Escapade à New York

The Out of Towners could have easily been called The Empty Nesters, or perhaps The Empty Plotters.

Goldie Hawn and Steve Martin play Alice and Henry, a husband and wife of 27 years who's last child, (he's in his twenties) is tearfully sent off to Europe early in the film. He's not crying, they are, or are likely to. Anyway the parents flinch and then head off from their hick home town in Ohio to New York.

Henry has a job interview to attend and we all know what middle aged, middle order executives looking for a job might run in to, at least in an intelligent script written properly for the nineties.

The Out Of Towners was based on a screenplay penned by Neil Simon in the early 70's. The story has been re written for this version but it seems that the comedy slant was firmly in the sights of the producers. The plot was therefore left high and dry. It needed a much heavier rewrite.

Henry and Alice have both been in advertising, but Alice has given the game away while she's been mothering the children. Henry is tired and a bit dowdy. It would be expected that a truly modern script would have found Alice moving back into her old career and Henry taking on home duties.

Henry says as much in the film! Their daughter has also been accruing horrendous credit card debts on cash stricken Dad's card. This is glossed over in happy land Hollywood. And what's to become of Alice? She's lost for a career.

So this emasculated script is left to flounder and to rely on a good deal of slapstick. Neil Simon's clever dialogue is largely gone, and the plot is without depth.

We're left with a good deal of arm flapping, particularly from Goldie Hawn. As I write this, The First Wives Club (much, much funnier than The Out Of Towners) is on TV in the same room and there's Goldie again, arms a flapping, bum a poutin'.

If there's a chair either Henry or Alice will fall over it, and as is the way these days, if there's a buffoon sidekick, he'll be gay.

But still, except for it's contrived, energetic humour, which some patrons will enjoy immensely, The Out Of Towners does work reasonably well. There are one or two warm smiles, and perhaps a laugh or two, but really a bit more heart and common sense and a dose of plot credibility would have been an advantage.

Henry and Nancy Clark have been married for 24 years and it is starting to show. Henry has lost his job but has kept it secret and plans to get a new job in New York. Having had their last child move out of the house the day before, Nancy isn't sure what to do with her time and decides to join Henry on his trip to New York. However a fog-bound city sees them diverted to Boston and struggling to get to their destination. Actually getting into Manhattan is only the first challenge in an eventful 24 hours that could only happen in New York!

Nothing about this film suggested that it would be anything special; in fact the presence of Marc Lawrence as writer only promised the sort of safely comic humour that he produced with Two Weeks Notice, Miss Congeniality and similar projects. And from the very start it is obvious that Lawrence has produced his usual standard and that director Weisman has no aspirations to do more than churn out a rather derivative but amusing rom-com. So that is just what we get and if that is OK with you then you should be alright, although hardly impressed. The plot bumbles along from one unlikely scenario to the next; most of them are ho-hum but occasionally it tickled me. Most viewers (myself included) will find it all a bit obvious and weak but the undemanding will maybe find it amusing enough to serve as a distraction.

Part of the film working (albeit on this level) is the partnership of Martin and Hawn. Even with the rather obvious material to work with, they do work well together and produce some laughs where they may not have existed on the page. Martin is only ever a hair away from mugging but, although not a shade on his former glory, he fits the lazy tone well. Hawn is a bit less convincing but is still quite amusing; the only problem with her is that she has to carry the more emotionally complex character and she can't get that right and mainly just overplays it for easy laughs, robbing the film of the engaging realism that it needed to have if it really wanted to pull off the emotional ending (which of course it doesn't actually want to do!). Cleese is embarrassing and can do nothing with the poor material he is served with – it is pretty much below him and it shows.

Overall then a totally by-the-numbers, obvious little romantic comedy. It is fairly forced and contrived which was a problem but bits of it rose above the rest and generally it provided just enough to be distracting for those in an undemanding mood. However the majority of us will see something that lacks any real effort and it doesn't encourage me to do much into it when watching. The two leads brighten it up a little bit but it is hard not to see the glaring lack of originally and spark at pretty much every turn.

When I went to the sneak preview, I was afraid they would give me 'Runaway Bride', but they managed to come up with something so full of nothing, that I almost left during the break (and I have never done that), and I wouldn't have had to convince my friends. This thing is filled with jokes that I would be ashamed to come up with, like a candy bar stuck in the machine. We have never seen that before right? At one point Steve Martin is sitting in a Limo, and realizes he swallowed an XTC pill, then jumps out of the car and starts to rape a tree. John Cleese was the only funny part, but do yourselves a favour, and go see 'Runaway Bride'. I am sure it's much better. Dennis Pennis was right.

I have always enjoyed Steve Martin and Goldie Hawn; however, I'm not to sure they work to well as a comedy duo. In one of Martin's previous roles he had played a dramatic role in "The Spanish Prisoner", which seemed to fit him better than play a comedic part. The jokes in this movie seemed to be old and unoriginal. I can't deny that this film was all bad; I did enjoyed bits and pieces of it; however, it seemed like it had been done before under the guise of a different movie title. It just did not have originality for me to keep my attention. It is a light hearted film that is worth seeeing at home for rent. I am just happy I didn't spend money to see at the theatres.

I loved the original, Jack Lemmon at his best. Great story, typical Neil Simon script. I'm not a Sandy Dennis fan, but she was very good in this role, surprisingly.

Two of my favorite comedic actors are Goldie Hawn and Steve Martin. I grew up on them. But, they just don't cut the mustard in this remake. I can't place my finger on it, but it just isn't funny. It's not just the writing, it's the actors and their direction.

I was so excited when this movie was released. Who doesn't love John Cleese? Well, I don't in this role. I did enjoy seeing a great stand-up comic, Steve Mittleman, in a cameo role in the early portion of the film. Mittleman was one of the funniest comics I remember from my childhood days.

This movie is a waste of time.