Le Géant de fer

An ambitious take on Ted Hughes' 1968 children's book The Iron Man, director Brad Bird's The Iron Giant works well as both archetype-infused allegory and heartstring-tugging tale of friendship. Set in small town Maine in the 1950s at the height of Cold War paranoia, the film explores the relationship between a lonely, fatherless boy (a photo on a nightstand hints that the father was a combat pilot killed in WWII) and a monstrously huge, hulking metal behemoth (the origins of which are brilliantly left to the imagination). The animation marks a welcome contrast from the virtually ubiquitous Disney template, with the human characters bearing a stylized, comic book exaggeration that fits perfectly with the story material. The Iron Giant has more than enough imagination and sparkle to interest kids and adults, and nicely balances its action-adventure aspirations with a solidly-crafted sense of moral purpose.

Sometimes when watching an animated feature, I spend my time saying, "What great animation." When this happens, I wonder if I am doing what the producers wanted me to do. Like so many things, should I be so enamored with the technical part of the movie that I am distracted from the content. As I watched "The Iron Giant" I realized I had forgotten it was an animated feature. Don't get me wrong. I knew the enormous title character was animated, but the relationships among the characters and the intelligence of the script caused me to forget that these weren't actors. The movie is filled with tender moments, especially as they relate to our feelings of our own mortality. What I enjoyed is that the grownups aren't treated as garden variety bad guys. Even the military, which is nearly always portrayed as evil, finds itself in a contradictory position--having to go on faith. The animation is wonderful, but so are the "performances." No spoilers here, but I think the ending is a lovely tribute to the spirit of the life force in all of us--even those of us not made of metal. See this. It is one of the better movies of the year.

All too often, "family films" are only infantile, simplistic formulas with a few self-referential and pop-culture jokes thrown in to try and keep adults awake. But then along comes something like "The Iron Giant", which is sophisticated enough to demand respect while maintaining a mythic and pure-hearted tone that actually does appeal to the kid in everybody.

"The Iron Giant" is refreshingly non-Disney in no end of ways. Characters seem real and chosen to fit the story, instead of being a superficial reshuffling of an old formula. The animation definitely has its eye-popping moments, but there are also scenes of great wonderment, pathos, and humour that only top-drawer animation can convey. The Giant itself is a great character, who only becomes MORE interesting as the film continues (another huge break from Disney). No scene is wasted in this film, either; every set piece, even the really funny ones, helps either to establish the "world" of the movie, or to advance the plot. At no time do you feel that you are merely waiting for the story to crank up again.

"The Iron Giant" is funny, exhilarating, and touching as well. It's sad to see it failing at the box office, as a blunt reminder that the success of films is often in direct proportion to their publicity budget. Hopefully, though, word-of-mouth will come to its rescue. Go see it! Tell your friends! Then go again! (Repeat as necessary.)

P.S. I find myself comparing the Iron Giant character to Martin Donovan's character in "Amateur". If there is anyone else on earth who has seen both films you may wish to entertain the notion yourself.

"The Iron Giant" is the kind of animated film you wish there was more of. It respects the audience's intelligence, it has genuine emotion without resorting to schmaltz, and best of all it balances fantasy (well, science fiction) with believability. I think Warner Brothers animation has out-Disneyed Disney by adding thoughtful writing to clean, understated animation. What a concept!

The story is deceptively simple: Iron Giant falls from the sky at the dawn of the Space Race and befriends a young boy. But within that framework we get a double story, one for the grown ups and one for the kids, but the message is essentially the same one: paranoia and violence begets violence. I appreciate very much, as others who have commented, that no one burst into incongruous song and that there were no cutesy animal sidekicks. I should add that there were no clever yet implausible plot twists, nor were there any stock characters. The bad guy gets a little overheated, true, but he is never the embodiment of all things evil. The townspeople are your average small town Americans, not bumpkins. Mom is, well, mom-ish, caring but neither shrewish nor prone to whimpering outbursts. And our hero is plucky but not annoyingly precocious.

A BIG plus for this film is how well it weds the computer animation to the hand-drawn animation, a feat that the Big Mouse hasn't mastered yet. Even as recently as "Tarzan" it is glaringly apparent what parts are computer graphics and which aren't, and the contrast is very distracting. "The Iron Giant" makes a virtue of streamlined animation that draws your eye to the beauty of its color and motion.

It was a very VERY distinct and unusual pleasure to be treated to a film such as this. Give us more . . . please!

I have only just recently rewatched this classic and it is as good today as the first day I saw it.

I love the setting of this, back in the 50's during the height of cold war tension and fear of alien invasion.

This movie has a great balance, just enough character development, enough action scenes and enough tension to keep you glued for the hour and a half play time.

It is aimed at kids for sure but adults would enjoy watching this one just as much.

The characters are all endearing that you really get attached to them. The bad guy is less evil and more of an authoritarian trying to do their job regardless of emotions involved. It makes for a fun movie for all ages.