Un homme a l'opportunité de retrouver la fille de ses rêves du lycée, même si leur rendez-vous de l'époque était un désastre complet.Un homme a l'opportunité de retrouver la fille de ses rêves du lycée, même si leur rendez-vous de l'époque était un désastre complet.Un homme a l'opportunité de retrouver la fille de ses rêves du lycée, même si leur rendez-vous de l'époque était un désastre complet.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 17 victoires et 17 nominations au total
- Boss' Brother
- (as Dan Murphy)
- Detective Krevoy
- (as Richard M. Tyson)
Avis à la une
This is the Farrley Brothers at their funniest. The idea is simple, a guy (Ben Stiller) who had a crush on a woman (Carmen Diaz) he knew since high school and continued to yearn for her privately, finally getting an opportunity to try to reconnect what never got going. This is something almost everyone can identify with.
What makes this work...is its a dead-on hard hitting comedy. The Farrley Brothers spared no one: male or female, handicapped or able bodied, black or white, rich or poor, job or not, straight or gay, animal or vegetable, blonde or brunette, educated or not. It is NOT a cinematic masterpiece so don't look for one, it is not a punch line comedy or slapstick comedy, it is sophomore humor done very well because you're going to be laughing at what you think you shouldn't no matter how much you want to say you would never laugh at something like that.
Plus the Farrley Brothers added in "some things" that...well... may have just happened to you at some point in your adolecence, and put a comedic/gross quality to it that shocks you into laughing at it. All through the film you might laugh because you're thinking, "Better them than me".....even if it was you!
Not for eveyone's taste, even those who think they know comedy, but this is that kinda comedy that is hard to do once you've reached maturity and forgotten what it was like to laugh at simple things. This is as simple as it gets. Don't put too much into it, it is what it is, and to me, it was really funny! Good Show!
**** (out of 4)
I remember seeing this film on opening night at the very first screening. The place was about full and I really wasn't sure what to expect from the film but I went in since it was the only movie playing that I hadn't already seen. From the opening scene to the end it hit me as a masterpiece and I think it still stands as one of the greatest comedies ever made. About half of the crowd members in that first showing walked out in disgust and one even asked me how I could laugh at such things but I went back and watched it four more times and it seemed, weeks after its release, people finally got what was so special about the movie. This is one of the few comedies that keeps my eyes watered up from laughing so hard. The hilarious prom sequence, the drugged up dog, the wacky group of characters and the hilarious jail sequence. There are so many hilarious moments in this film that I think it deserves it's statue as a classic. Cameron Diaz, Matt Dillon, Ben Stiller, Lee Evans and Chris Elliott are all wonderful in the film and all of them have the perfect comedy timing to really make all of their characters blend together well. I also think Keith David, as Mary's stepfather, doesn't get the credit he deserves because the hysterical prom sequence gets a lot of laughs due to his humor. The gross out nature of the film is something that was original and of crouse ripped off in future years. After this film was released we started getting all sorts of "gross" comedies but I think the majority of them missed the boat because they didn't realize that this film had a very big heart, which helped the movie.
Le saviez-vous
- Anecdotes(at around 18 mins) Dropping Ted on the stretcher wasn't scripted. When it happened, they cut to make sure Ben Stiller was okay and then thought it was so funny they left it in.
- GaffesIn the shot where Ted ducks to avoid being mauled by Puffy, a hand can be seen on the left side of the shot throwing the prop Puffy out the window.
- Citations
Hitchhiker: You heard of this thing, the 8-Minute Abs?
Ted: Yeah, sure, 8-Minute Abs. Yeah, the excercise video.
Hitchhiker: Yeah, this is going to blow that right out of the water. Listen to this: 7... Minute... Abs.
Ted: Right. Yes. OK, all right. I see where you're going.
Hitchhiker: Think about it. You walk into a video store, you see 8-Minute Abs sittin' there, there's 7-Minute Abs right beside it. Which one are you gonna pick, man?
Ted: I would go for the 7.
Hitchhiker: Bingo, man, bingo. 7-Minute Abs. And we guarantee just as good a workout as the 8-minute folk.
Ted: You guarantee it? That's - how do you do that?
Hitchhiker: If you're not happy with the first 7 minutes, we're gonna send you the extra minute free. You see? That's it. That's our motto. That's where we're comin' from. That's from "A" to "B".
Ted: That's right. That's - that's good. That's good. Unless, of course, somebody comes up with 6-Minute Abs. Then you're in trouble, huh?
[Hitchhiker convulses]
Hitchhiker: No! No, no, not 6! I said 7. Nobody's comin' up with 6. Who works out in 6 minutes? You won't even get your heart goin, not even a mouse on a wheel.
Ted: That - good point.
Hitchhiker: 7's the key number here. Think about it. 7-Elevens. 7 dwarves. 7, man, that's the number. 7 chipmunks twirlin' on a branch, eatin' lots of sunflowers on my uncle's ranch. You know that old children's tale from the sea. It's like you're dreamin' about Gorgonzola cheese when it's clearly Brie time, baby. Step into my office.
Ted: Why?
Hitchhiker: 'Cause you're fuckin' fired!
- Crédits fousA montage of scenes from the film as well as outtakes involving the cast lip-syncing to The Foundations' song "Build Me Up Buttercup" runs during the end credits.
- Versions alternativesAn extended version which runs 10 minutes longer was released on DVD:
- The credits start as clay animations which then blend into real people.
- Ted talks with Woogie about his session with the psychiatrist. Ted thinks he is a loser. Woogie tries to lift Ted's spirits by telling him how lucky he was, when his brother got killed in an explosion so that his kidneys could save Ted's life.
- Healy and his buddy Sully visit his apartment. When parking the car, the guy brags how easily it is to pick up women in Miami.
- Healy admires Sully's apartment and gets to know Bill, the python.
- Mary tells Magda she shouldn't drink alcohol that early in the morning cause she stinks like a distillery.
- Sully who gets a phone call from Healy because of the borrowed car. Healy made Sully sniff cocaine.
- Whilst helping a disabled man move, a reporter meets him halfway up the steps to tell him that he parked his car in the handicapped area.
- At the architecture exhibition Tucker asks Healey for his business card.
- In front of Marys house, Healy asks if he may touch her breasts.
- Sully is shown sniffing coke.
- Sully is shown lying on a couch. There are some shots of his dog and Bill, the python, which he hasn't fed in ages.
- Mary admits to Magda that when it came to Healey, she had trusted her head and not her instincts.
- After Healy exposes Tucker, the orderer of the pizza appears. Tucker throws the pizza after him.
- The barkeeper in the strip-club knows Tucker has no money and threatens to throw him out.
- The fight Puffy vs. Ted is longer.
- At Sully's apartment Ted and Healy see Bill, the python. Healy assumes that Bill ate the dog. We learn that neither Healy nor Tucker sent the letter to Mary. Then suddenly Sully's dog comes and Healy realizes that Sully was eaten by Bill.
- ConnexionsEdited into Tough Guise: Violence, Media & the Crisis in Masculinity (1999)
- Bandes originalesThere's Something About Mary
Written and Performed by Jonathan Richman
Jonathan Richman appears courtesy of Vapor Records
[Played during the opening titles]
Meilleurs choix
Détails
Box-office
- Budget
- 23 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 176 484 651 $US
- Week-end de sortie aux États-Unis et au Canada
- 13 740 644 $US
- 19 juil. 1998
- Montant brut mondial
- 369 884 651 $US
- Durée1 heure 59 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1