Paranoïa

I will start by admitting that I'm a Star Trek fan, and in particular a Next Gen fan. So yes, I have a bias towards liking Stewart, although I think most can agree he is a skilled actor.

That concession aside, and as my summary suggests, this is not an epic movie, just a short story. I loved the set design, which was quite clever; where most movies tend to create the impression of big houses and locales, this one manages to create the impression of close spaces, as appropriate for a fortress in suburbia.

You will continue to guess at whether or not Stewart's paranoia is justified or just symptoms of Alzheimer's until the very end. Stewart is well fitted for the part, or at the very least he was convincing to me. I think this particular says something since I'm used to seeing him as Captain Picard.

I wouldn't try to sell this off as an accurate portrayal of how DIA operatives act when they retire. I wouldn't know anything about that. I don't even know if there is such a thing as the DIA.

What I will say is that the movie is best taken as a diversion, a fun romp that keeps you interested, but it doesn't grip you like an epic. Perhaps rightly so, since the subject matter doesn't fit an epic movie anyway.

As a final note, I still don't see anything wrong with genre mixing. Why can't you have a drama that's funny, or a comedy with serious action, or whatever it is you want to blend? If it works it works, if it doesn't it doesn't, and it works for me here. (See as an example "The Big Hit," which the writer called a "hip-hop comic Hong Kong action movie") This movie is a small little tidbit, to be taken and enjoyed as such. 8/10

This movie was billed as a thriller and a semi caper film. Though I adore Patrick Stewart the movie had a very very 'Baywatch' feel, silly American production stereotypes and poor direction made it into a movie rather difficult to take seriously. Any scene with Patrick Stewart by himself is well done and believable. The other characters seem to get in the way of the main idea of the movie and blow of proportion the Clandestine sub plot (which was what the main plot was billed as) or the Maguffin if you will. This movie is worth a watch, but it isn't exciting or memorable really. Sloppy production, miscasting, misdirection and a weak story take away from what could have been a terrifying film about the middle aged 'coming of age' into senility and the fear that accompany's that.

This is a film about paranoia. When you think you're being watched, your every move being documented, your every action recorded and analyzed. Mace Sowell, an ex-military officer from a covert operations team no one knows about, is confined to his home, because he fears for his life. His daughter doesn't think that he is in danger, instead, she just thinks he's getting senile, or maybe he's just paranoid. He regularly runs 'drills' in order to keep himself prepared for any direct strike on his house. Meanwhile, he also discovers that he's slowly developing Alzheimer's Disease, which only makes things worse. The plot is great, the idea is quite original, and the movie moves along at a great pace; every scene has some development in the plot, and often it also has some great humor. The film delivers a great sense of paranoia all the way through. The acting is great, both by Patrick Stewart and Kimberly Williams. The consistent paranoia, the various intense scenes that are easily explained once they're over, the overall mood of the film, it all leads up to an exciting climax that only few will be able to figure out until it happens. All in all, a great thriller about paranoia. I recommend this to fans of thrillers, especially fans that are fond of conspiracy theories and paranoia in thrillers. 8/10

The concept of making the audience wonder whether the hero is really being threatened or is the victim of delusions, has been used several times recently. I enjoyed this take on it better than most and I love Patrick Stewart in any role! I hadn't expected it to be so heart-wrenching at times, but it was. One scene, in which Mace (P.S.)is doing a cognitive test for his doctor, was particularly effective. As a result, this was not only a suspense movie it had some very realistic portrayals of the slow but steady mental decline of Alzheimer's victims--and how tragic that is, as they realize it is happening. I think I appreciated that accurate and informational aspect as much as I did the mystery of Mace's activities with his complex computer set-up. I watched this while walking on my treadmill and usually do a movie in two sessions. This one kept me going through the entire time.

I usually don't rent movies from the video store that I haven't heard of before, except from another video store. Chances are I'll end up watching something that deserved the straight-to-video fate it received. Every once in a while I need to be reminded why. "Safe House" is that reminder.

The house that Patrick Stewart's character lives in is a real beauty. If I had that kind of money, I'd be happy to live there -- Mace Sowell wouldn't even have to take any of the decor or furniture with him. I mean, aside from the fact that it has more weaponry than the United States Marine Corps and Ghengis Khan's army put together, Sowell is really living it up. If there's one line of truth in the screenplay, it's when Kimberly Williams compliments him on his great taste.

Plot holes are too great in number to count, and it's a waste of energy to resent a ludicrous twist ending when the whole movie has been pulling the rug out from under you up until then. What I did resent was the really awful acting job by Stewart. I know he's a good actor; he did "A Christmas Carol" on stage, and played all the characters. He gives the "Star Trek" films, like the TV series they are based on, a solid foundation. He gave an outstanding supporting performance in "Conspiracy Theory." Here he just isn't suited for the role. I wasn't able to accept him as an Alzheimer's sufferer, or even an infirm old man. He's about as believable as Denzel Washington would be as a movie villain -- who's going to buy that?

Minus Stewart, I would have liked to have seen a movie about a man suffering from Alzheimer's disease, and his dealings with his beautiful young caretaker (though you might skip the romance angle). That part of the story thankfully manages to avoid the "Driving Miss Daisy" cliches, if not the "Charly" cliches. Even better, I wouldn't mind a movie about an ex-DIA operative shacking himself up in a SoCal mansion with hundreds of thousands of dollars worth of high-tech security equipment and heavy artillery, and his constant "drills." But both? I don't think so. By the end of "Safe House" I was tired of the characters, tired of being jerked around, tired of the laughable dialogue, and tired of the pool cleaner's movie star impersonations. But I was not tired of looking around that house.