NOTE IMDb
5,0/10
5,5 k
MA NOTE
Bishop, conseiller de confiance du président, s'est fait tirer dessus lorsque Pachenko lui a parlé d'un traître au plus haut niveau du gouvernement. Il s'éloigne deux fois de l'assassin de s... Tout lireBishop, conseiller de confiance du président, s'est fait tirer dessus lorsque Pachenko lui a parlé d'un traître au plus haut niveau du gouvernement. Il s'éloigne deux fois de l'assassin de sang-froid mais il doit encore trouver le traître.Bishop, conseiller de confiance du président, s'est fait tirer dessus lorsque Pachenko lui a parlé d'un traître au plus haut niveau du gouvernement. Il s'éloigne deux fois de l'assassin de sang-froid mais il doit encore trouver le traître.
- Réalisation
- Scénario
- Casting principal
Antonio Lewis Todd
- Basketball Player
- (as Antonio Todd)
Avis à la une
This movie is so bad you'll be laughing yourself home. George P. Cosmatos is capable of making a good movie, look what he did with "Tombstone," and this one has all the right elements but falls flat on its face.
It *looks* good, has lots of mistrusting characters and turns of story to keep things going, and creates an atmosphere of deep intrigue and suspicion with bland Charlie Sheen at the center. But all these people running around so deathly serious never seem to stop and realize, "hey, this is really stupid what we're doing!"
A lot of the problems relate to the central assassin/hit man, a mute iron-eyed killing machine who runs around in a tan duster that makes him stand out like a sore thumb. He draws the line at shooting a defenseless puppy, but otherwise he kills everything that moves and is such a bad guy that he LITTERS!
It's easy to compare this movie to better efforts like "In the Line of Fire" or even the remake of "The Jackal." All feature a ruthless assassin constructing a secret weapon. "In the Line of Fire" had a plausible and realistic one, "The Jackal" was overkill, but this one is ridiculous. You have to see what the killer actually does at the end of the movie, it blows what little seriousness the movie had and turns it into a farce.
If you miss seeing this movie, don't worry about it.
It *looks* good, has lots of mistrusting characters and turns of story to keep things going, and creates an atmosphere of deep intrigue and suspicion with bland Charlie Sheen at the center. But all these people running around so deathly serious never seem to stop and realize, "hey, this is really stupid what we're doing!"
A lot of the problems relate to the central assassin/hit man, a mute iron-eyed killing machine who runs around in a tan duster that makes him stand out like a sore thumb. He draws the line at shooting a defenseless puppy, but otherwise he kills everything that moves and is such a bad guy that he LITTERS!
It's easy to compare this movie to better efforts like "In the Line of Fire" or even the remake of "The Jackal." All feature a ruthless assassin constructing a secret weapon. "In the Line of Fire" had a plausible and realistic one, "The Jackal" was overkill, but this one is ridiculous. You have to see what the killer actually does at the end of the movie, it blows what little seriousness the movie had and turns it into a farce.
If you miss seeing this movie, don't worry about it.
This was the last film directed by George P. Cosmatos, a Greek born in Italy, who directed numerous Hollywood action movies and thrillers over the course of 24 years, including several with Greek settings. This one is set entirely in Washington, D.C., and it is a cracking conspiracy thriller about traitors inside the White House. The hero (who spends most of his time on the run from an assassin hired by the conspirators) is played by Charlie Sheen. Linda Hamilton plays a Washington political journalist with whom he is involved on and off, and they become co-fugitives. The dominant presence in this film, however, is that of Donald Sutherland, who acts circles round everyone else, as a security chief. Theodore Bikel has a bit part as a Russian scholar living in the USA who gets killed at the beginning of the story because he has discovered the traitors. Ben Gazzarra plays a character who stands around tables at the White House looking important and smug, but I did not understand until I looked at the credits on IMDb that he was meant to be the Vice President. The President is played by Sam Waterson, but he too is just a supporting character in the story. Gore Vidal has a fleeting bit part as a Congressman. The film contains an excess of action and not enough story. But it is very tense and 'thrilling' as a thriller should be, so it works within its genre. Charlie Sheen is very convincing as a young Special Assistant to the President who is constantly on the run because he has discovered the traitors who wish to assassinate the President. The assassin who keeps trying to kill him is played by Stephen Lang, who is absolutely terrifying, though why he wears a long white coat down to his ankles, thereby attracting a lot of attention to himself, is a mystery. (Aren't assassins supposed to be inconspicuous?) And how does he stow all of those guns under that flimsy coat? And how does he not get stopped by the police when he is shooting all those innocent bystanders in the streets like that? Oh, well, it's only a movie.
MST3K fodder. It's so bad it's actually worth seeing just for that reason. There are some hilarious things in it, such as the mysterious device the bad guy is seen working on for the whole movie, that turns out to be this tiny helicopter that flutters around carrying and firing a machine gun without so much as a wobble, but is brought down by a bag of balloons (the kind they release at political conventions). Many other wonderful touches of that sort. Stars Charlie Sheen. There's one scene where he spends five minutes recording a conversation, only to drop the microcassette in the Potomac River by accident. If they'd cast Emilio Estevez in the part that never would've happened.
Bobby Bishop's role in the White House was never made clear, but when they needed him, they sent a helicopter, and he arrived in a conference room full of suits still wearing his sweaty Princeton sweatshirt. Once he cleaned up and put on his own suit, Bishop went before the press to clear up a public relations problem--after reminding a certain congressman what could happen if said congressman didn't help.
A secret meeting with Prof. Pochenko promised to reveal something not quite kosher in the White House. But a man with a gun wanted the information to stay secret. So Bishop spent the rest of the movie on the run and trying to uncover secrets with the help of Washington Herald reporter Amanda Givens. Meanwhile, someone was capable of monitoring pretty much every phone call that took place in the movie.
I like Charlie Sheen better as a womanizing jerk, but he was just fine here. Both Sheen characters know how to scheme and lie and otherwise be quite charming to get what they want. Donald Sutherland did a credible job as the White House Chief of Staff who didn't have faith in the President's ability. And Sam Waterston didn't exactly inspire confidence as the President. Linda Hamilton was good as Amanda.
This wasn't a great action thriller, but it was good nevertheless. Too violent for my taste (and there was a stern warning on the TV station I watched, even after the movie was cleaned up for TV), but I enjoyed the chases and the occasional comedy.
A secret meeting with Prof. Pochenko promised to reveal something not quite kosher in the White House. But a man with a gun wanted the information to stay secret. So Bishop spent the rest of the movie on the run and trying to uncover secrets with the help of Washington Herald reporter Amanda Givens. Meanwhile, someone was capable of monitoring pretty much every phone call that took place in the movie.
I like Charlie Sheen better as a womanizing jerk, but he was just fine here. Both Sheen characters know how to scheme and lie and otherwise be quite charming to get what they want. Donald Sutherland did a credible job as the White House Chief of Staff who didn't have faith in the President's ability. And Sam Waterston didn't exactly inspire confidence as the President. Linda Hamilton was good as Amanda.
This wasn't a great action thriller, but it was good nevertheless. Too violent for my taste (and there was a stern warning on the TV station I watched, even after the movie was cleaned up for TV), but I enjoyed the chases and the occasional comedy.
1st watched 2/25/2002 - 4 out of 10(Dir-George P. Cosmatos): Predictable action thriller where any frequent movie goer could guess what was coming next. Charlie Sheen is the good old boy to the President who just happens to be not liked by the rest of the presidential staff. Of course, he gets involved in a situation where he's framed over and over again and he has one friend in the White House, played by Sutherland, who naturally doesn't stay that way for very long. His other friend is a reporter played by Linda Hamilton(who has very little to do or say in this meaningless role), and of course his biggest and bestest friend is the President himself(Sam Waterston) who stays his pal till the end despite everyone else being killed around him. Brainless yet action-packed meaningless trife despite loads and loads of acting talent(all pretty much wasted.)
Le saviez-vous
- AnecdotesIn interviews for the film, Linda Hamilton took the unusual (and honest) step of saying what she really thought about the movie, calling it "mediocre as hell. Okay, it's really bad, really bad." Charlie Sheen even went a step further, stating he "hates this movie".
- GaffesWhen Bishop tries to get files on some of the "Shadow" members, "Joint Chief of Staff" is misspelled "Chiief" at the bottom of the monitor.
- Citations
Bobby Bishop: He who gets the first sound bite wins.
- Bandes originalesNessun Dorma
from Turandot
Music by Giacomo Puccini (uncredited)
Libretto by Giuseppe Adami (uncredited) and Renato Simoni (uncredited)
Performed by Ben Heppner
with Münchner Rundfunkorchester (as The Munich Radio Orchestra) and Roberto Abbado
Meilleurs choix
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- How long is Shadow Conspiracy?Alimenté par Alexa
Détails
Box-office
- Budget
- 45 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 2 312 463 $US
- Week-end de sortie aux États-Unis et au Canada
- 1 370 831 $US
- 2 févr. 1997
- Montant brut mondial
- 2 312 463 $US
- Durée
- 1h 43min(103 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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