Danner supposed to be? The mother, sister, best friend,'Mrs Danvers', I still haven't got a clue. I'm certainly not going to watch it again just to find out..
However, by far the saddest thing about this movie is watching talent like Blythe Danner, Madeleine Stowe and William Hurt being wasted in rubbish like this (I didn't miss out Mr Branagh by accident , incidentally).
Come on Hollywood, give them something decent to get their teeth into!
Le saviez-vous
- AnecdotesThe screenwriter, Rick Ramage, said the song "Elenor Rigby" by The Beatles was a catalyst in developing the story.
- GaffesThe narration of this movie is supposed to be Father McKinnon telling the story to Hannibal Thurman, yet there are parts of the story that Hannibal is in which would certainly not have to be told to Hannibal by McKinnon. If that isn't bad enough, there is a part of the narration (right after Roger agrees to be the surrogate father) that McKinnon says "Hannibal knew that.........." even though it is Hannibal he is talking to.
- Citations
Father Michael McKinnon: You're probably the one person in the world Arthur Barret respects enough to fear, loves enough to kill for.
- Bandes originalesModern Woman
Composed and Arranged by Sonny Kompanek
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- How long is The Proposition?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- The Proposition
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 147 773 $US
- Week-end de sortie aux États-Unis et au Canada
- 61 560 $US
- 29 mars 1998
- Montant brut mondial
- 147 773 $US
- Durée1 heure 50 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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